Listen to Gobbledygeek Episode 368 – “Captain Marvel: Hello Flerken”

Brie Larson in ‘Captain Marvel.’

Gobbledygeek episode 368, “Captain Marvel: Hello Flerken,” is available for listening or download right here and on iTunes here.

It only took ‘em 21 movies, but the Marvel Cinematic Universe has finally debuted a solo female superhero with Captain Marvel. Acclaimed indie filmmakers Anna Boden and Ryan Fleck take to the stars for the story of Carol Danvers, ace pilot turned intergalactic warrior. Drenched in ‘90s nostalgia, the film finds buddy comedy with the spirited Brie Larson/Samuel L. Jackson dynamic; it finds Memento-lite storytelling gymnastics with Carol’s fractured memories. Paul and Arlo debate this approach’s effectiveness; think back to whether or not they loved the ‘90s; consider what the film’s cosmic shenanigans mean for the future of the MCU; and attempt (with varying degrees of success) to check their privilege while analyzing a tale of female empowerment.

Next: the boys crash land back on Earth for another Four-Color Flashback installment, this one discussing Craig Thompson’s modern classic Blankets.

(Show notes for “Captain Marvel: Hello Flerken.”)

Paul & AJ’s Top 10 New & Returning TV Series of 2013

Last week, we brought you our favorite movies of last year (finally saw Inside Llewyn Davis, by the way, and yes, it would have made the cut). This week, we change channels to focus on TV. We’re doing things a little differently this time out, with separate top 10 lists for new shows and returning favorites. Though there were a lot of new shows I enjoyed over the past year, I’ll admit I couldn’t stretch them to 10; instead, I’ve got 8, while Paul’s just crazy enough to have a full 10.

As always, there are shows we couldn’t get around to: I haven’t seen Rectify, Top of the Lake, Broadchurch, or The Wrong Mans, all of which I’d hoped to see in time for this list. Oh, and to absolve him of all guilt, I should mention that Paul has never seen Breaking Bad. Wait, I don’t think that absolves him.

NEW SERIES

PAUL: 10. HANNIBAL (NBC)

hannibal

I wasn’t particularly interested in a television adaptation of the Thomas Harris characters. But names like Hugh Dancy, Mads Mikkelsen, and Bryan Fuller pulled me in. It’s one of the most visually stunning and hauntingly…haunting shows ever to make it to network television. It’s also one of the most shockingly violent and grotesque. All positives in my book. But I can’t put it any higher on my list because it’s crushingly depressing.

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Paul & AJ’s Top 10 Films of 2013

Let the top 10-a-palooza commence! Over the next couple weeks, Paul and I will be looking back at our favorite things of 2013. First up, films; next week, TV series; and finally, comics. As always, these lists are imperfect and incomplete, reflecting only on what we’ve seen and love at the moment. Or as Paul writes:

I intentionally refer to the films on this list as favorites, not best. I rank films based on how much I enjoyed them, for whatever ephemeral or esoteric reasons unique to me, not on some system of objective filmmaking truths. These are the ten films I liked the most. YMMV.

Regarding omissions, neither of us have been able to see Inside Llewyn Davis, which makes me want to die, but oh well. I also haven’t seen The Great Beauty, Cutie and the Boxer, or The Hobbit: The Desolation of Smaug, among others. Meanwhile, Paul hasn’t gotten around to Her, The Act of Killing, Stories We Tell, Short Term 12, or Blue Jasmine, to name a few.

Here we go!

– AJ

PAUL: 10. WARM BODIES (dir. Jonathan Levine)

warmbodies

The zombie genre is by this point a bloated undead thing feasting on its own rotting flesh. But director Jonathan Levine (50/50) makes this adaptation of Isaac Marion’s novel fresh, fun, and full of life. Yes it’s a (very) thinly veiled Romeo and Juliet pastiche, but the two leads, neo-nerdhunk Nicholas Hoult and Australian beauty Teresa Palmer, are both engaging and committed. Hoult in particular gets praise for being monstrous and vulnerable, and for selling the cheesy-but-hilarious voiceover with nothing more than his eyes. Also, Rob Corddry as a zombie lamenting, “Bitches, man,” is the best comedic line delivery of the year.

AJ: 10. GIMME THE LOOT (dir. Adam Leon)

gimmetheloot

You walk out of Gimme the Loot immediately wanting to know what first-time writer-director Adam Leon is going to do next. His voice is sharp and fresh, chronicling a day in the life of two teenaged petty criminals in a way that feels authentic but never gritty. His Bronx streets are unvarnished, rife with economic and class divisions, but there’s so much damn heart. Newcomers Tashiana Washington and Ty Hickson give performances devoid of pomp or flash; they simply find the souls of these two aimless kids. They’re one of the most affecting screen duos in recent memory, in one of the biggest surprises of the year.

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That Time That AJ Tweeted with Joss Whedon

Okay, the title of this post is somewhat misleading. In actuality, I tweeted a question with the #Avengers hashtag during a live chat with Joss Whedon, Samuel L. Jackson, Tom Hiddleston, and Clark Gregg; then someone deigned to ask Joss my question; then Joss answered; then someone transcribed his answer and tweeted it back to me. But still! It totally counts!

Please tell me it counts or I will cry.

In any case, here’s the photographic evidence:

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Joss Whedon Has Made Another Movie, Apparently

You may have heard of The Avengers, the massive superhero blockbuster that Joss Whedon and his team of magicians have been feverishly working on for a year or two. However, like myself, you may not have known that when one is writing and directing one of the most anticipated comic book films ever made, one also has time to write and direct a totally unrelated film starring about half the people one has ever worked with. Because that’s just what Whedon has done.

The film, entitled Much Ado About Nothing and presumably an adaptation of the Shakespeare play, has completed principal photography without anyone having noticed. For years now, Whedonfolk have spoken of the man’s private Shakespeare readings in hushed tones, and it appears he has wrangled many of them into the movie: Alexis Denisof, Amy Acker, Nathan Fillion, Tom Lenk, Fran Kranz, Reed Diamond, and Clark Gregg have all worked with Whedon before. There’s no word on how the film will be distributed, be it conventionally or, like Dr. Horrible’s Sing-Along Blog, as another Web venture.

Speaking of Dr. Horrible, this announcement reminds me of how it felt when we were all made aware of that Whedon project: like a beautiful, unexpected present had fallen from the heavens onto our collective doorstep. If you can’t tell, I am excited.

Avengers Gotta Get with the Assembly: ‘The Avengers’ Trailer Now Online

Ladies and gentlemen, I bring you the first full trailer for The Avengers:

Okay…have you gathered yourself? Now then, let me remind you that this is not only the first trailer for The Avengers, but the trailer for the first filmed Joss Whedon work since that last run of Dollhouse episodes early last year. I guess it depends on what kind of geek you are, but that’s sort of what’s blowing my mind right now.

Though there’s plenty to blow your mind in the trailer itself. Being the first trailer for the hugest action/SFX movie of 2012, there’s not much in the way of plot or character, but we do get to see a lot of taxicabs getting blowed up real good, Captain America and Thor sparring, Bruce Banner Hulking out, and Loki looking pissed. There are also some fantastic, very Whedon-y lines of dialogue, delivered exclusively by Tony Stark. (I’m sure the other characters will have awesome things to say as well, but this is only a trailer, and Robert Downey Jr./Iron Man is pretty much the marquee name here.)

My favorite?

“Dr. Banner, your work is unparalleled and I’m a huge fan of how you lose control and turn into an enormous green rage monster.”

Oh, yes. I have a feeling that after this movie, it’s going to be hard to remember a world in which RDJ wasn’t always speaking Joss Whedon dialogue. If I’m going to disengage from drooling fanboy mode, I really only have a couple of quibbles: Scarlett’s sexy poses seem out-of-place, and Hawkeye locking and loading his bow looks kinda silly. Still, I’m penning in a big red “A” on my calendar for May 4, 2012.

No-Prize to the first person who can tell me the name of the Buffy episode from which I took this post’s title. Extra-Special No-Prize if you spot the other line of Buffy dialogue, which in its original form references Captain America, that I paraphrased here. Nerds assemble!

AJ’s ‘Thor’ Review: Almost Thunderous

I’ve long thought that Marvel’s overarching plan for its homegrown superhero movies was absolutely insane–and pretty ingenious, too. Spider-Man, the X-Men, and some other notable players are tied up at other film companies, but Marvel wisely held onto the rights to each member of the Avengers and ever since Iron Man in 2008, they’ve been working on getting the band together. Iron Man had some subtle Easter eggs and a nifty post-credits scene, and it’s a miracle that Iron Man 2 didn’t entirely collapse under the weight of its Avengers teases; The Incredible Hulk, besides a brief scene between Tony Stark and General Ross, was too busy restoring its hero’s rep to get involved. Thor is the next Avenger to get the spotlight and, well, he’s an interesting case.

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