Gobbledygeek episode 145, “Gobbledyeezus,” is available for listening or download right here, and on iTunes here.
“I met Bat-Turkey/He said, ‘What up, Tofurkey?’”
Pretend that never happened. Anyways, what are the boys talking about this week? EVERYTHING, THAT’S WHAT! More concisely: they’re at each other’s throats over the new Kanye album, they laugh their asses off at This Is the End, Paul shares his thoughts on Before Midnight and World War Z, and AJ’s wedding quest as Man of Honor finally comes to a close. It’s all very exciting and rambly, par for the course for these excitable ramblers. There is no rapping.
Next week: Much Ado About Nothing talk, if the world is a kind and just place.
(Show notes for “Gobbledyeezus.”)
NOTE: This episode should have been up a few days ago, but sickness, owl attacks, and life in general sorta got in the way. Bat-Turkey forces the boys to apologize.
Gobbledygeek episode 136, “Bloody Awful Man Parts,” is available for listening or download right here, and on iTunes here.
Paul and AJ accidentally read some Latin so they were forced to see the new Evil Dead. And they talk about it. It ain’t pretty! More unprettiness: AJ talks Spring Breakers, Paul talks To the Wonder, and they both discuss the Saga/comiXology controversy. There’s also some fun conversation about pee. Everybody loves pee.
Next: FREESTYLE MADNESS. Or just another lame episode.
(Show notes for “Bloody Awful Man Parts.”)
Last week, we discussed our favorite TV series of the last year. This week, we turn to the big screen.
PAUL: 10. DJANGO UNCHAINED (dir. Quentin Tarantino)
With Django Unchained, director Quentin Tarantino takes us once more back to a terrible moment in our history, and once again asks us to indulge him his little anachronisms and revisionist revenge fantasies. This time, instead of Nazis and baseball-bat-wielding Jews, we get slavers and bounty-hunting dentists. Set in the pre-Civil War Deep South, Unchained is Tarantino’s homage to the Spaghetti Westerns of Leone and Corbucci, which he prefers to call his Spaghetti Southern. I’ll say that the absence of editor Sally Menke is sharply felt here, though. If I, of all people, notice the nearly three-hour runtime, then there could’ve been some tightening. The cast is great across the board, including a list of hidden cameos longer than my arm (among others, original Django Franco Nero makes an appearance). Jamie Foxx is great in the title role, though I imagine what Will Smith could’ve done with the part, as was the original intent. Leo DiCaprio, Samuel L. Jackson, and Walton Goggins all shine in their respective roles. Kerry Washington was reduced to little more than the damsel in distress, however, which is unusual for a Tarantino picture. But the standout here is Christoph Waltz. He is every bit as charmingly heroic and admirable this time as he was charmingly repulsive and hateful in Basterds.
AJ: 10. MOONRISE KINGDOM (dir. Wes Anderson)
Wes Anderson’s films often have a childlike quality about them, whether it be his colorful storybook compositions or the petulance of many of his characters. So it’s fitting that he’s finally made a film about children, one in which the kids are on the run from what’s expected of them and their adult guardians are forced to accept the roles they’ve played in their children’s abandonment of them. Newcomers Jared Gilman and Kara Hayward, both in their first screen acting roles, give perfectly awkward performances. Anderson regulars Bill Murray and Jason Schwartzman are in their element here, while Frances McDormand and Tilda Swinton join the auteur’s troupe with ease. Perhaps most encouragingly, Moonrise Kingdom is the first sign of life in years from Bruce Willis–who, with a movie soon to appear on our lists, proved later in the year that he’s most definitely still kicking–and Edward Norton, two actors who really needed a movie like this.
Gobbledygeek episode 107, “@#$% You, Science!,” is available for listening or download right here.
Paul and AJ had an idea for what they wanted this show to be about: science! Unfortunately, it didn’t really work out. Fortunately–we think–they managed to come up with a bunch of other things to talk about: Joss Whedon’s return to The Avengers, Jason Shayer’s blog about 1980s Marvel, the found-footage horror of V/H/S, how AJ pretty much bawled his eyes out at the new issue of Spider-Men, and, yes, science (Mars Curiosity for the win).
Next: Geek Challenge time once more! Paul will watch Grave of the Fireflies and AJ will watch Watership Down. That’s not gonna be depressing at all.
(Show notes for “@#$% You, Science!”)
Welcome to the final week in our discussion of Garth Ennis and Steve Dillon’s Preacher. For more, read weeks 1, 2, 3, 4, 5, 6, 7, and 8.
Paul: It ends here.
Nine volumes. 66 issues. Five one-shot specials. A four-issue tie-in miniseries. And a tanker truck full of blood and guts. Our pissed-off preacher, gun-toting girl Friday, and blood-drinking BFF all converge, where else? Texas. The Alamo, to be precise. And things get both big and small, epic and very, very personal.
Oh, and one poorly written report gets taken out behind the woodshed and shot the fuck up.
So AJ, mi compadre, what did you think of the grand finale?
AJ: Where to begin? Perhaps it’s best to start with my one sizable complaint before moving on to everything that worked so, so well here. Last week, we talked about the watering-down of Herr Starr, of how even though he’s the series’ ostensible antagonist, his misadventures have often been treated as comic relief. Maybe I just wasn’t paying enough attention, but I completely failed to realize that taking revenge on Jesse had supplanted bringing about Armageddon as his goal in life. So when he announced his plans to the Elite Council, I was just as confused as they were (luckily, I didn’t get murdered right after). I feel like a discussion of Starr as the series’ Big Bad could take up its own post, so I’ll just say that though I loved the vast majority of what we ended up getting, I can’t imagine what an epic ending Armageddon could have provided.
Welcome to week 8 of 9 in our discussion of Garth Ennis and Steve Dillon’s Preacher. For more, read weeks 1, 2, 3, 4, 5, 6, and 7.
AJ: Here we are. The penultimate volume of Preacher. Given the title and the fact that we’re very near the end, I thought there would be a lot more violence and bloodshed. Instead, All Hell’s A-Coming turns its focus inward, with a lot to say about our heroes and their pasts. The past is a big theme here, not only because of the extended flashbacks but also because people and things from long ago keep coming back to add wrinkles to the story.
Speaking of those extended flashbacks, where should we start: Tulip or Cassidy?
Paul: I say we take it in order, so Tulip.
AJ: The beginning of this volume is all kinds of heartbreaking. A listless Tulip dragging herself out of bed, trying and failing to find the drugs she’s felt she’s needed for these past months. Last we saw Cassidy, we were beginning to realize that he might not have been the fundamentally decent person we thought he was. That continues in the opening scene, as he tells Tulip that everything’s all right, she only needs her medicine, and “Don’t make me take that fuckin’ guy away from you.” Followed immediately by Tulip blasting him into the sunlight. Tulip flees the hell that Cassidy has made for her, then we learn all about how she became who she is.
Welcome to week 7 of 9 in our discussion of Garth Ennis and Steve Dillon’s Preacher. For more, read weeks 1, 2, 3, 4, 5, and 6.
Paul: So this volume, Salvation, is kind of an intermission in the main story. We get to see what kind of man Jesse is removed from the quest and his group of friends. And as it turns out he’s just as much the Big Damn Hero in this smaller setting as when he’s hunting down God and facing off with saints and lunatics.
How did you feel about this step back from the bigger picture?
AJ: I loved it. It’s impressive how much I enjoyed Jesse’s exploits away from Cassidy, Tulip, Herr Starr, etc. It took me a second to realize that we weren’t going to see most of our old friends (excepting Jesse’s vision quest near the end), but once I adjusted to that, I found Salvation to be one of the most satisfying volumes yet.
Welcome to week 6 of 9 in our analysis of Garth Ennis and Steve Dillon’s Preacher. For more, read weeks 1, 2, 3, 4, and 5.
AJ: A lot happens in this volume, and there’s a lot to talk about, but I’m going to start off with perhaps the least important storyline because I don’t want to forget to bring it up…what the fuck happened to Arseface at the end?! His “furruh uhzmuhyuh,” the arsefaced paradise, his Dad appearing to him and apologizing–was that like the most surreal depiction of suicide ever, or…?
Paul: Unfortunately(?), you’re not gonna get any more on that. The Arseface story is…a little hard to put my finger on. To be honest, though it does have a conclusion, I’m not 100% sure I could tell you what it all ultimately means. Which is why I keep saying, for all intents and purposes you could really just ignore it and hope it goes away.
But to answer your question, I’m pretty sure Ennis wrote that bit while on peyote.
Welcome to week 5 of 9 in our analysis of Garth Ennis and Steve Dillon’s Preacher. For more, read weeks 1, 2, 3, and 4.
Paul: Juhz. (Justice.)
AJ: As much as I’ve had my problems with Arseface thus far, any time he said something like that in this volume, I cracked up. UHFUH.
Paul: He’s just so sweet and earnest.
AJ: He really is. And the gang cracking up while he has them at gunpoint? How can you not laugh at that?
Paul: Poor Uhfuh.
Welcome to week 4 of 9 in our analysis of Garth Ennis and Steve Dillon’s Preacher. Read the past installments here, here, and here.
AJ: After three volumes of mayhem, destruction, bloodshed, blasphemy, and a heapin’ helpin’ of profanity, the Preacher TPBs take a breather with…well, “breather” might be the wrong word. “Diversion” is more like it. Jesse, Tulip, and Cassidy are out of the picture this time as Garth Ennis and a couple guest artists flesh out the backstories of the Saint of Killers, Arseface, and Jody ‘n T.C. Last week, you called this collection “inessential.” Having re-read it, do you still feel the same?
Paul: I’m afraid I actually feel it even more strongly than I remembered. This won’t happen very often at all over the course of these discussions, but I’m going to say that the stories this time around are just not very good. I mean, getting the backstory of the Saint of Killers (or more accurately, a version of his backstory) is cool and interesting. But it also takes the exaggeration and clichés of the main story and really turns them up to 11. And while both Steve Pugh and Carlos Ezquerra have done pretty great stuff elsewhere over the years, here I think they really suffer from being “fill-in” artists for Steve Dillon.
The Arseface and Jody & T.C. stories are straight up pointless.