We are sad to announce that Gobbledygeek has ended. Thank you to everyone who listened, especially if you ever got on the mic with us, over the last seven years.
Come and listen to my story about a guy named Dan; a poor prospector, a self-made man. And then one day, to California he drew, and up from the ground come a-bubblin’ crude. Blood, that is. Capitalist blood. For the third in our Ten Years Later series (we’re in the market for a snappier name), Paul and Arlo turn to Paul Thomas Anderson’s study of American monster/oilman Daniel Plainview, There Will Be Blood. Joining them is The Debatable Podcast’s Greg Sahadachny, who makes his triumphant return to Gobbledygeek after nearly two years. The boys discuss how the film explores the intersection between religion and capitalism; whether or not Daniel Day-Lewis and Paul Dano give into overacting; if Daniel Plainview could be considered a villain; and how the “I drink your milkshake!” scene holds up after a decade of memeification.
Next: we’ve abducted Wesley “Wezzo” Mead once again to discuss Chris Carter’s seminal sci-fi series The X-Files. This time, we investigate the L.A.-bound season 6.
Appropriately, this month’s Four-Color Flashback entry is riddled with flashbacks, as Y: The Last Man – Vol. 7: Paper Dolls takes a look at Agent 355 and Ampersand’s pasts to give us a taste of what must be going through their heads in the present. Ensley F. Guffey, co-author of Wanna Cook? The Complete, Unofficial Companion to Breaking Bad, joins Paul and Arlo to continue their exploration of Brian K. Vaughan and Pia Guerra’s acclaimed Vertigo series. The gang discusses how this volume shows society’s evolution post-gendercide, puzzles over Yorick’s motivations (what else is new?), and asks Ensley to be smart for them. Plus, Paul got his ass kicked by Atomic Blonde, and Ensley has a few choice words about Nazi Captain America.
Next: Greg Sahadachny of The Debatable Podcast returns to Gobbledygeek to discuss Paul Thomas Anderson’s There Will Be Blood ten years on.
Sun, spray, bullets, and blood: Christopher Nolan’s Dunkirk recounts the worst beach trip in history, as 400,000 Allied troops were trapped by the Nazis in Dunkirk, France. The word Paul and Arlo keep coming back to as a descriptor is “relentless.” 107 minutes of third-act intensity, Dunkirk may be the purest expression of Nolan’s watchmaker-precise skill. The boys discuss the film’s three interweaving time strands, the lack of overt character development (except for that moment), Hans Zimmer’s ticking time bomb of a score, and why the movie never names or shows its Nazi enemies. Plus, Arlo is convinced the rest of the world is experiencing a mass delusion regarding Arrested Development season 4; and the boys take a look at the SDCC trailers for Ready Player One, Justice League, Thor: Ragnarok, Stranger Things, and The Defenders.
Next: it’s another Four-Color Flashback, as Ensley F. Guffey, co-author of Wanna Cook? The Complete Unauthorized Guide to Breaking Bad, joins Paul and Arlo to discuss Y: The Last Man – Vol. 7: Paper Dolls.
War for the Planet of the Apes! Huh! Who is it good for? The answer would be cinephiles searching for an intelligent, emotionally and politically resonant blockbuster. Welcome to Paradise’s Kenn Edwards joins Paul and Arlo to discuss Matt Reeves’ final installment in the so-called “Caesar Cycle,” which may be the bleakest monkey movie in history. (Also, they’re not monkeys. Just ask Arlo’s fiancée.) The gang delves into the genius of the film’s visual effects, Andy Serkis’ Oscar-worthy performance, the Apocalypse Now riffs, and how or if these films tie into the original Planet of the Apes series. Plus, Kenn finds a new way to watch Jaws, Paul comes down with The Big Sick, the Doctor is a lady, and the gang commemorates George Romero and Martin Landau.
Next: Christopher Nolan goes to war sans apes with Dunkirk.
It’s a Wiley whammy as first-time guest Heather Wiley joins Gobbledygeek’s very own Arlo Wiley in teaming up to finally take down Paul. Actually, this is a pretty convivial episode, as all three agree that Spider-Man: Homecoming is not only one of the better Spider-Man movies–some on this podcast would venture to call it the best–but one of the better entries in the Marvel Cinematic Universe thus far. The gang discusses why that is: the familiar yet fresh take on our friendly neighborhood webhead, an effortless mix of comedy and drama, a believable villain who doesn’t want to shoot giant beams of light into the sky, genuine Queens-like diversity, and killer turns from Tom Holland and Michael Keaton. Plus, Paul conducted a Mozart in the Jungle binge, Arlo got together with Crazy Ex-Girlfriend, and Heather tries to piece together if she and Arlo are indeed blood relatives.
Next: War for the Planet of the Apes is hell.
This week, Paul and Arlo put the pedal to the metal and drop the needle on Baby Driver, the latest nerd fantasia from writer-director Edgar Wright. Filled with rock and soul classics, Wright’s first American film is a high-concept car chase musical that nevertheless plays things a little straighter than his British/Canadian ventures. The boys discuss their favorite music cues, whether or not the internet is right to hate Ansel Elgort, what the film says about music as the soundtrack to our lives, and of course the goddamn Hamm. Plus, Paul and Arlo puzzle over the latest season of Orange Is the New Black and take a bite out of Bong Joon-ho’s Okja.
Next: first-time guest Heather Wiley swings by to talk Spider-Man: Homecoming.