Gobbledygeek episode 355, “Gobbledyween: The Witch (feat. Matthew Jackson),” is available for listening or download right here and on iTunes here.
Leaves are on the ground, blood is on the silver screen. It’s time for Gobbledyween. Paul and Arlo’s beloved horror movie festival returns for the first time since 2015, and their opening selection debuted that same year: Robert Eggers’ new cult classic The Witch. Emerging from the wood to terrorize the boys is SyfyWire.com contributing editor Matthew Jackson. The gang discusses the rural dread Eggers exploits, if the film can be read as an empowerment tale, if anything on the screen actually happens, and more. Plus, Paul grooves to synthwave, Jon Favreau gears up for The Mandalorian, Arlo worships Nicolas Cage in Panos Cosmatos’ Mandy, and Spider-Ham makes his screen debut in the new Spider-Man: Into the Spider-Verse trailer.
Next: Gobbledyween continues as filmmaker Jess Byard joins us to take a bite out of Kathryn Bigelow’s Near Dark.
What if Superman was one of us? Just a slob like one of us? Just a stranger baling hay, trying to till his own farm? That’s part of the appeal of Alex Ross and Mark Waid’s Kingdom Come, the subject of our latest superheroic Four-Color Flashback–Ross’ painted artwork brings DC’s pantheon to vivid life. Of course, Superman isn’t one of us. He makes this clear when, after a decade in exile, he descends upon Metropolis to mete out cold hard justice to a new, irresponsible generation of heroes and villains. Kingdom Come was intended as a statement on the Xtreme anti-heroes of the ‘90s, and as its human protagonist Norman McKay witnesses the fantastic devastation around him, the book explores issues of faith and fascism. Paul and Arlo discuss how Ross and Waid’s tale holds up more than 20 years later, how it reconciles the heroes’ godlike power with fragile human will, why it may be Ross’ best work, and its nigh definitive portrait of DC’s Trinity. Plus, Arlo finishes his Disney marathon while catching Pokémon, and we tease a future discussion of Spider-Man PS4.
Next: we switch religions from DC to Marvel as our pal Chance Mazzia joins us to talk Frank Miller and David Mazzucchelli’s Daredevil: Born Again.
Gobbledygeek episode 351, “The X-Files: Seasons 10 & 11 (feat. Wesley Mead),” is available for listening or download right here and on iTunes here.
Unleash your bees, fire up your oil rigs, and prepare to get injected with the alien plague one last time–Wesley “Wezzo” Mead joins Paul and Arlo for their final episode discussing Chris Carter’s seminal sci-fi series The X-Files. The gang discusses the 2008 film I Want to Believe, which finds the FBI dragging Mulder and Scully out of retirement to deal with a psychic pedophile priest played by Billy Connolly; season 10, which fails to justify reviving the series; and season 11, which at least shows there’s a bit of a spark left. Godawful mythology mumbo-jumbo, horrendous mistreatment of Dana Katherine Scully, and Darin Morgan brilliance…sounds about right. Plus, Paul admires works of both stage and screen; Wezzo falls for Gravity Falls; and Arlo is vengeance, he is the night, he is watching Batman: The Animated Series.
Next: Matthew Jackson joins us for another installment of this year’s superheroic Four-Color Flashback series. This time we’re talking Thor Visionaries: Walter Simonson – Vol. 1.
Gobbledygeek episode 350, “DC: The New Frontier (feat. Eric Sipple),” is available for listening or download right hereand on iTunes here.
For this month’s superheroic Four-Color Flashback installment, Paul and Arlo set out for lands unknown with the late, great Darwyn Cooke’s DC: The New Frontier. Cooke’s ambitious 2004 limited series bridges the gap between comics’ Golden Age and Silver Age, paying nostalgic tribute to the fictional heroes of that time while using the era’s form and style to comment on the day’s social and political ills. They’re joined on their voyage by The Avatar Returns co-host and The Deli Counter of Justice co-creator Eric Sipple. The gang discusses Cooke’s artwork, striking and cinematic in ways few others comics have achieved; how Cooke wisely keeps Superman, Wonder Woman, and Batman in the background to focus on new heroes like Green Lantern and the Flash; how the story of J’onn J’onzz, the Martian Manhunter, compares to that of African-American freedom fighter John Henry; the pretty good animated adaptation; and more. Plus, Eric has some personal news; SDCC happened, including a slew of trailers for the likes of Shazam, Aquaman, and more; and Nathan Fillion gets his Nathan Drake on in the Uncharted fan film.
Next: the end is out there. Wesley “Wezzo” Mead joins Paul and Arlo to talk The X-Files one last time, as the gang discusses the big screen continuation I Want to Believe and both revival seasons.
Gobbledygeek episode 347, “Incredibles 2: Infancy War,” is available for listening or download right here and on iTunes here.
After 14 long years, the Incredibles are back. The superhero film landscape has changed drastically in that time–but, blissfully, Brad Bird and his retro supers have not, as they teleport and babysit their way through another round of domestic struggles. Paul and Arlo discuss how Incredibles 2 inverts and deepens the themes of the first, why this is some of the finest superhero action ever committed to film, how Jack-Jack avoids Minion-ization, and why Bird and his films are not Randian. Plus, Paul plays a game of Tag, Arlo takes in a service at First Reformed, Paul keeps getting mistaken for Thanos, Arlo is obsessed with Guillermo del Toro, and Paul goes all Cloak & Dagger.
Next: this year’s superheroic Four-Color Flashback continues as Jed Waters Keith joins us to discuss Spider-Man: Origin of the Hobgoblin.
Gobbledygeek episode 346, “Mary Poppins / The Lure: Cartoon Penguins Eat Polish Mermaids, Don’t They?”, is available for listening or download right hereand on iTunes here.
Even with a spoonful of sugar, Paul finds this week’s Geek Challenge hard to stomach. You see, he has invited Arlo to watch Robert Stevenson’s delightful 1964 classic Mary Poppins, in which a magical Julie Andrews and an accented Dick Van Dyke dance their hearts out while unlocking the joy hidden within a stuffy banker. In return, Arlo has forced Paul to endure Agnieszka Smoczynska’s 2015 goth music video The Lure, in which there is little magic but plenty of pain, blood, and desperation as two virginal maneating mermaids come of age. They’re both musicals, they’re both about women, and…that’s about where the similarities end. Some men just like to watch the world burn, and Arlo appears to be one of them. Plus, lots of great trailers; Sense8, Legion, and Westworld broaden sci-fi TV’s horizons; Brian Michael Bendis’ time with Spider-Man comes to an end; and Arlo finally watched Guillermo del Toro’s debut feature Cronos.
Gobbledygeek episode 343, “Avengers: Infinity War – Oh Snap!,” is available for listening or download right here and on iTunes here.
A feat even more miraculous than Paul and Arlo agreeing on the same movie? Successfully juggling a cast of dozens in an interplanetary epic that shakes up the world’s most popular film series. That’s exactly what Joe & Anthony Russo have done with Avengers: Infinity War, a daring space opera that acts as a culmination of a decade’s worth of superheroic blockbusters while taking the Marvel Cinematic Universe in new directions. The boys discuss how (nearly) each character gets their due, why Josh Brolin’s Thanos more than lives up to the hype, and where the MCU goes from here. Plus, Arlo binges the Disney Renaissance and MoviePass takes an unsurprising heel turn.
Next: this year’s Four-Color Flashback continues as Heather Wiley joins Paul and Arlo to discuss Wonder Woman by George Perez: Vol. 1.