Listen to Gobbledygeek Episode 396 – “FCF Bonus: HBO’s Watchmen (feat. Greg Sahadachny)”

Regina King in HBO’s ‘Watchmen’ (2019).

Gobbledygeek episode 396, “FCF Bonus: HBO’s Watchmen (feat. Greg Sahadachny),” is available for listening or download right here and on iTunes here.

No one, especially not Alan Moore, ever really wanted a Watchmen sequel. Which is exactly why handing the reins to Damon Lindelof, who has a history of disorienting and upsetting expectations, is a stroke of genius. Last year’s HBO series, spearheaded by Lindelof, is a bold, startling continuation of Moore and Dave Gibbons’ graphic novel masterpiece–so of course, after talking about the book, Paul, Arlo, and reformed podcaster Greg Sahadachny had to discuss the TV show. The gang talks about the ways in which Lindelof subverts and pays tribute to Moore and Gibbons’ work; how Lindelof built a writers’ room with people who were not like him; the show’s provocative exploration of race and authority; whether or not the show sticks the landing; and much, much more.

Next: due to one scheduling kerfuffle after another, we’ve got another Four-Color Flashback for you! Paul and Arlo will discuss Jeff Lemire and Dean Ormston’s Black Hammer.

THE BREAKDOWN

Total Run Time: 02:32:50

  • 00:00:30  –  Intro
  • 00:05:40  –  Sturgill Simpson’s A Good Look’n Tour
  • 00:28:28  –  Watchmen
  • 02:28:25  –  Outro / Next

THE MUSIC

  • “Turtles All the Way Down” by Sturgill Simpson, Turtles All the Way Down (2014)
  • “Best Clockmaker On Mars” by Sturgill Simpson, Sound & Fury (2019)

THE LINKS

 

 

Listen to Gobbledygeek Episode 395 – “Four-Color Flashback: Watchmen (feat. Greg Sahadachny)”

Art by Dave Gibbons from ‘Watchmen’ (1986-87).

Gobbledygeek episode 395, “Four-Color Flashback: Watchmen (feat. Greg Sahadachny).” is available for listening or download right here and on iTunes here.

After a year of pointedly discussing no superhero stories, Paul and Arlo revive Four-Color Flashback for a new decade with the big kahuna of all superhero stories: Alan Moore and Dave Gibbons’ 1986-87 maxi-series Watchmen. Aided by emotional sherpa Greg Sahadachny, once and future host of The Debatable Podcast, the boys openly admit there is no new light to shed on perhaps the most analyzed comic book of all time–then get to shedding. What’s it like reading Watchmen in 2020? In the wake of Damon Lindelof’s TV sequel? The gang finds that, like all great art, Watchmen has not changed in the 33 years since its run wrapped, but we have. In a world where fascism seems much more tangible, where superhero fiction reigns supreme, Moore and Gibbons’ work has taken on a renewed sense of meaning. The gang discusses the book’s formalist genius; our heroes’ utter contempt for those they claim to save; why, for a certain type of reader, Rorschach is a morally just idol; and plenty more.

Next: we continue watching the Watchmen with a discussion of Lindelof’s HBO show.

THE BREAKDOWN

Total Run Time: 01:50:43

  • 00:00:21  –  Intro
  • 00:04:00  –  Watchmen
  • 01:47:43  – Outro / Next

THE MUSIC

  • “Desolation Row” by Bob Dylan, Highway 61 Revisited (1965)
  • “Cosmic Charlie” by The Grateful Dead, Aoxomoxoa (1969)

THE LINKS

  1. In 1986, Watchmen skewered the way we love superheroes. It’s still as relevant as ever.” by Alex Abad-Santos, Vox
  2. “Watchmen’s Fearful Symmetry: (almost) frame by frame”by Pedro V. Ribeiro, Medium
  3. Sam Hamm’s Watchmen Script

Listen to Episode 152, “The Killing Bastard (feat. Jason Tabrys)”

killingjoke

Gobbledygeek episode 152, “The Killing Bastard,” is available for listening or download right here, and on iTunes here.

The people have spoken! Fan-favorite bastard Jason Tabrys, winner of the Gobbler’s Choice Award for Most Chaotic Fun guest, returns to the show at last. This time he and the boys talk about Batman’s hard-earned sexual gratification, scholarly tweets, reading ebooks in front of the real books, and Paul tries to defend his love of dance. Also, midget Gary Oldman. No words I can put here could ever possibly prepare you for the glorious chaos of this episode. Wade in and enjoy.

Next: Mere Smith returns! (Oh, and Sipple too.) As they prepare for the upcoming Toronto Word On The Street festival, the dynamic duo join us to talk about artistic collaboration.

(Show notes for “The Killing Bastard.”)

Paul & AJ’s Top 10 Comics of 2012

We’ve already listed our favorite TV shows and movies of last year, and we’ve got a couple more lists just before the new season begins. Here are our favorite comic books of 2012; check back tomorrow for our favorite albums (though, considering our extensively detailed history of not knowing how to talk about music, with YouTube clips instead of commentary).

PAUL: 10. THOR: GOD OF THUNDER (Marvel)

Thor in 'Thor: God of Thunder' #1. Art by Esad Ribic.

There was a period of time when Thor was my favorite character in comics. The golden Walt Simonson era was for me the height of otherworldly sword and sorcery super heroics. And while its been quite some time since the character has achieved anything close to that level of wonder, in recent years he’s enjoyed something of a renaissance. From his “death,” to his literal return to Earth under the guidance of J. Michael Straczynski, to his big screen debut, the petulant son of Asgard is kind of back in a big way.

Thor: God of Thunder is the newest incarnation of the title, with the unlikely writer Jason Aaron giving us a triptych of thunder gods, a tale of an alien butcher seeking to torture and destroy all deities told across three different periods of Thor’s life. We see young, arrogant Thor (pre-Mjolnir) and his first meeting with Gorr the God Butcher; modern-day Avenger Thor going full CSI trying to solve the mystery of who or what Gorr is; and far-future Thor, old and broken, sitting on the throne of an empty Asgard, the last surviving god, waiting for Gorr to finish him. It’s a brutal, bloody, and fascinating premise, though I do wish Gorr was slightly more imposing-looking rather than just being a Voldemort rip-off. Aaron creates a genuine mystery and sense of danger with real stakes for our hero, and the painterly art of Esad Ribic suits the romantic epic nature of the story. It’s not quite Simonson-level Mighty Thor (there’s thus far no Beta Ray Bill here), but Thor: God of Thunder is the best the character has been in a long time.

AJ: 10. ANGEL & FAITH (Dark Horse)

Angel, Willow, Connor, and Faith in 'Angel & Faith' #14. Art by Rebekah Isaacs.

I know Whedon fandom is crazy, but I might just be the biggest Buffy fan on the planet. That’s a huge claim, and while I haven’t tattooed James Marsters’ face on my ass or anything (yet), it really is difficult to describe how much Joss Whedon’s world means to me. Without Buffy the Vampire Slayer, I wouldn’t be here today. You wouldn’t be reading these words and I would have even less of an idea of what I want to do with my life. So it pains me greatly to say that the canonical Season 8 and Season 9 comics, though they have certainly had their moments, are largely disposable and occasionally worse. But then there’s Angel & Faith, which has done the impossible, making a monthly comic book series feel like the weekly television shows we fell in love with all those years ago. Christos Gage knows these characters inside and out, both their voices and their motivations. It’s never a question of if the comic will tie back into the shows’ stated mythology, but when and how spine-tingling those connections will be. These are the characters I have loved for a good deal of my life in a story that’s being brilliantly told by Gage and brought to life with wonderful clarity by artist Rebekah Isaacs. If you’re skeptical about Buffyverse comics, you have every right to be, but this one should be a priority.

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Last Month’s Comics: ‘Ultimate Spider-Man’ Swings In and DC’s New 52 Roll Out

Welcome to Last Month’s Comics, in which I discuss, uh, last month’s comics. I get my comics in bi-monthly shipments from Discount Comic Book Service, and as such, I can be a little behind. So here we are. This feature started last month.

So, September 2011, what kind of havoc did you wreak? Let’s find out…

BEST RETURN TO FORM

Buffy the Vampire Slayer: Season 9 #1
Writer: Joss Whedon
Art: Georges Jeanty (pencils), Dexter Vines (inks), Michelle Madsen (colors)
Publisher: Dark Horse

To say that I was pleased upon finishing the first issue of the new “season” of Buffy is an understatement. Season 8 started off very well, with Buffy leading an army of 500 Slayers and trying to unmask the mysterious foe Twilight. And to tell the truth, it was great for much of its run, with an occasional stumble (vampires being outed to the public wasn’t handled with much finesse). But the last story arc, with the reveal of Angel as Twilight, cosmic sex, and general batshit insanity, was so damaging that even someone who considers Buffy the Vampire Slayer to be the greatest piece of entertainment ever given us by man had come to the conclusion that it might be for the best if Ms. Summers was finally laid to rest. The final issue of Season 8, though, was a dramatic 180 from the pace and structure of the last few issues leading up to it, and the Season 9 premiere continues in that vein. With Giles gone and magic vanquished, Buffy is depressed and adrift, working as a waitress and getting blackout drunk. It’s all done with Whedon’s razor-sharp wit and keen sense of twenty-something angst. The final “shock twist” is so humdrum and everyday it’s hilarious. In many ways, the metaphorical “party” is over for our Scoobies; now what? I can’t wait to find out.

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Comics 201: More Recommendations

In our latest episode, Paul and I mentioned a number of comics recommendations for beginners in a variety of genres. However, we also mentioned that we had to pare down our lists significantly so that the topic would even approach being manageable. Here, as promised, are our other selections.

SUPERHEROES

FANTASTIC FOUR #232-293 (John Byrne)

After his legendary Uncanny X-Men run, John Byrne took over Marvel’s first family, the Fantastic Four. Cinematic storytelling, emotional character shake-ups, shocking betrayals. And he grew up Sue Storm, taking her from the Invisible Girl to the Invisible Woman.