Art from ‘The Sandman’ #49 by Jill Thompson, Vince Locke, and Danny Vozzo.
Gobbledygeek episode 201, “The Sandman: Vol. VII – Brief Lives (feat. Eric Sipple),” is available for listening or download right here, and on iTunes here.
Change is important. It’s also a bitch. The Endless turn and face the strain as Paul and AJ continue their Four-Color Flashback exploration of Neil Gaiman’s The Sandman with Vol. VII: Brief Lives. Joining them by request (his request) is Broken Magic author and The Deli Counter of Justice cohort Eric Sipple. The gang discusses Dream and Delirium’s quest to find their brother, Morpheus growing as a person (or whatever he is), the brief stories and briefer lives embedded within the volume’s arc, and how nothing ever stays the same. Brief Lives is the pivotal installment of the series…everything after is fallout. Plus, Paul and Eric gush over Gwen Stacy’s resurgence in Edge of Spider-Verse.
Next: before Gobbledyween takes over the month of October, the boys are joined by Wanna Cook? authors K. Dale Koontz and Ensley F. Guffey to discuss the next Sandman book, Vol. VIII: Worlds’ End.
(Show notes for “The Sandman: Vol. VII – Brief Lives.”)
Gobbledygeek episode 198, “Show Me Your Predator Face,” is available for listening or download right here, and on iTunes here.
After their discussion of Alien for the epic Alien/Predator podcrawl (see information on participating podcasts in the show notes), Paul and AJ now turn to John McTiernan’s 1987 sci-fi actioner Predator. Arnold Schwarzenegger stalks the jungle, joined by the likes of tough guys Carl Weathers, Jesse Ventura, and…uh…Shane Black? Sure. They in turn are stalked by a nasty dreadlock-wearing mofo with one ugly mug. Is there anything to this movie? Not really. Does there need to be? The boys are a little divided, with Paul enjoying its macho silliness and AJ doing the opposite of that. One thing they can both agree on is that there are a lot of biceps in this movie. Plus, speaking of biceps, AJ starts watching Starz’s Spartacus on frenemy Eric Sipple’s recommendation.
Next: old friend of the show/AJ’s cousin Nathan Burdette makes his triumphant return to Gobbledygeek to discuss, among other things, the new documentary Turtle Power: The Definitive History of the Teenage Mutant Ninja Turtles.
(Show notes for “Show Me Your Predator Face.”)
Gobbledygeek episode 197, “No Means Nostromo,” is available for listening or download right here, and on iTunes here.
Before there was Juno, there was Alien, the ultimate film about unwanted pregnancy. Eggs shooting down throats, penile heads devouring yours, a brand new lifeform bursting forth from your body…Ridley Scott’s 1979 classic pokes and prods you where you don’t want to be poked and prodded. Paul and AJ kick off an epic podcrawl (see information on participating podcasts in the show notes) about the Alien and Predator films with a look back at the one that started it all, in all its psychosexual glory. Of course, there’s more underneath its skin, including gorgeous photography, eerie sound design, slow-mounting tension, a realistic ensemble, and a star-making performance from Sigourney Weaver. But it’s mostly about dicks. Plus, Gwen Stacy returns to the pages of Spider-Man comics in an unexpected way.
Next: Paul and AJ continue the podcrawl on September 3 with a discussion of John McTiernan’s 1987 classic (?) Predator.
(Show notes for “No Means Nostromo.”)
Art from ‘The Sandman’ #35 by Shawn McManus and Daniel Vozzo.
Gobbledygeek episode 193, “The Sandman: Vol. V – A Game of You (feat. K. Dale Koontz & Ensley F. Guffey),” is available for listening or right here, and on iTunes here.
When the moon hits your eye like a big pizza pie, it might just be because Thessaly’s pulled it to Earth, wreaking all sorts of havoc on the ground. This Paul and AJ learn in the latest installment of our year-long Four-Color Flashback analyzing Neil Gaiman’s The Sandman, this time focusing on Vol. V – A Game of You. Joining the boys again are Wanna Cook? authors K. Dale Koontz and Ensley F. Guffey, who have much insight to offer on Gaiman’s depiction of transgender character Wanda, artist Shawn McManus’ use of the classic nine-panel layout, and, uh, polar bears. Add to this many Wizard of Oz illusions and discussions of identity, and you’ve got something we promise makes sense. Sort of. Plus, the gang riffs on Comic-Con, including the unveiling of Gal Gadot’s Wonder Woman.
Next: ooga-chaka, ooga-chaka, it’s the Guardians of the Galaxy.
Art from ‘The Sandman’ #21 by Mike Dringenberg and Malcolm Jones III.
Gobbledygeek episode 189, “The Sandman: Vol IV – Season of Mists (feat. K. Dale Koontz & Ensley F. Guffey),” is available for listening or download right here, and on iTunes here.
Just taking a guess here, but you probably don’t want to go to Hell. Probably don’t want to rule it, either. And neither does Lucifer, the original fallen angel himself, which sets in motion the events of The Sandman: Vol IV – Season of Mists. Pop culture academics (and Wanna Cook? authors) K. Dale Koontz and Ensley F. Guffey join Paul and AJ for another installment of their Four-Color Flashback series exploring Neil Gaiman’s The Sandman. The gang finds much to discuss, whether it be the assortment of mythological envoys sent to The Dreaming, Dream’s reunion with one-time lover Nada, or even, uh, the Merkin. Plus, Dale and Ensley went to Slayage, which was the opposite of Hell. Though the squirrels might beg to differ.
Next: we’ll be chatting about independent film and local business with Kurtiss Hare of Akron, Ohio’s brand new Nightlight Cinema.
(Show notes for “The Sandman: Vol IV – Season of Mists.”)
Art from ‘The Sandman’ #8 by Mike Dringenberg and Malcolm Jones III.
Gobbledygeek episode 177, “The Sandman: Vol. I – Preludes & Nocturnes (feat. Eric Sipple),” is available for listening or download right here, and on iTunes here.
You ever have that dream where Paul and AJ are discussing the greatest comic book of all time in ten spoiler-free monthly installments? Yeah, us too: beginning with this episode, the boys bring the Four-Color Flashback feature to the show, dissecting Neil Gaiman’s The Sandman through the rest of the year. Friend of the show (at this point, he’s more of a lover) Eric Sipple joins us for a discussion of The Sandman: Vol. I – Preludes & Nocturnes. The great tale of Morpheus, lord of dreams, gets its start in a fashion that’s not always representative of what it would become (DC superheroes), but the gang is on hand to point out all the ways in which it is uniquely Sandman (a horror story about stories). Plus, Amazon’s a little icky and Marvel has a prime opportunity for diversity with Iron Fist.
Next: despite the words that come tumbling out of AJ’s idiot mouth, Captain America: The Winter Soldier is not next week’s episode. We’ll force him to come up with something.
(Show notes for “The Sandman: Vol. I – Preludes & Nocturnes.”)
Last week, we brought you our favorite movies of last year (finally saw Inside Llewyn Davis, by the way, and yes, it would have made the cut). This week, we change channels to focus on TV. We’re doing things a little differently this time out, with separate top 10 lists for new shows and returning favorites. Though there were a lot of new shows I enjoyed over the past year, I’ll admit I couldn’t stretch them to 10; instead, I’ve got 8, while Paul’s just crazy enough to have a full 10.
As always, there are shows we couldn’t get around to: I haven’t seen Rectify, Top of the Lake, Broadchurch, or The Wrong Mans, all of which I’d hoped to see in time for this list. Oh, and to absolve him of all guilt, I should mention that Paul has never seen Breaking Bad. Wait, I don’t think that absolves him.
PAUL: 10. HANNIBAL (NBC)
I wasn’t particularly interested in a television adaptation of the Thomas Harris characters. But names like Hugh Dancy, Mads Mikkelsen, and Bryan Fuller pulled me in. It’s one of the most visually stunning and hauntingly…haunting shows ever to make it to network television. It’s also one of the most shockingly violent and grotesque. All positives in my book. But I can’t put it any higher on my list because it’s crushingly depressing.