Tag Archives: fantasy

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Listen to Episode 130, “Talking Turkey: Noble Smith”

'The Wisdom of the Shire: A Short Guide to a Long and Happy Life' by Noble Smith

Gobbledygeek episode 130, “Talking Turkey: Noble Smith,” is available for listening or download right here, and on iTunes here.

Noble Smith joins Paul and AJ to chat about his book The Wisdom of the Shire: A Short Guide to a Long and Happy Life, his forthcoming series The Warrior Trilogy, the work of Tolkien, and so much more. Including but not limited to: the time he watched The Empire Strikes Back with Irvin Kershner, his experience as a veteran of the video game industry, and the ridiculousness of LEGOs. Plus, the boys talk Saga, The Americans, and Frederic Wertham.

Next: Kenn Edwards joins us to talk podcasts, Oscars, and probably a whole bunch of other stuff.

(Show notes for “Talking Turkey: Noble Smith.”)

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Listen to Episode 128, “What’s Your Heroic Damage”

superboyaintsohot

Gobbledygeek episode 128, “What’s Your Heroic Damage,” is available for listening or download right here, and on iTunes here.

What does it mean to be a hero? Does “escapism” have to be a derogatory term? Can good guys be as compelling as their supporting casts and villains? To explore these questions, Paul and AJ are joined by friend of the show/Broken Magic author Eric Sipple and TV writer/producer (of Angel, among other things) Mere Smith. There’s Angel talk, obviously, but also some Spider-Man and some Rurouni Kenshin, plus plenty of Eric-bashing.

Next: Rob Hunt and Joanna Gaskell from Standard Action return to tell us all about season 2!

(Show notes for “What’s Your Heroic Damage.”)

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Paul & AJ’s Top 10 Comics of 2012

We’ve already listed our favorite TV shows and movies of last year, and we’ve got a couple more lists just before the new season begins. Here are our favorite comic books of 2012; check back tomorrow for our favorite albums (though, considering our extensively detailed history of not knowing how to talk about music, with YouTube clips instead of commentary).

PAUL: 10. THOR: GOD OF THUNDER (Marvel)

Thor in 'Thor: God of Thunder' #1. Art by Esad Ribic.

There was a period of time when Thor was my favorite character in comics. The golden Walt Simonson era was for me the height of otherworldly sword and sorcery super heroics. And while its been quite some time since the character has achieved anything close to that level of wonder, in recent years he’s enjoyed something of a renaissance. From his “death,” to his literal return to Earth under the guidance of J. Michael Straczynski, to his big screen debut, the petulant son of Asgard is kind of back in a big way.

Thor: God of Thunder is the newest incarnation of the title, with the unlikely writer Jason Aaron giving us a triptych of thunder gods, a tale of an alien butcher seeking to torture and destroy all deities told across three different periods of Thor’s life. We see young, arrogant Thor (pre-Mjolnir) and his first meeting with Gorr the God Butcher; modern-day Avenger Thor going full CSI trying to solve the mystery of who or what Gorr is; and far-future Thor, old and broken, sitting on the throne of an empty Asgard, the last surviving god, waiting for Gorr to finish him. It’s a brutal, bloody, and fascinating premise, though I do wish Gorr was slightly more imposing-looking rather than just being a Voldemort rip-off. Aaron creates a genuine mystery and sense of danger with real stakes for our hero, and the painterly art of Esad Ribic suits the romantic epic nature of the story. It’s not quite Simonson-level Mighty Thor (there’s thus far no Beta Ray Bill here), but Thor: God of Thunder is the best the character has been in a long time.

AJ: 10. ANGEL & FAITH (Dark Horse)

Angel, Willow, Connor, and Faith in 'Angel & Faith' #14. Art by Rebekah Isaacs.

I know Whedon fandom is crazy, but I might just be the biggest Buffy fan on the planet. That’s a huge claim, and while I haven’t tattooed James Marsters’ face on my ass or anything (yet), it really is difficult to describe how much Joss Whedon’s world means to me. Without Buffy the Vampire Slayer, I wouldn’t be here today. You wouldn’t be reading these words and I would have even less of an idea of what I want to do with my life. So it pains me greatly to say that the canonical Season 8 and Season 9 comics, though they have certainly had their moments, are largely disposable and occasionally worse. But then there’s Angel & Faith, which has done the impossible, making a monthly comic book series feel like the weekly television shows we fell in love with all those years ago. Christos Gage knows these characters inside and out, both their voices and their motivations. It’s never a question of if the comic will tie back into the shows’ stated mythology, but when and how spine-tingling those connections will be. These are the characters I have loved for a good deal of my life in a story that’s being brilliantly told by Gage and brought to life with wonderful clarity by artist Rebekah Isaacs. If you’re skeptical about Buffyverse comics, you have every right to be, but this one should be a priority.

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Paul & AJ’s Top 10 Films of 2012

Last week, we discussed our favorite TV series of the last year. This week, we turn to the big screen.

PAUL: 10. DJANGO UNCHAINED (dir. Quentin Tarantino)

Jamie Foxx in 'Django Unchained'

With Django Unchained, director Quentin Tarantino takes us once more back to a terrible moment in our history, and once again asks us to indulge him his little anachronisms and revisionist revenge fantasies. This time, instead of Nazis and baseball-bat-wielding Jews, we get slavers and bounty-hunting dentists. Set in the pre-Civil War Deep South, Unchained is Tarantino’s homage to the Spaghetti Westerns of Leone and Corbucci, which he prefers to call his Spaghetti Southern. I’ll say that the absence of editor Sally Menke is sharply felt here, though. If I, of all people, notice the nearly three-hour runtime, then there could’ve been some tightening. The cast is great across the board, including a list of hidden cameos longer than my arm (among others, original Django Franco Nero makes an appearance). Jamie Foxx is great in the title role, though I imagine what Will Smith could’ve done with the part, as was the original intent. Leo DiCaprio, Samuel L. Jackson, and Walton Goggins all shine in their respective roles. Kerry Washington was reduced to little more than the damsel in distress, however, which is unusual for a Tarantino picture. But the standout here is Christoph Waltz. He is every bit as charmingly heroic and admirable this time as he was charmingly repulsive and hateful in Basterds.

AJ: 10. MOONRISE KINGDOM (dir. Wes Anderson)

Kara Hayward and Jared Gilman in 'Moonrise Kingdom'

Wes Anderson’s films often have a childlike quality about them, whether it be his colorful storybook compositions or the petulance of many of his characters. So it’s fitting that he’s finally made a film about children, one in which the kids are on the run from what’s expected of them and their adult guardians are forced to accept the roles they’ve played in their children’s abandonment of them. Newcomers Jared Gilman and Kara Hayward, both in their first screen acting roles, give perfectly awkward performances. Anderson regulars Bill Murray and Jason Schwartzman are in their element here, while Frances McDormand and Tilda Swinton join the auteur’s troupe with ease. Perhaps most encouragingly, Moonrise Kingdom is the first sign of life in years from Bruce Willis–who, with a movie soon to appear on our lists, proved later in the year that he’s most definitely still kicking–and Edward Norton, two actors who really needed a movie like this.

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Paul & AJ’s Top 10 TV Series of 2012

On this, the eve of 2013, Paul and I begin to look back at some of our favorite things of 2012. First up, our ten favorite TV series.

Also, let’s give a slow clap to Paul, who struggled through severe illness just to get these words to you, dear reader. A speedy recovery to you, sir!

- AJ

PAUL: 10. PARKS AND RECREATION (NBC)

Adam Scott, Amy Poehler, and Rashida Jones in 'Parks and Recreation'

Season 5 gets out of the office a little bit, with Ben and April in Washington D.C. (with an evil robot congressman). Ron gets a new love interest (the always lovely Lucy Lawless). Tom starts a new business. And Andy finds a new career.

AJ: 10. GAME OF THRONES (HBO)

Peter Dinklage in 'Game of Thrones'

What Game of Thrones did in its first season was nothing short of exceptional, a 10-episode narrative that goes down as one of the finest accomplishments the medium has seen thus far. And while the second season struggled at times to recapture that majesty, it certainly wasn’t for lack of trying. The scope and breadth of George R.R. Martin’s world remains impressive; the cast, especially Peter Dinklage as the kind of noble imp Tyrion Lannister, continues to knock out high fantasy material that would crush lesser actors; and thrilling hours like “Blackwater” remind us that this is the closest thing we have to a Lord of the Rings on TV. And it’s a whole lot nastier and sexier, too.

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Listen to Episode 113, “Star-Cross’d Lovers and Space Cowboys”

Gobbledygeek episode 113, “Star-Cross’d Lovers and Space Cowboys,” is available for listening or download right here.

We’re taking a trip to outer space this week as we look at Brian K. Vaughan’s latest comic book series, Saga, which just wrapped its first arc last month; and Joss Whedon’s Firefly, which just celebrated its tenth anniversary. Paul and AJ discuss the weirdness and gorgeousness of Saga, then think about where they were when Firefly first aired and how they felt watching it become a cult phenomenon after its cancellation. Plus, Paul discusses the cassowary presentation he’ll be delivering at the National AAZK Conference, AJ muses on The Master, and more!

Next: do you know the Muppet man? We’ll be discussing the works of Jim Henson.

(Show notes for “Star-Cross’d Lovers and Space Cowboys.”)

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Listen to Episode 111, “Eleventy-One”

Gobbledygeek episode 111, “Eleventy-One,” is available for listening or download right here.

Bust out your robes and light your pipes; the boys take a look at Rankin/Bass’ 1977 animated adaptation of The Hobbit. Which also happens to be trippy as balls. They delight in the film’s weird charm and marvel at the fact that John freaking Huston voices Gandalf, among other hippie-esque things in a very hippie-esque film. Plus, Paul catches up on some comics, AJ is conflicted over the forthcoming Kindle Fire HD, and someone apparently remembered that we have a Formspring.

Next: an enlightening discussion of film criticism, I’m sure.

(Show notes for “Eleventy-One.”)

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Listen to Episode 108, “Grave of the Rabbits”

Gobbledygeek episode 108, “Grave of the Rabbits,” is available for listening or download right here.

We know that every episode of Gobbledygeek makes you cry, but this one might especially depress you. It’s Geek Challenge time once more, so Paul has tasked AJ with watching the 1978 animated adaptation of Watership Down; in turn, AJ has challenged Paul to watch the 1988 anime Grave of the Fireflies. One is about the brutal escape of a group of rabbits from their soon-to-be-demolished warren. The other is about the brutal attempts at survival made by a very young brother and sister after their home is demolished in WWII-era Japan. Both are very sad. To lighten the mood, AJ talks about watching every episode of Childrens Hospital over the last week, and both of them discuss the addition of Ciarán Hinds to the cast of Game of Thrones.

Next: as summer winds down, it’s time to take a look ahead at the Fall/Winter Movie Preview.

(Show notes for “Grave of the Rabbits.”)

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Four-Color Flashback: ‘Preacher: Vol. 9 – Alamo’

Welcome to the final week in our discussion of Garth Ennis and Steve Dillon’s Preacher. For more, read weeks 1, 2, 3, 4, 5, 6, 7, and 8.

Paul: It ends here.

Nine volumes. 66 issues. Five one-shot specials. A four-issue tie-in miniseries. And a tanker truck full of blood and guts. Our pissed-off preacher, gun-toting girl Friday, and blood-drinking BFF all converge, where else? Texas. The Alamo, to be precise. And things get both big and small, epic and very, very personal.

Oh, and one poorly written report gets taken out behind the woodshed and shot the fuck up.

So AJ, mi compadre, what did you think of the grand finale?

AJ: Where to begin? Perhaps it’s best to start with my one sizable complaint before moving on to everything that worked so, so well here. Last week, we talked about the watering-down of Herr Starr, of how even though he’s the series’ ostensible antagonist, his misadventures have often been treated as comic relief. Maybe I just wasn’t paying enough attention, but I completely failed to realize that taking revenge on Jesse had supplanted bringing about Armageddon as his goal in life. So when he announced his plans to the Elite Council, I was just as confused as they were (luckily, I didn’t get murdered right after). I feel like a discussion of Starr as the series’ Big Bad could take up its own post, so I’ll just say that though I loved the vast majority of what we ended up getting, I can’t imagine what an epic ending Armageddon could have provided.

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Four-Color Flashback: ‘Preacher: Vol. 8 – All Hell’s A-Coming’

Welcome to week 8 of 9 in our discussion of Garth Ennis and Steve Dillon’s Preacher. For more, read weeks 1, 2, 3, 4, 5, 6, and 7.

AJ: Here we are. The penultimate volume of Preacher. Given the title and the fact that we’re very near the end, I thought there would be a lot more violence and bloodshed. Instead, All Hell’s A-Coming turns its focus inward, with a lot to say about our heroes and their pasts. The past is a big theme here, not only because of the extended flashbacks but also because people and things from long ago keep coming back to add wrinkles to the story.

Speaking of those extended flashbacks, where should we start: Tulip or Cassidy?

Paul: I say we take it in order, so Tulip.

AJ: The beginning of this volume is all kinds of heartbreaking. A listless Tulip dragging herself out of bed, trying and failing to find the drugs she’s felt she’s needed for these past months. Last we saw Cassidy, we were beginning to realize that he might not have been the fundamentally decent person we thought he was. That continues in the opening scene, as he tells Tulip that everything’s all right, she only needs her medicine, and “Don’t make me take that fuckin’ guy away from you.” Followed immediately by Tulip blasting him into the sunlight. Tulip flees the hell that Cassidy has made for her, then we learn all about how she became who she is.

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