Welcome to week 3 of 5 in our analysis of Chris Claremont and John Byrne’s run on Uncanny X-Men. Weeks 1 and 2 can be found here and here.
From #122, “Cry for the Children!,” to #128, “The Action of the Tiger!,” almost every X-Man experiences considerable developments. Since I spilled a boatload of digital ink in the first two columns by going through each issue chronologically, I figured I’d take a different tack this week. I’ll discuss each X-Man individually, then offer some overall thoughts after the fact.
Welcome to our new column, “Four-Color Flashback,” in which we will occasionally discuss classic or interesting comic book runs. First up is the legendary 35-issue span encompassing Chris Claremont’s work with John Byrne on Uncanny X-Men. So legendary, in fact, that I’m amazed I’ve never read it. Claremont’s initial 16-year run on the book, from 1975 to 1991, has been so influential on not just the most successful superteam in the business, but also modern superhero comics as a whole, that at times it can feel like you’ve read the whole thing even if you’ve read nary a page. The four years from 1977 to 1981, during which John Byrne joined the series as penciler and co-plotter, are largely regarded as the pinnacle of Claremont’s work on the title. What with X-Men being in the air as of late, considering the release of X-Men: First Class and my recent purchase of the two hardcover editions of Joss Whedon’s Astonishing X-Men run (itself a loving homage to 70’s-era Claremont), I’ve decided that now is as good a time as any to finally read the thing. If you’d like to play along, I’ll be covering seven issues a week for five weeks, starting with #s 108-114.
First, a little history on both myself and the X-Men. As a big comics fan, I’ve read many X-Men comics over the years, including some of Claremont’s later or more recent work. When I was younger, I cut my teeth on my dad’s comics collection, so I wouldn’t be surprised if I’ve read some of the Claremont/Byrne stuff, as he owned his fair share of 70’s and 80’s X-Men. Though if I did, I don’t remember much beyond certain cover images. As for the X-Men themselves, before Claremont came along, well, Marvel’s mighty mutants were in dire shape. Stan Lee and Jack Kirby, who brought us so many of our popular superheroes, had created the pupils at Xavier’s School for Gifted Youngsters in 1963. The resulting 19-issue run, which I have read, is fun in the classic Lee/Kirby mold, and even introduced the series’ common sociopolitical themes, with the mutant-hating Bolivar Trask alerting humanity to the so-called “mutant menace” and creating the Sentinels to eradicate all mutant life.