Hobo with a Shotgun is the feature-length adaptation of a contest-winning faux trailer shown with some Canadian prints of 2007’s Grindhouse; I haven’t seen the trailer, but maybe this stuff was amusing at two-and-a-half minutes. At 86 minutes, it is grim, nasty, and joyless. In aping the sleazoid vigilante flicks of the 70’s, I’m sure that was the intent of director/co-writer Jason Eisener. But that doesn’t mean I have to like it. Look, Planet Terror is great because it’s a well-crafted, old school adrenaline-pumper; Death Proof is great because it subverts grindhouse tropes while still managing to celebrate them. Both of them have moments of shocking violence, but they’re both clearly heartfelt love letters to the movies of Robert Rodriguez and Quentin Tarantino’s childhoods. Hobo with a Shotgun feels like their obnoxious little shit of a brother who’s trying to outdo them at every turn, in effect making himself look all the more pathetic. There’s not much fun here. What there is, is a lot of sadism and stupidity. If that’s your thing, by all means, but I’ll be slowly backing away now. Extras on the Collector’s Edition (because apparently making less than $1 million at the box office warranted such a thing) include a making-of doc; a behind-the-scenes interactive mode; an alternate ending; deleted scenes; vlogs; an HDNet featurette; the original trailer; TV spots; theatrical trailers; commentary with Eisener and star Rutger Hauer; and another commentary with Eisener, producer Rob Cotteril, co-writer John Davies, and original hobo David Brunt.
(Originally reviewed by me in “Wow.”)
DAS BOOT (Two-Disc Collector’s Set Blu-ray)
After such messes as The Perfect Storm, Troy, and Poseidon, it can be hard to remember that Wolfgang Petersen originally made a name for himself with this 1981 anti-war masterpiece. Chronicling the lives of a group of German soldiers aboard a U-Boat during World War II, Das Boot is without a doubt the most claustrophobic film I’ve seen. It takes place almost entirely aboard the U-Boat, redefining the term “close quarters.” The soldiers’ duties are alternately stressful and tedious, wearying the audience along with them; the boat’s walls begin to push in on you. The film is so exhaustingly suspenseful that maybe one can understand why Petersen never again approached its likes. The new Blu-ray Collector’s Set includes both the heavily trimmed 149-minute theatrical version and the restored 209-minute director’s cut. Extras also include commentary from Petersen and an assortment of featurettes.
A FISH CALLED WANDA (Blu-ray)
The first of two Walmart exclusive Blu-ray debuts in this week’s column is the classic 1988 comedy A Fish Called Wanda. The ins and outs of the plot are numerous, and it’s been a while since I’ve seen the movie, but here’s the gist: four thieves–two British, two American–go through with a successful jewel heist, only to double-cross, betray, and seduce one another in the aftermath. Jamie Lee Curtis, Kevin Kline, Michael Palin, and John Cleese (as the lawyer for Tom Georgeson’s head gangster) all share remarkable chemistry, not to mention impeccable comic timing. Cleese’s screenplay has no shortage of memorable lines, and the film proves a showcase for the oft-underused talents of Kevin Kline, in an Oscar-winning performance which involves dangling Cleese out a window and devilishly mocking Palin for his stutter. I would imagine that extras from previous releases carry over here, and as you can see from the smallish box art above, $5 of Vudu credit is included. Whatever the hell that means.
WHEN HARRY MET SALLY… (Blu-ray)
I doubt there’s been a better modern romantic comedy, in the traditional sense, than When Harry Met Sally… You’ve got Billy Crystal as the smarmy Harry. You’ve got Meg Ryan as the adorably naive Sally. You’ve got gorgeous shots of New York, courtesy of cinematographer Barry Sonnenfeld (yet to embark on his lucrative directing career). You’ve got Nora Ephron’s witty, endlessly quotable screenplay. You’ve got Estelle Reiner giving one of the most famed one-liners in movie history. You’ve got Rob Reiner capping off a stellar decade behind the camera. And most importantly, you’ve got a romance that blossoms realistically from begrudging tolerance to full-blown passion over a span of 12 years. In showing us every stage of Harry and Sally’s courtship, through their acquaintance on a road trip to New York to their surprising friendship to their soulmate status, Ephron and Reiner give us one of the most fully-realized couples in romcom-dom. In 1989, a film with a tagline that asked, “Can two friends sleep together and still love each other in the morning?” turned heads. We’re still fascinated today. Being that this is the other Walmart exclusive, I’m guessing extras from other editions make their way here, plus more of that Vudu stuff.