Note: This episode has been available on iTunes since Friday, and should have been up on the blog sooner. However, one of your friendly neighborhood geeks–the one whose byline is directly above this–is a lazy good-for-nothin’ (who was also in a wedding this weekend). So, with that out of our way…
Gobbledygeek episode 144, “Two Robin Hoods and a Van Alden (feat. Eric Sipple),” is available for listening or download right here, and on iTunes here.
A rocket hurtles from the doomed planet Krypton, crashing to Earth and delivering the child that would one day save us all. But first, he has to break stuff. Lots of stuff. And our fearless co-hosts, and returning champion guest Eric Sipple, talk smack about him behind his back as they review the explosive Zack Snyder film Man of Steel. Also, kind words are exchanged about the new series Orphan Black, and Neil Gaiman has written another book. Is it good? If you don’t know the answer to that, you’ve probably been living in the Phantom Zone.
Next: another “we don’t have a plan so we’re just going to improvise and mug for the mics” episode. Good times.
(Show notes for “Two Robin Hoods and a Van Alden.”)
Gobbledygeek episode 103, “Does Whatever a Reboot Can,” is available for listening or download right here.
The year’s second big superhero movie, following The Avengers–which you may remember we discussed and AJ even wrote a review of–is The Amazing Spider-Man, rebooting the franchise that sputtered to an end but five years ago. Paul and AJ, both opinionated Spider-Man fans, are at odds over Marc Webb’s new film; Paul considers it the best big screen Spidey yet, AJ not so much. Is Andrew Garfield’s Peter Parker a faithful representation of the one in the comics? Do Spider-Man’s jokes work? Is the Lizard a good starter villain for this new wall-crawler? Is Emma Stone completely adorable? (Spoiler: they agree on that last one, at least.) Plus, the boys geek out over the announcement of more Sandman and share their experiences of seeing Singin’ in the Rain on the big screen.
Next: We’re back, back in the Gotham groove. Paul and AJ rise up to discuss Christopher Nolan’s Bat swan song, The Dark Knight Rises.
(Show notes for “Does Whatever a Reboot Can.”)
Last summer, I started a column entitled Four-Color Flashback, wherein I went through and discussed/analyzed a legendary run of comic books I’d never read. In that case, it was Chris Claremont and John Byrne’s Uncanny X-Men (read the first part here). It was a fun experience, and toward the end of the column, I stated the desire to return to the concept “some time in the next century.” That time is now!
Unlike last year, which was just me rambling on endlessly by myself, this summer, I’m joined by Paul to discuss Garth Ennis and Steve Dillon’s notorious Preacher. Paul is a huge fan, and I’ve never read a single issue, so we’re both bringing different perspectives to the table. The series lasted for 66 issues from 1995 to 2000, and has subsequently been collected in nine trade paperbacks. We’ll be going through them one at a time, starting this week with Preacher: Vol. 1 – Gone to Texas, collecting the series’ first seven issues.
So pull up a chair, do your best John Wayne impression, and enjoy.
(That was me commanding you with the Word.)
And with that, Season 8 of SO YOU THINK YOU CAN DANCE is out of the gate! There’s a lot of ground to cover in Week One, so let’s get to it.
First thing’s first, we have our first guest judge: Megan Mullally. I’m not going to lie to you, I was extremely skeptical of what I thought was “stunt casting” here, and I expected it to devolve into some kind of comedy schtick. But as it turns out she was fantastic. For one thing, she actually has a background in dance, so she knows what she’s talking about, more or less. But beyond that she was just really focused on giving sincere critiques. She paid attention to the dancers, took notes, commented on the routines in an intelligible way. I’ve gone from being skeptical to actually willing to see her back on the judges panel again at some point.
Next, Cat Deeley (with some spectacularly hot “sex hair”) breaks the bad news to us that we already have an injury. Contemporary dancer Mitchell Kelly strained his elbow during rehearsals and on doctor’s orders must sit out this round of the competition. He’s in the audience, visibly upset. I’m having uncomfortable flashbacks to last season and the tragic loss of Alex. Here’s hoping Mitchell makes a speedy recovery and gets a chance to prove himself next week.
And finally it’s time to introduce the couples. The Top 20 are now paired up into ten couples who will perform together for the first few weeks of the competition. Each week viewers will vote for their favorite couples, and the three that get the fewest votes will then give solo performances, from which the judges will decide one guy and one girl to send home. If the guy and girl eliminated are from different couples, the remaining halves of those couples will be paired together and the show will go on.
Make sense? Good.
Ladies and gentlemen, he first couple for Season 8 is…
Gobbledygeek episode 40, “Etewaf,” is available for download right here. This week, we discuss how certain creators gain or break our trust as audience members, and how far we’d be willing to follow them into the abyss. Those discussed include Richard Kelly, Neil Gaiman, Joss Whedon, Bob Dylan, and Robert Plant, among others. Following that, we take a look at upcoming DVD releases, I share my thoughts on Megamind, and Paul talks about re-reading Watership Down for the first time in years as well as reading the acclaimed graphic novel Return of the Dapper Men for the first time.
Next week: Saturday morning cartoons!
(Show notes for “Etewaf.”)
Last night, Paul and I reached the conclusion of our countdown of the Top 100 Characters in Modern Pop Culture. Here are choice excerpts from our top 10′s, but be sure to listen to the whole show to hear everything we said:
PAUL: Calvin & Hobbes (Calvin & Hobbes)
The series was not only the funniest comic strip of all time (and on this point I will brook no dispute), but it was almost the most philosophical, satirical, and thought-provoking.
AJ: Death (The Sandman)
With the usual concepts and presentations of Death’s visage from Western culture so ingrained in my mind, just the idea that Death didn’t have to be gloomy or terrifying, and instead could be a radiant beacon of hope, felt stunningly fresh and bold to me.
Last night, Paul and I continued our countdown of the Top 100 Characters in Modern Pop Culture with our penultimate installment, detailing our picks for #20-11. Be sure to listen to the show to hear everything we said, but here are some choice excerpts:
PAUL: Westley/The Man in Black (The Princess Bride)
He bested the greatest swordsman, overpowered a giant, and outwitted a brilliant strategist. And then he got to be the one true love, thought lost at sea, now returned to his princess.
AJ: SS Colonel Hans Landa (Inglourious Basterds)
What makes Landa so terrifying is that he seems entirely bereft of a sense of morality; he manipulates himself into a position of power with whatever group seems to be on the winning side, caring little for past alliances or relationships.
On last night’s show, Paul and I continued our countdown of the Top 100 Characters in Modern Pop Culture with #s 30-21. Be sure to listen to the show for our full run-downs, but here are some choice excerpts:
PAUL: Scott Pilgrim (Scott Pilgrim series)
The series is about Scott growing up, about his evolution, and if you as a reader are patient and invested, it absolutely pays off by the end.
AJ: Norma Desmond (Sunset Blvd.)
Norma is a bizarre, grotesque caricature, wanting to hold a funeral for her pet monkey at the film’s beginning and given to lots of other disturbingly narcissistic actions.
On last night’s show, Paul and I continued our countdown of the Top 100 Characters in Modern Pop Culture with #s 50-41. Be sure to listen to the show for our full run-downs, but here are some choice excerpts:
PAUL: Toothless (How to Train Your Dragon)
In my opinion, the character’s progression throughout the film is pretty spot-on with what feels like natural behavior, from the frightened, wounded animal in the cove to the trusting “pet” that accepts help from his human to ultimately the loyal friend and protector.
AJ: Rick Blaine (Casablanca)
Humphrey Bogart is one of the greatest actors of all time, and no role better defines his appeal than that of expatriate café owner Rick Blaine.
Last week, Paul and I reached the halfway mark of our countdown of the Top 100 Characters in Modern Pop Culture. Here are excerpts of our thoughts on our picks for #s 60-51, but be sure to listen to the show for our full rundowns.
PAUL: Vincent (Beauty and the Beast)
Speaking with a gruff but gentle whisper and all but hidden beneath an impressive leonine Rick Baker prosthesis (which didn’t, but absolutely should have, won awards), Perlman was the very definition of Romantic-with-a-capital-R misunderstood emo monster heroes for a generation.
AJ: John Locke (Lost)
His regained ability to walk gave him a new lease on life, and he looked at the island as a beautiful, supernatural force. He refused to leave, and tried to get the rest of the group to stay as well, believing them to be there for a greater purpose. The constant push-and-pull between Jack, the man of science, and Locke, the man of faith, became the series’ core thematic conflict.