At long last, the details of the Scott Pilgrim soundtrack have been revealed. Beck wrote and provided instrumentation for all of the Sex Bob-Omb songs? What? Really? How did I not know this? Broken Social Scene did Crash and the Boys’ songs? The Plumtree single that gave Scott Pilgrim his name (which I originally heard over at Bryan Lee O’Malley’s official Ning)? Frank Black? T. Rex? Is there any doubt this will be the soundtrack of the year? Am I asking too many questions? Am I?! HUH?! AM I?!?!?!?
While you ponder that, here’s the full tracklist:
01 SEX BOB-OMB (Beck): “We Are SEX BOB-OMB”
02 Plumtree: “Scott Pilgrim”
03 Frank Black: “I Heard Ramona Sing”
04 Beachwood Sparks: “By Your Side”
05 Black Lips: “O Katrina!”
06 Crash and the Boys (Broken Social Scene): “I’m So Sad, So Very, Very Sad”
07 Crash and the Boys (Broken Social Scene): “We Hate You Please Die”
08 SEX BOB-OMB (Beck): “Garbage Truck”
09 T. Rex: “Teenage Dream”
10 The Bluetones: “Sleazy Bed Track”
11 Blood Red Shoes: “It’s Getting Boring by the Sea”
12 Metric: “Black Sheep”
13 SEX BOB-OMB (Beck): “Threshold”
14 Broken Social Scene: “Anthems for a Seventeen-Year-Old Girl”
15 The Rolling Stones: “Under My Thumb”
16 Beck: “Ramona (Acoustic)”
17 Beck: “Ramona”
18 SEX BOB-OMB (Beck): “Summertime”
19 Brian LeBarton: “Threshold 8 Bit”
The soundtrack is released August 10, the film August 13.
Hey, Mr. AJ is a new column in which I plan on writing some things about the new music I hear. They’ll be brief reviews, divided into sections: MAXIMUM GOBBLING for the masterpieces; GOBBLE IT for the merely great; WORTH GOBBLING for other good releases; GOBBLE? for those albums which aren’t really good or bad, just sort of okay; DO NOT GOBBLE for the shitty; and RUN, DON’T GOBBLE! for the awful. Got it? Now, don’t ask me again.
by Tame Impala
I’m a Beatlemaniac, so I see the Beatles everywhere. Bear with me. On their debut album Innerspeaker, Australian psych-rock band Tame Impala manage to do what the Olivia Tremor Control did on 1996’s masterful Music from the Unrealized Film Script, Dusk at Cubist Castle; without compromising their creativity or their own unique vision, they capture the spirit of the post-Sgt. Pepper, pre-Abbey Road Beatles. Specifically, both albums remind me of the more freewheeling psychedelic cuts on Yellow Submarine, like George Harrison’s “It’s All Too Much.” Indeed, lead singer Kevin Parker’s voice reminds me of Harrison’s in that soaring, nasally way, which also makes it at times resemble John Lennon’s. But as I said, this is no rip-off, and Tame Impala sound like their own band, embracing the hazier realms of psychedelia that the Fab Four rarely did. It’s misty, delightful music that lulls you into another world with its spiraling distorted guitars, insistent drums, and far out yet pleasingly retro production techniques. Innerspeaker hasn’t made its way to the States yet, but whenever you get the chance, take a listen. You’ll be glad you did.