Listen to Episode 70, “Join Us”

Gobbledygeek episode 70, “Join Us,” is available for listening or download right here.

This week, we get sad and silly. First, the boys say goodbye to Apple founder and tech visionary Steve Jobs. Then, to keep anyone from taking them too seriously, they kick off this year’s Gobbledygeek Halloween (Gobbledy’ween?) Film Festival with a ribald discussion of the Sam Raimi classic The Evil Dead. Also: AJ reviews the Wasikowska/Fassbender interpretation of Jane Eyre; Paul hints at what you can probably expect from the review of the Ethan Gilsdorf book Fantasy Freaks and Gaming Geeks he’s bound to do someday; and a slew of Formspring questions.

Next: we discuss John Carpenter’s The Thing.

(Show notes for “Join Us.”)

On DVD & Blu-Ray, 6/28/11: ‘Sucker Punch,’ ‘Barney’s Version,’ More

SUCKER PUNCH: Extended Cut (DVD/Blu-ray/Blu-ray, DVD & Digital Combo)

Yep, here it is. This is the film that either destroyed any remnants of geek cred I may ever have had, or proved what a brilliant film viewer I really am. Why, you ask? Because, damn it, I liked this Zack Snyder joint. Ostensibly the story of Baby Doll (Emily Browning), an abused young woman put into an institution by her father and scheduled for a lobotomy, who travels to deeper and deeper levels of consciousness on an anime/video game/comic book-inspired quest to free herself and her fellow inmates. Pretty young things in barely-there clothing battling giant robot samurai, fire-breathing dragons, and steam-powered zombie Nazis. Given only that premise, and taking into account Snyder’s penchant for phantasmagoric, speed-ramped action sequences, this could have been a beautiful but vapid piece of hormone and adrenaline-fueled cinematic trash. But, as I infamously explained here, I believe there is much more to it than that. The Extended Cut features an additional 18 minutes of footage, a picture-in-picture commentary with director Snyder, and has been rated R, up from the theatrical PG-13. Paul Smith

(Originally reviewed by Paul, and much less favorably by myself, in “Ladylike.”)

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