Gobbledygeek episode 91, “Real Darko,” is available for listening or download right here.
It’s Geek Challenge time! Paul has challenged AJ to Real Genius, and in turn, AJ has challenged Paul to Donnie Darko. Our two challenges this time may seem wildly different in terms of plot and tone, but they’re really not that dissimilar: Both take place in the ’80s, both are centered around “extraordinary” young men, both feature schools which are important to the story, and both ensure that Tears for Fears will keep receiving those royalty checks for a good long while. As far as the boys’ discussion is concerned, things are going pretty well until they’re not. Plus, Paul and AJ rave about the Game of Thrones season premiere.
Next week: It’s real! The Cabin in the Woods exists!
(Show notes for “Real Darko.”)
SUCKER PUNCH: Extended Cut (DVD/Blu-ray/Blu-ray, DVD & Digital Combo)
Yep, here it is. This is the film that either destroyed any remnants of geek cred I may ever have had, or proved what a brilliant film viewer I really am. Why, you ask? Because, damn it, I liked this Zack Snyder joint. Ostensibly the story of Baby Doll (Emily Browning), an abused young woman put into an institution by her father and scheduled for a lobotomy, who travels to deeper and deeper levels of consciousness on an anime/video game/comic book-inspired quest to free herself and her fellow inmates. Pretty young things in barely-there clothing battling giant robot samurai, fire-breathing dragons, and steam-powered zombie Nazis. Given only that premise, and taking into account Snyder’s penchant for phantasmagoric, speed-ramped action sequences, this could have been a beautiful but vapid piece of hormone and adrenaline-fueled cinematic trash. But, as I infamously explained here, I believe there is much more to it than that. The Extended Cut features an additional 18 minutes of footage, a picture-in-picture commentary with director Snyder, and has been rated R, up from the theatrical PG-13. - Paul Smith
(Originally reviewed by Paul, and much less favorably by myself, in “Ladylike.”)