Listen to Episode 98, “What’s Eating Royal Tenenbaum”

Gobbledygeek episode 98, “What’s Eating Royal Tenenbaum,” is available for listening or download right here.

Hoo boy. Memorial Day musta done something to the boys; they barely remember how to run the show (if they ever knew). But they’ve lazed and stumbled through another episode, all for your listening pleasure! This week, they face another Geek Challenge: Paul has challenged AJ to watch What’s Eating Gilbert Grape, and in turn, AJ has challenged Paul to watch The Royal Tenenbaums. Both films are about dysfunctional families trying to reach beyond their ways, which they are very much set in. They’re different films, but it kind of works. One finds ennui in a small rural town; the other, in the sprawling New York home of a special family. One has Johnny Depp back when he was still trying, the other Gene Hackman pre-retirement. At more than one point during the show, one of the boys threatens a throwdown. Plus, AJ talks about Dan Harmon’s firing from Community and his first-ever camping trip; and Paul speaks on Snow White and the Huntsman and the first annual Alabama Phoenix Fest.

Next: John Carter. Prepare for bloodshed.

(Show notes for “What’s Eating Royal Tenenbaum.”) 

Paul & AJ’s Top 10 Films of 2011

Paul and I rambled on and on about our favorites of 2011 in our second season finale, but that isn’t gonna stop us from rambling some more. This is the first in a series of top 10s that will be spread out over the next couple weeks; the rest will concern television, albums, and comic books.

But first, a word about lists. Paul has described my obsession with list-making as a “sickness,” and that’s probably close to the truth. However, even one such as I, beholden to rating and ranking everything known to man, know that these kinds of things are imperfect, to put it lightly. For one, no matter how all-inclusive you try to be, there’s always going to be a movie (or show, or comic, etc.) that you somehow missed; for example, as of this writing, neither Paul nor I have seen The Girl with the Dragon Tattoo, Shame, or Tinker, Tailor, Soldier, Spy, just to name a few. And more importantly, lists are always subject to how their makers feel at the moment they’re making them. Each of our top 10s represent the movies we love right now, and with the exception of our #1 choices, their order could be fluid, changing from day to day, mood to mood.

Right now, though? These are the films we adore, and which we feel exemplify 2011.

~ AJ

PAUL: 10. RISE OF THE PLANET OF THE APES (dir. Rupert Wyatt)

The summer blockbuster that was better than any of us had any right to expect. Not only a remarkably capable relaunch/reboot of a beloved but dated franchise, but also just a damned good popcorn flick in its own right. Andy Serkis brings heart and humanity (pun intended) to the “inhuman” protagonist. It’s Pinocchio and Moses and Che Guevara.

AJ: 10. GEORGE HARRISON: LIVING IN THE MATERIAL WORLD (dir. Martin Scorsese)

It has been lazy shorthand for decades to refer to George Harrison as the “quiet Beatle,” and though that might have a kernel of truth to it, the man himself was far more complex. Publicly, he was quiet because he desperately hated fame; professionally, he was quiet during the Beatle years because John and Paul vetoed his material, and later, because he was content with tending to his family and to his garden. Martin Scorsese’s Bob Dylan documentary No Direction Home definitively captured that 60s icon’s brilliance and enigma, and while Living in the Material World doesn’t quite do the same for this 60s icon, it comes close enough. In the first part of this two-part doc, the entire life cycle of The Beatles is rehashed yet again, though considering it’s Scorsese at the helm, it remains of interest. It’s in the second part, however, when things truly come alive. By telling of his unsung career as a film producer, enticing candid stories from a number of those closest to him, and showing private home movies, Scorsese paints a portrait of Harrison as a man perpetually struggling to reconcile his spirituality with his materialism, caught between divinity and mortality.

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On DVD & Blu-ray, 7/12/11: ‘Rango,’ ‘Insidious,’ More

RANGO (DVD/Two-Disc Blu-ray, DVD & Digital Combo)

The latest in the trend of computer-animated talking animal movies was the first for the studio (Paramount) and the director (Gore Verbinski), and still manages to rank as perhaps the best of the genre. What on paper sounds like just another cliché-ridden cartoon for big kids turns out to be incredibly original, quirky, and thoughtful, with a wonderful voice cast (led by Johnny Depp as the titular pet chameleon lost in the “Wild West” of the Mojave desert), and what is conceivably the most stunning, eye-wateringly beautiful animated vistas and landscapes ever. Paying homage to everything from Fear and Loathing in Las Vegas to Chinatown, and featuring hands down the coolest freaking cameo you’re likely to see in a long, long time, Rango is a must-own. My highest recommendation! DVD and Blu-ray special features include an alternate ending, deleted scenes, a featurette on the film’s creatures, and commentary from the filmmakers. Blu-ray extras include the ability to watch the storyboards alongside the movie picture-in-picture, a behind-the-scenes featurette, an interactive trip to the town of Dirt, and more. Paul Smith

(Originally reviewed by both Paul and myself in “Secret Origins.”)

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Top 100 Characters in Modern Pop Culture #60-51

Last week, Paul and I reached the halfway mark of our countdown of the Top 100 Characters in Modern Pop Culture. Here are excerpts of our thoughts on our picks for #s 60-51, but be sure to listen to the show for our full rundowns.

#60

PAUL: Vincent (Beauty and the Beast)

Speaking with a gruff but gentle whisper and all but hidden beneath an impressive leonine Rick Baker prosthesis (which didn’t, but absolutely should have, won awards), Perlman was the very definition of Romantic-with-a-capital-R misunderstood emo monster heroes for a generation.

AJ: John Locke (Lost)

His regained ability to walk gave him a new lease on life, and he looked at the island as a beautiful, supernatural force. He refused to leave, and tried to get the rest of the group to stay as well, believing them to be there for a greater purpose. The constant push-and-pull between Jack, the man of science, and Locke, the man of faith, became the series’ core thematic conflict.

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