Listen to Gobbledygeek Episode 364 – “Bedknobs and Broomsticks / Chicago: We Both Reached for the Broom”

Gobbledygeek episode 364, “Bedknobs and Broomsticks / Chicago: We Both Reached for the Broom,” is available for listening or download right here and on iTunes here.

This week finds Paul and Arlo being a coupla ding-dong daddies as another musical Geek Challenge is summoned from a mail-order spellbook. First, Paul challenges Arlo to Bedknobs and Broomsticks, Robert Stevenson’s 1971 follow-up to Mary Poppins. Then, Arlo forces Paul to endure Rob Marshall’s 2002 Best Picture winner Chicago. Witchcraft and murder…this one’s got it all. The boys discuss Bedknobs and Broomsticks’ unlikely connection to The Island of Dr. Moreau, whether or not Chicago deserves its reputation as one of the weakest Best Picture champs, and why Paul refuses to pay Rent.

Next: after a week off, we’re back for our second Four-Color Flashback of 2019, discussing March by John Lewis, Andrew Aydin, and Nate Powell.

(Show notes for “Bedknobs and Broomsticks / Chicago: We Both Reached for the Broom.”)

On DVD & Blu-Ray, 6/28/11: ‘Sucker Punch,’ ‘Barney’s Version,’ More

SUCKER PUNCH: Extended Cut (DVD/Blu-ray/Blu-ray, DVD & Digital Combo)

Yep, here it is. This is the film that either destroyed any remnants of geek cred I may ever have had, or proved what a brilliant film viewer I really am. Why, you ask? Because, damn it, I liked this Zack Snyder joint. Ostensibly the story of Baby Doll (Emily Browning), an abused young woman put into an institution by her father and scheduled for a lobotomy, who travels to deeper and deeper levels of consciousness on an anime/video game/comic book-inspired quest to free herself and her fellow inmates. Pretty young things in barely-there clothing battling giant robot samurai, fire-breathing dragons, and steam-powered zombie Nazis. Given only that premise, and taking into account Snyder’s penchant for phantasmagoric, speed-ramped action sequences, this could have been a beautiful but vapid piece of hormone and adrenaline-fueled cinematic trash. But, as I infamously explained here, I believe there is much more to it than that. The Extended Cut features an additional 18 minutes of footage, a picture-in-picture commentary with director Snyder, and has been rated R, up from the theatrical PG-13.  – Paul Smith

(Originally reviewed by Paul, and much less favorably by myself, in “Ladylike.”)

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