Listen to ‘Gobbledygeek’ Episode 310, “Children of Men: This Stork Is Quite Tasty, Isn’t It?”

Gobbledygeek episode 310, “Children of Men: This Stork Is Quite Tasty, Isn’t It?,” is available for listening or download right here and on iTunes here.

Anti-immigrant sentiment. Militarized police. Fascist leadership. A Britain with closed borders. No, this isn’t our world circa 2017; it’s the 2027 of Alfonso Cuarón’s 2006 sci-fi masterpiece Children of Men. A world rocked by mass infertility and faced with humanity’s impending extinction has led down a path of violent extremism, one you and I may be traveling as we speak. Paul and Arlo discuss the film’s terrifying relevance, its rightful ascendance to modern classic status, those insane tracking shots, and, you know, white male privilege. Plus, Paul promised Arlo he would watch Park Chan-wook’s The Handmaiden, and by god that’s a promise he kept.

Next: three years after their self-titled debut, the Guardians of the Galaxy are about to drop Vol. 2, and you’re invited to the listening party.

(Show notes for “Children of Men: This Stork Is Quite Tasty, Isn’t It?”)

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Paul & AJ’s Top 10 Films of 2013

Let the top 10-a-palooza commence! Over the next couple weeks, Paul and I will be looking back at our favorite things of 2013. First up, films; next week, TV series; and finally, comics. As always, these lists are imperfect and incomplete, reflecting only on what we’ve seen and love at the moment. Or as Paul writes:

I intentionally refer to the films on this list as favorites, not best. I rank films based on how much I enjoyed them, for whatever ephemeral or esoteric reasons unique to me, not on some system of objective filmmaking truths. These are the ten films I liked the most. YMMV.

Regarding omissions, neither of us have been able to see Inside Llewyn Davis, which makes me want to die, but oh well. I also haven’t seen The Great Beauty, Cutie and the Boxer, or The Hobbit: The Desolation of Smaug, among others. Meanwhile, Paul hasn’t gotten around to Her, The Act of Killing, Stories We Tell, Short Term 12, or Blue Jasmine, to name a few.

Here we go!

– AJ

PAUL: 10. WARM BODIES (dir. Jonathan Levine)

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The zombie genre is by this point a bloated undead thing feasting on its own rotting flesh. But director Jonathan Levine (50/50) makes this adaptation of Isaac Marion’s novel fresh, fun, and full of life. Yes it’s a (very) thinly veiled Romeo and Juliet pastiche, but the two leads, neo-nerdhunk Nicholas Hoult and Australian beauty Teresa Palmer, are both engaging and committed. Hoult in particular gets praise for being monstrous and vulnerable, and for selling the cheesy-but-hilarious voiceover with nothing more than his eyes. Also, Rob Corddry as a zombie lamenting, “Bitches, man,” is the best comedic line delivery of the year.

AJ: 10. GIMME THE LOOT (dir. Adam Leon)

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You walk out of Gimme the Loot immediately wanting to know what first-time writer-director Adam Leon is going to do next. His voice is sharp and fresh, chronicling a day in the life of two teenaged petty criminals in a way that feels authentic but never gritty. His Bronx streets are unvarnished, rife with economic and class divisions, but there’s so much damn heart. Newcomers Tashiana Washington and Ty Hickson give performances devoid of pomp or flash; they simply find the souls of these two aimless kids. They’re one of the most affecting screen duos in recent memory, in one of the biggest surprises of the year.

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