Welcome to week 5 of 9 in our analysis of Garth Ennis and Steve Dillon’s Preacher. For more, read weeks 1, 2, 3, and 4.
Paul: Juhz. (Justice.)
AJ: As much as I’ve had my problems with Arseface thus far, any time he said something like that in this volume, I cracked up. UHFUH.
Paul: He’s just so sweet and earnest.
AJ: He really is. And the gang cracking up while he has them at gunpoint? How can you not laugh at that?
Paul: Poor Uhfuh.
Last week, Paul and I reached the halfway mark of our countdown of the Top 100 Characters in Modern Pop Culture. Here are excerpts of our thoughts on our picks for #s 60-51, but be sure to listen to the show for our full rundowns.
PAUL: Vincent (Beauty and the Beast)
Speaking with a gruff but gentle whisper and all but hidden beneath an impressive leonine Rick Baker prosthesis (which didn’t, but absolutely should have, won awards), Perlman was the very definition of Romantic-with-a-capital-R misunderstood emo monster heroes for a generation.
AJ: John Locke (Lost)
His regained ability to walk gave him a new lease on life, and he looked at the island as a beautiful, supernatural force. He refused to leave, and tried to get the rest of the group to stay as well, believing them to be there for a greater purpose. The constant push-and-pull between Jack, the man of science, and Locke, the man of faith, became the series’ core thematic conflict.