Listen to Gobbledygeek Episode 490 – “Guillermo del Toro’s Pinocchio”

Pinocchio fan poster by Aleks Phoenix (IG: aleks_phoenix)

Gobbledygeek episode 490, “Guillermo del Toro’s Pinocchio” is available for listening or download right here, on Spotify, and on Apple Podcasts.

Is that a tree branch on your face, or are you just lying to me? An extra-long Gobbledygeek season finale takes root with a discussion of Guillermo del Toro and Mark Gustafson’s new stop-motion adaptation of Pinocchio. Paul and Arlo discuss the numerous ways del Toro has made Carlo Collodi’s immortal tale his own, chiefly by making it a study of mortality–oh, and fascism too. The boys rave about Ewan McGregor’s take on the Cricket, the awe-inspiring puppetry and animation on display, and Arlo’s pot-addled epiphany. Plus, tributes to Angelo Badalamenti and Stephen ‘tWitch’ Boss, as well as a look at the Spider-Man: Across the Spider-Verse trailer.

NEXT: happy holidays, y’all. We’ll be back in 2023.

BREAKDOWN

  • 00:00:45  –  Intro
  • 00:17:18  –  Guillermo del Toro’s Pinocchio
  • 02:10:16  –  Our brief, incomplete list of Best of 2022
  • 02:33:17  –  Outro / Next

LINKS

MUSIC

  • “Twin Peaks Theme” by Angelo Badalamenti, Soundtrack from Twin Peaks (1990)
  • “Big Baby Il Duce March” by Gregory Mann, Pinocchio (Soundtrack from the Netflix Film) (2022)

GOBBLEDYCARES

Listen to ‘Gobbledygeek’ Episode 331, “The Shape of Water: Green Around the Gills (feat. Sarah Kosheff)”

Gobbledygeek episode 331, “The Shape of Water: Green Around the Gills (feat. Sarah Kosheff),” is available for listening or download right here and on iTunes here.

Come on in; the water’s fine. Sarah Kosheff joins Paul and Arlo to discuss Guillermo del Toro’s The Shape of Water, freshly nominated for 13 Academy Awards. Del Toro’s girl-meets-fish romance is one of last year’s most ravishing, visually sumptuous films, and the gang discusses why exactly that is. (Spoiler: they don’t all quite agree.) Topics of discussion include Sally Hawkins’ and Doug Jones’ tremendous wordless performances; Alexandre Desplat’s beautiful score, and how music is an important mode of communication in the film; the importance of color, specifically green; and how the film is, in del Toro’s own words, about the “beauty of the other.” Plus, Paul has joined MoviePass just in time for it to come under intense scrutiny.

Next: Paul just wouldn’t shut up about The Greatest Showman, so first-time guest Nathan Curtiss will be joining the boys to discuss the Hugh Jackman-starring musical.

(Show notes for “Green Around the Gills.”)

‘Extremely Loud & Incredibly Close’ Review: Mc9/11

The Ultimate Gift is the worst movie I’ve ever seen. You probably haven’t heard of it. Good for you. I don’t want to imply that it’s well-made, because it’s not, but there are certainly worse-made movies out there. Little ManDate MovieSpace Mutiny, etc. But The Ultimate Gift is a special brand of awful because it takes a little girl’s cancer and uses it as nothing more than a plot point with which to forward the main character’s journey of self-discovery. Once the main character has supposedly become a better person, the little girl dies and no one really cares. Not sure about you, but to me, that is offensive. Now imagine a movie which does the same, only instead of using a cancer-stricken child, it uses a national tragedy the scope of which is still too large for many Americans to comprehend. Thanks to director Stephen Daldry, screenwriter Eric Roth, and a passel of others, you don’t have to imagine it. They’ve made it. And it’s called Extremely Loud & Incredibly Close.

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