Gobbledygeek episode 125, “The Bacon Waffle Betrayal,” is available for listening or download right here, and on iTunes here.
It’s been a long, grueling month, but Paul and AJ have finally awoken from their slumber. Which, as it turns out, was not so slumber-y; there was much to survive, from bouts of the plague to the holidays to all this Superior Spider-Man nonsense. And if that’s not enough for you, the boys close things out by discussing truth and perception of same in the media. Ooh, intellectual! But fear not: the phrase “bacon waffle” is in the title.
Next: the boys are joined stuntwoman Clodagh Power.
(Show notes for “The Bacon Waffle Betrayal.”)
Last week, we discussed our favorite TV series of the last year. This week, we turn to the big screen.
PAUL: 10. DJANGO UNCHAINED (dir. Quentin Tarantino)
With Django Unchained, director Quentin Tarantino takes us once more back to a terrible moment in our history, and once again asks us to indulge him his little anachronisms and revisionist revenge fantasies. This time, instead of Nazis and baseball-bat-wielding Jews, we get slavers and bounty-hunting dentists. Set in the pre-Civil War Deep South, Unchained is Tarantino’s homage to the Spaghetti Westerns of Leone and Corbucci, which he prefers to call his Spaghetti Southern. I’ll say that the absence of editor Sally Menke is sharply felt here, though. If I, of all people, notice the nearly three-hour runtime, then there could’ve been some tightening. The cast is great across the board, including a list of hidden cameos longer than my arm (among others, original Django Franco Nero makes an appearance). Jamie Foxx is great in the title role, though I imagine what Will Smith could’ve done with the part, as was the original intent. Leo DiCaprio, Samuel L. Jackson, and Walton Goggins all shine in their respective roles. Kerry Washington was reduced to little more than the damsel in distress, however, which is unusual for a Tarantino picture. But the standout here is Christoph Waltz. He is every bit as charmingly heroic and admirable this time as he was charmingly repulsive and hateful in Basterds.
AJ: 10. MOONRISE KINGDOM (dir. Wes Anderson)
Wes Anderson’s films often have a childlike quality about them, whether it be his colorful storybook compositions or the petulance of many of his characters. So it’s fitting that he’s finally made a film about children, one in which the kids are on the run from what’s expected of them and their adult guardians are forced to accept the roles they’ve played in their children’s abandonment of them. Newcomers Jared Gilman and Kara Hayward, both in their first screen acting roles, give perfectly awkward performances. Anderson regulars Bill Murray and Jason Schwartzman are in their element here, while Frances McDormand and Tilda Swinton join the auteur’s troupe with ease. Perhaps most encouragingly, Moonrise Kingdom is the first sign of life in years from Bruce Willis–who, with a movie soon to appear on our lists, proved later in the year that he’s most definitely still kicking–and Edward Norton, two actors who really needed a movie like this.
It’s the end of season 3 as we know it (and Bat-Turkey feels fine).
Gobbledygeek episode 124, “2012 in Review,” is available for listening or download right here.
Another year coming to an end. Another season of Gobbledygeek over. Before you begin your mourning process, Paul and AJ have a lot–and we do mean a lot–to say in this super-sized finale, gabbing about their favorite movies (superheroes and tigers get a nod), music (they really don’t have the same taste at all), books (haha, they’re illiterate), and much more. It’s been a great year for the show; we salute you. Have a happy holiday and a wonderful new year. See you in 2013!
(Show notes for “2012 in Review.”)
Gobbledygeek episode 110, “#12,” is available for listening or download right here.
It’s been one year–and exactly half the show ago–since DC rebooted their entire line, dubbing this bold creative decision/shameless marketing ploy the “New 52.” Paul and AJ check back in on the New 52, pointing out what’s working (Animal Man, Swamp Thing) and what’s not (Justice League, Detective Comics). Has this whole thing been worth it? Has it made a difference for the company? And what are we to make of the editorial troubles that have been messily dragged out into the public? We can’t promise any good answers, but we sure try! Plus, AJ talks about the best birthday present he received and Paul has exciting adventures at the zoo.
Next: celebrate Gobbledygeek’s eleventy-first episode as the boys discuss the 1977 Rankin/Bass animated musical television special The Hobbit. BYOPW (bring your own pipe-weed).
(Show notes for “#12.”)
Gobbledygeek episode 107, “@#$% You, Science!,” is available for listening or download right here.
Paul and AJ had an idea for what they wanted this show to be about: science! Unfortunately, it didn’t really work out. Fortunately–we think–they managed to come up with a bunch of other things to talk about: Joss Whedon’s return to The Avengers, Jason Shayer’s blog about 1980s Marvel, the found-footage horror of V/H/S, how AJ pretty much bawled his eyes out at the new issue of Spider-Men, and, yes, science (Mars Curiosity for the win).
Next: Geek Challenge time once more! Paul will watch Grave of the Fireflies and AJ will watch Watership Down. That’s not gonna be depressing at all.
(Show notes for “@#$% You, Science!”)
Gobbledygeek episode 106, “The Olympics of Gay Chicken, Superheroes, and Furbys,” is available for listening or download right here.
The dog days of summer have arrived, and with them even less of a sense of purpose and direction than our hosts usually display. So they babble on about a variety of topics: Chick-fil-A’s rampant homophobia (which accounts for the annual violation of their “No Politics” rule!), Olympics spoilerphobia, the forthcoming Marvel NOW! relaunch, and the return of the Furby, among other things.
Next: again, who knows, Paul and AJ’s brains are fried.
(Show notes for “The Olympics of Gay Chicken, Superheroes, and Furbys.”)
Gobbledygeek episode 104, “The Long Dark Knight of the Soul,” is available for listening or download right here.
The third (last?) major superhero movie of the year has arrived in the form of The Dark Knight Rises. Going into it, AJ was pumped and Paul was basically dreading it; amazingly, the two have united and agreed on something for the first time in what feels like months. They discuss the pay-offs to each character’s arc, the Bane voice and the Batvoice, what political message can be derived from the film, and how often Michael Caine bawls. Plus, AJ talks about seeing Jaws on the big screen and attending a local comic book show, while Paul offers another monumental national update on the state of his health.
Next: the boys discuss the books that were important to them in their formative years.
(Show notes for “The Long Dark Knight of the Soul.”)
Gobbledygeek episode 103, “Does Whatever a Reboot Can,” is available for listening or download right here.
The year’s second big superhero movie, following The Avengers–which you may remember we discussed and AJ even wrote a review of–is The Amazing Spider-Man, rebooting the franchise that sputtered to an end but five years ago. Paul and AJ, both opinionated Spider-Man fans, are at odds over Marc Webb’s new film; Paul considers it the best big screen Spidey yet, AJ not so much. Is Andrew Garfield’s Peter Parker a faithful representation of the one in the comics? Do Spider-Man’s jokes work? Is the Lizard a good starter villain for this new wall-crawler? Is Emma Stone completely adorable? (Spoiler: they agree on that last one, at least.) Plus, the boys geek out over the announcement of more Sandman and share their experiences of seeing Singin’ in the Rain on the big screen.
Next: We’re back, back in the Gotham groove. Paul and AJ rise up to discuss Christopher Nolan’s Bat swan song, The Dark Knight Rises.
(Show notes for “Does Whatever a Reboot Can.”)
Gobbledygeek episode 95, “Assemble,” is available for listening or download right here.
It’s here. It’s finally, really, actually here. The Avengers is in theaters. Iron Man, Captain America, Thor, and the Hulk assemble into one giant superhero-palooza under the watchful eye of Joss Whedon. We hope it doesn’t spoil the episode very much if we say that the film more than lives up to our expectations. Paul and AJ discuss the film’s impressive structure, the insane giddiness of watching our heroes rumble with one another, and what Joss Whedon puts these iconic characters through. Among other things. There’s a lot of talking going on; there kind of had to be. Plus, the boys pay tribute to Adam “MCA” Yauch.
Next: Paul and AJ sit down with Ready Player One author Ernest Cline.
(Show notes for “Assemble.”)
Four years ago, two films gave the superhero genre a much-needed kick in the pants: Iron Man and The Dark Knight. They were on opposite ends of the spectrum–the former bright and funny, the latter dark and gloomy–but both felt honest, and honesty’s something the genre needed in order to mature. This summer sees the release of two films which seem destined to revitalize the genre yet again, and it’s only fitting that they are The Avengers, the end result of Marvel’s first wave; and The Dark Knight Rises, the last of Christopher Nolan’s Bat-flicks. The Dark Knight Rises is still a couple months off, but just as that one looks like it’s angling to be even darker and more despairing than its predecessors, The Avengers aims to be more colorful, rousing, and exciting than those leading up to it.
Any superhero movie that wants to be even semi-successful has to on some level examine the nature of heroism. When one doesn’t, which was a big problem in the period between Spider-Man 2 and Iron Man (give or take a Batman Begins), you wind up with something like Catwoman or Elektra or Batman & Robin. Marvel’s pre-Avengers efforts, which I’ve mostly enjoyed, have excelled at asking just why each of their heroes feels the need to suit up and take action. With The Avengers, an even bigger question is posed. Why would such disparate people, each with their own sets of skills, hang-ups, and needs, come together to form a team? Writer-director Joss Whedon, a veritable geek god, is the one tasked with providing the answer to that query, and he does so brilliantly.