Paul’s Top 10 Comics of 2014 (and AJ’s Lament)

'Saga' art by Fiona Staples.

‘Saga’ art by Fiona Staples.

Last week, we brought you our top 10 films of the year. It was different from past years in that while I still wrote words and words and words, Paul presented his list without comment. He continues that trend with his top 10 comics of 2014. Meanwhile, I’m getting into some unusual territory by admitting that I don’t have a list. Sure, I could have scraped something together, but it wouldn’t have felt right.

I adore comic books–look no further than the year-long Four-Color Flashback series on Neil Gaiman’s The Sandman we just wrapped in December–but this was the year they unfortunately fell by the wayside of my pop culture habits. There are a few reasons: comics are expensive, often going for $2.99, $3.99, or even more for a bundle of 20-25 sheets of paper; reading is a solitary, time-consuming activity which requires laser focus, unlike a lot of movies and TV (I’ll probably get in trouble for that), and this year I chose to devote much more of my reading time to prose; and lately, I’ve grown to prefer sitting down with one-and-done graphic novels or trade paperback collections to only getting a single hit of a story each month.

Then there’s the fact that 2014 was the year I (and Paul, and frenemy of the show Eric Sipple) published a book. I’ve always considered myself a creative person, but actually putting blood, sweat, and tears into finishing a real product available for purchase left me with a lot less free time. Video games were the first casualty–I played the very comics-oriented LEGO Marvel Superheroes for a few days, but that was about it–and then, completely by chance, I noticed comics becoming the second. Which is ironic, considering how heavily indebted The Deli Counter of Justice is to superhero comics.

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Last Month’s Comics: DC Reboots and ‘Spider-Island’ Breaks Out

Welcome to Last Month’s Comics, in which I will discuss, uh, last month’s comics. The past couple episodes, we’ve pimped Direct Comic Book Service, which I’ve recently started using as a way to return to regular comics reading. The only downside is that I only get bi-weekly shipments (the weekly option is there, it’s just more expensive), so I won’t wind up reading all of my comics from one month until the beginning or the middle of the next. So I figured it’d be nice to sum up my thoughts, frustrations, and surprises about each month’s comics in a single column. It should be noted that, of course, I’m only reading comics that strike my fancy, there are some books I won’t get started on until a couple months from now, and that I also skipped out on all of DC’s books this month…with one exception.

Let’s get started with August 2011…

BEST #1
Angel & Faith #1
Writer: Christos Gage
Art: Rebekah Isaacs (pencils/inks), Dan Jackson (colors)
Executive Producer: Joss Whedon
Publisher: Dark Horse

Last year, Gobbledygeek called Buffy the Vampire Slayer: Season Eight the Worst Comic Book of 2010. It was more a symbolic award than anything: there were worse comics, but none that were more disappointing. Season Eight had a very strong first two-thirds, but in the last third, things went awry more than they went a-right (please forgive me). It all culminated in the bizarre, confusing, contrived “Twilight’s Last Gleaming” arc. However, the final issue was a stellar return to form, and Joss Whedon has promised that Season Nine will be smaller, more character-driven, less prone to jump-the-shark-ness. Judging from Angel & Faith #1, the first piece of Season Nine, I’d say he’s kept that promise. Though I still don’t fully understand what Angel was up to last season–“Your whole Twilight phase makes about as much sense as a David Lynch movie,” so says Faith–watching him again struggling with remorse over his actions and back in help-the-helpless mode is refreshing. Where once Angel was Faith’s mentor, the roles have reversed. Faith is now there to help Angel deal with his grief, though based on the last-page shocker, she’s got a lot of work to do. Christos Gage has all of the characters’ voices down pat, and Rebekah Isaacs’ art might be the best to ever grace any Whedon comic. Can she draw Buffy too?

(Paul and I reviewed Angel & Faith #1 in “Talking Turkey.”)

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