Gobbledygeek episode 146, “We Are the Only Love-Gods,” is available for listening or download right here, and on iTunes here.
This week, Paul and AJ discover that silence is perfectest herald of joy; if they were but little happy, they could say how much. You’re kidding yourself, though, if you thought that meant they would shut up. Nope, there’s plenty of talk about Joss Whedon’s delightful Shakespeare adaptation Much Ado About Nothing, as the boys gush about the cast (Amy Acker and Alexis Denisof together again!), delight in the embellishments and grace notes Whedon has added to the text, and discuss how successfully the film blends Old English with 21st century trappings. Much ado, indeed.
Next: we’re making up for not taking the Fourth of July off by taking next week off, but when we return, we shall be discussing Guillermo del Toro’s Pacific Rim.
(Show notes for “We Are the Only Love-Gods.”)
Saying this upfront: NO SPOILERS. Paul and I have also discussed the film on the show.
Stop me if you’ve heard this one before. A bunch of kids pack into an RV for a weekend of fun, sex, and sexy fun. That they encounter the extremely creepy owner of an ancient gas station on the way does nothing to deter them from their destination: a remote cabin in the woods, owned by one of the kids’ cousins. The place immediately seems a little off, there’s some disturbing stuff in the cellar, someone maybe reads Latin, and eventually bloody mayhem ensues. Though they should know better, each one succumbs to some very stupid behavior for which they will be punished.
This is the set-up for dozens, maybe hundreds, of horror movies. The Cabin in the Woods is something different. When we first meet these kids, they seem like lively, intelligent college students. They don’t seem like they would do some of the dumb things they end up doing. Which seems par for the course for this kind of movie, except The Cabin in the Woods dares to offer a justification as to why the victims would seemingly offer themselves up as fodder. There’s more here than meets the eye. Characters played by Richard Jenkins and Bradley Whitford are part of a shadowy organization which makes everything much more complicated. This I guarantee: If you’ve only seen the ads, which paint the movie as your generic Halloween Saw Massacre deal, it is not that. At all.
You may have heard of The Avengers, the massive superhero blockbuster that Joss Whedon and his team of magicians have been feverishly working on for a year or two. However, like myself, you may not have known that when one is writing and directing one of the most anticipated comic book films ever made, one also has time to write and direct a totally unrelated film starring about half the people one has ever worked with. Because that’s just what Whedon has done.
The film, entitled Much Ado About Nothing and presumably an adaptation of the Shakespeare play, has completed principal photography without anyone having noticed. For years now, Whedonfolk have spoken of the man’s private Shakespeare readings in hushed tones, and it appears he has wrangled many of them into the movie: Alexis Denisof, Amy Acker, Nathan Fillion, Tom Lenk, Fran Kranz, Reed Diamond, and Clark Gregg have all worked with Whedon before. There’s no word on how the film will be distributed, be it conventionally or, like Dr. Horrible’s Sing-Along Blog, as another Web venture.
Speaking of Dr. Horrible, this announcement reminds me of how it felt when we were all made aware of that Whedon project: like a beautiful, unexpected present had fallen from the heavens onto our collective doorstep. If you can’t tell, I am excited.
Last night, Paul and I reached the conclusion of our countdown of the Top 100 Characters in Modern Pop Culture. Here are choice excerpts from our top 10′s, but be sure to listen to the whole show to hear everything we said:
PAUL: Calvin & Hobbes (Calvin & Hobbes)
The series was not only the funniest comic strip of all time (and on this point I will brook no dispute), but it was almost the most philosophical, satirical, and thought-provoking.
AJ: Death (The Sandman)
With the usual concepts and presentations of Death’s visage from Western culture so ingrained in my mind, just the idea that Death didn’t have to be gloomy or terrifying, and instead could be a radiant beacon of hope, felt stunningly fresh and bold to me.
On last night’s show, Paul and I continued our countdown of the Top 100 Characters in Modern Pop Culture with #s 30-21. Be sure to listen to the show for our full run-downs, but here are some choice excerpts:
PAUL: Scott Pilgrim (Scott Pilgrim series)
The series is about Scott growing up, about his evolution, and if you as a reader are patient and invested, it absolutely pays off by the end.
AJ: Norma Desmond (Sunset Blvd.)
Norma is a bizarre, grotesque caricature, wanting to hold a funeral for her pet monkey at the film’s beginning and given to lots of other disturbingly narcissistic actions.
Catching up! In episode 17, Paul and I continued our countdown of the Top 100 Characters in Modern Pop Culture with #s 70-61. Be sure to listen to the show for our full run-downs, but here are some choice excerpts:
PAUL: Daniel “Oz” Osbourne (Buffy the Vampire Slayer)
Buffy the Vampire Slayer was a series filled to the gills with loquacious and snarky characters, but Oz was unique: he was taciturn and snarky!
AJ: Enid Coleslaw (Ghost World)
Enid is so cynical about everything, from her parents to her friends to the customers at the local diner. She can be hard to like at first, especially because she spends most of the book insulting anyone and everything, but eventually the walls she’s built up start to crumble.