Patrick Stewart does not deserve this, but we do.
Gobbledygeek episode 402, “Normal People Like Peanut Butter,” is available for listening or download right here and on iTunes here.
Another week, another reckoning with the apocalypse. As the country gears up to reopen, Paul and Arlo discuss how their home states of Alabama and Ohio are handling things. They are not optimistic! Crowds packed close, restaurants teeming with teens, maskless mugs–these things, and more, contribute to our hosts’ reluctance to get this society back on the road. After they’re done ruminating on our impending doom, Paul raves about Hulu’s Normal People; Arlo recommends two more Hulu series, PEN15 and Ramy; they’re both excited about the forthcoming Sandman audio drama; and the announcement of a much sooner release date for the filmed performance of Hamilton leads Arlo to go negative on negativity. Plus, bones slathered in peanut butter.
Next: senior British correspondent Wesley Mead updates us on life in Boris Johnson’s UK.
Total Run Time: 01:37:20
- 00:01:00 – Intro? (Time has no meaning anymore…)
- 01:34:30 – Outro / Next
- “Theme From Cheers (Where Everybody Knows Your Name)” by Gary Portnoy (1982)
- “Peanut Butter Sandwich” by Raffi, Singable Songs for the Very Young (1976)
Gobbledygeek episode 304, “Oh Hi, Superman,” is available for listening or download right here and on iTunes here.
If only these walls could talk, the secrets they could tell. Among them: murder, betrayal, lies, infidelity, and how in the hell Tommy Wiseau made a movie. It’s time for another Geek Challenge, and Arlo has seized the opportunity to finally force Paul into watching Wiseau’s 2003 cult classic The Room. In turn, Paul has challenged Arlo to Sidney Lumet’s much more dignified 1982 crime comedy Deathtrap. The boys discuss the advantages of stage over screen, and vice versa; questionable acting, be it Dyan Cannon or Greg Sestero; homoerotic subtext (or maybe it’s just text); and, yet again, Arlo’s fascination with epically bad filmmaking. Plus, Paul got his ears blown out by the Alabama Symphony’s Led Zeppelin performance.
Next: Kenn Edwards joins Paul and Arlo for the next installment of their year-long Four-Color Flashback discussion of Brian K. Vaughan and Pia Guerra’s Y: The Last Man. This time, the gang will talk Vol. 3: One Small Step.
(Show notes for “Oh Hi, Superman.”)
Gobbledygeek episode 277, “Who Lives, Who Dies, Who Records Your Podcast (feat. Matthew Jackson),” is available for listening or download right here and on iTunes here.
After many months of mounting obsession, Paul and Arlo finally tackle Lin-Manuel Miranda’s Broadway phenomenon Hamilton: An American Musical. (We hope you’ve been willing to wait for it.) Joining them is fellow Hamilton superfan Matthew Jackson, a contributing editor for Blastr.com and entertainment writer for Playboy.com. The gang discusses the impact Hamilton has had on them, its dizzying structure (both in terms of story and stage), the radical way it melds hip-hop with theater with history, and its new behind-the-scenes book Hamilton: The Revolution. Plus, there’s a remembrance of the late, great comics artist and writer Darwyn Cooke.
Next: Paul and Arlo continue their year-long Four-Color Flashback exploration of Matt Wagner’s Grendel with “Devil’s Legacy, Pt. 2,” collected in Grendel Omnibus: Vol. 2, pp. 247-370.
(Show notes for “Who Lives, Who Dies, Who Records Your Podcast.”)
Gobbledygeek episode 271, “Paul v Arlo: Kenn of Justice (feat. Kenn Edwards),” is available for listening or download right here and on iTunes here.
In this corner: striking terror into the hearts of cowardly and superstitious criminals, a creature of the night, black, terrible, it’s the Dark Knight of Gotham City…Batman! And in this corner: faster than a speeding bullet, more powerful than a locomotive, unable to get his own sequel not stuffed with a thousand other characters, it’s the Last Son of Krypton…Superman! With Zack Snyder’s hands in the toybox, they must now v each other in preparation for the dawn of next year’s Justice League. Kenn Edwards, host of So Let’s Get to the Point, joins Paul and Arlo to discuss the superheroic epic Batman v Superman: Dawn of Justice. Is Snyder’s Superman a Randian superman? How does Ben Affleck fare as the Caped Crusader? Is the film as much of a mess as you may have heard? The boys get to the bottom of all this, not to mention another of Kenn’s metatextual monologues. Plus, Arlo’s had a name change, and Paul saw Hamilton on Broadway.
Next: poet Donora Hillard joins us to discuss her new book Jeff Bridges. Plus a discussion of Starman!
(Show notes for “Paul v Arlo: Kenn of Justice.”)
And with that, Season 8 of SO YOU THINK YOU CAN DANCE is out of the gate! There’s a lot of ground to cover in Week One, so let’s get to it.
First thing’s first, we have our first guest judge: Megan Mullally. I’m not going to lie to you, I was extremely skeptical of what I thought was “stunt casting” here, and I expected it to devolve into some kind of comedy schtick. But as it turns out she was fantastic. For one thing, she actually has a background in dance, so she knows what she’s talking about, more or less. But beyond that she was just really focused on giving sincere critiques. She paid attention to the dancers, took notes, commented on the routines in an intelligible way. I’ve gone from being skeptical to actually willing to see her back on the judges panel again at some point.
Next, Cat Deeley (with some spectacularly hot “sex hair”) breaks the bad news to us that we already have an injury. Contemporary dancer Mitchell Kelly strained his elbow during rehearsals and on doctor’s orders must sit out this round of the competition. He’s in the audience, visibly upset. I’m having uncomfortable flashbacks to last season and the tragic loss of Alex. Here’s hoping Mitchell makes a speedy recovery and gets a chance to prove himself next week.
And finally it’s time to introduce the couples. The Top 20 are now paired up into ten couples who will perform together for the first few weeks of the competition. Each week viewers will vote for their favorite couples, and the three that get the fewest votes will then give solo performances, from which the judges will decide one guy and one girl to send home. If the guy and girl eliminated are from different couples, the remaining halves of those couples will be paired together and the show will go on.
Make sense? Good.
Ladies and gentlemen, he first couple for Season 8 is…
Wow. So… that happened.
If you’ve never watched So You Think You Can Dance before, you may be unaware of just how brutal the Las Vegas Callbacks are. I passionately love this show and even I forget the pain and suffering involved in this stage of the competition. Basically, dancers that make it through the initial audition process are all brought to Vegas, where they are put through three grueling days of physical and emotional torture. If there were any question whatsoever in your mind about whether or not these kids are world class athletes that put most professional sports legends to shame, this episode should banish all doubt.
Far too much happens in the Vegas phase at far too fast a pace for me to even hope to be thorough in my recap here. There was good, bad, AND ugly tonight, and I’m still a little dazed and confused frankly. But I’ll see what I can cobble together for y’all.
Three hours of So You Think You Can Dance audition goodness this week. Wednesday night we got to see what Salt Lake City and New York had to offer, each giving us some good and some not-so-good. And Thursday night brought us the final auditions show, from the mythological Orpheum Theater in Los Angeles. And the ol’ Orphic Mysteries were in full effect, because LA was a panoply of dance magic this season.