Art from ‘The Sandman’ #68 by Marc Hempel, Richard Case, and Daniel Vozzo.
Gobbledygeek episode 209, “The Sandman: Vol IX – The Kindly Ones,” is available for listening or download right here, and on iTunes here.
All good things got to finish some time. Paul and AJ have reached the climax of Neil Gaiman’s The Sandman, in its penultimate installment, Vol IX: The Kindly Ones. As Morpheus’ strict adherence to rules proves to be a cage of his own making, the Furies come down upon his head, wreaking havoc in the Dreaming and tying together many of this epic series’ loose ends. Meanwhile, Lucifer plays piano, Rose meets Jack (non-Titanic edition), Matthew lacks pennies, and Lyta’s hair drinks most of the water. It’s been a hell of a ride.
Next: the boys get in the twisted Christmas spirit with a look back at Scrooged.
(Show notes for “The Sandman: Vol IX – The Kindly Ones.”)
Welcome to week 4 of 9 in our analysis of Garth Ennis and Steve Dillon’s Preacher. Read the past installments here, here, and here.
AJ: After three volumes of mayhem, destruction, bloodshed, blasphemy, and a heapin’ helpin’ of profanity, the Preacher TPBs take a breather with…well, “breather” might be the wrong word. “Diversion” is more like it. Jesse, Tulip, and Cassidy are out of the picture this time as Garth Ennis and a couple guest artists flesh out the backstories of the Saint of Killers, Arseface, and Jody ‘n T.C. Last week, you called this collection “inessential.” Having re-read it, do you still feel the same?
Paul: I’m afraid I actually feel it even more strongly than I remembered. This won’t happen very often at all over the course of these discussions, but I’m going to say that the stories this time around are just not very good. I mean, getting the backstory of the Saint of Killers (or more accurately, a version of his backstory) is cool and interesting. But it also takes the exaggeration and clichés of the main story and really turns them up to 11. And while both Steve Pugh and Carlos Ezquerra have done pretty great stuff elsewhere over the years, here I think they really suffer from being “fill-in” artists for Steve Dillon.
The Arseface and Jody & T.C. stories are straight up pointless.