Art from ‘My Favorite Thing Is Monsters’ (2017) by Emil Ferris.
Gobbledygeek episode 389, “Gobbledyween / FCF: My Favorite Thing Is Monsters (feat. Eric Sipple),” is available for listening or download here and on iTunes here.
Our favorite thing is Gobbledyween, so to close out this year’s frightening festivities, Paul and Arlo are breaking from the norm to discuss Emil Ferris’ 2017 graphic novel My Favorite Thing Is Monsters. Joining them for this first Gobbledyween/Four-Color Flashback crossover is their The Deli Counter of Justice collaborator Eric Sipple. The gang marvels at Ferris’ stunning art (all done in ballpoint pen!), attempts to process the numerous threads in this first of two planned volumes (sexuality, duality, and reality, oh my!), draws unexpected parallels to Art Spiegelman’s Maus (a FCF entry just this past August!), and so much more (no parenthetical necessary!). We promise there are monsters.
Next: and I’m freeeeeeeeeeeeeeeeeee, free Gooooobbliiiiiiin’.
Total Run Time: 01:42:55
- 00:00:44 – Intro
- 00:03:20 – My Favorite Thing is Monsters
- 01:36:51 – Outro / Next
- “Wild Thing” by The Troggs, From Nowhere (1966)
- “Good Monsters” by Jars of Clay, Good Monsters (2006)
- “The Holocaust, Art, Chicago & Sickness: A 3,500-Word Interview with My Favorite Thing Is Monsters Mastermind Emil Ferris” by Hillary Brown, Paste
- “’My Favorite Thing Is Monsters’ Is A Dazzling, Graphic Novel Tour-De-Force” by John Powers, NPR
- “My Favorite Thing Is Monsters – Review” by Andrea Crow, Lambda Literary
- “Emil Ferris: ‘I didn’t want to be a woman – being a monster was the best solution’” by Sam Thielman, The Guardian
- “My Favorite Thing Is Monsters – Review” by Paul Tumey, The Comics Journal
- “When Everyone’s a Monster, No One Is: The Ugly Everyday in My Favorite Thing is Monsters” by Em Nordling, Tor.com
- “My Favorite Thing Is Monsters is a brilliant, eye-opening graphic novel debut” by Oliver Sava, AV Club
- “The Bite That Changed My Life” by Elly Fishman, Chicagomag.com
Art from ‘Green River Killer: A True Detective Story’ by Jonathan Case. Dialogue by Jeff Jensen.
Gobbledygeek episode 385, “Four-Color Flashback: Green River Killer,” is available for listening or download right here and on iTunes here.
For another installment of this year’s non-superhero Four-Color Flashback, Paul and Arlo look at the story of a real-life hero in Green River Killer: A True Detective Story, Jeff Jensen and Jonathan Case’s loving tribute to Jeff’s dad, Detective Tom Jensen. Detective Jensen was instrumental in catching Gary Leon Ridgway AKA the Green River Killer, America’s most prolific serial killer. The boys discuss Paul’s connection to (and possible culpability in?!) the case, the comparisons or lack thereof to the father-son dynamic in Maus, Case’s beautiful character acting, and more.
Next: leaves are on the ground, blood is on the screen. It’s time for Gobbledyween. We kick off this year’s festivities with a(nother) discussion of Drew Goddard’s 2011 mega-meta horror film The Cabin in the Woods.
Total Run Time: 01:15:25
- 00:00:35 – Intro
- 00:02:00 – Green River Killer
- 01:09:47 – Outro / Next
- “Green River” by Creedence Clearwater Revival, Green River (1969)
- “Deep Red Bells” by Neko Case, Blacklisted (2002)
- “Writer Jeff Jensen Talks Dark Horse’s Green River Killer: A True Detective Story”, diamondcomics.com
Art from ‘Maus: A Survivor’s Tale’ by Art Spiegelman.
Gobbledygeek episode 384, “Four-Color Flashback: Maus: A Survivor’s Tale (feat. Eric Sipple),” is available for listening or download right here and on iTunes here.
For the latest installment of this year’s spandex-free Four-Color Flashback, Paul and Arlo tackle a big one: Art Spiegelman’s Maus: A Survivor’s Tale, still the only comic book ever to be awarded a Pulitzer Prize. Joining them to discuss Spiegelman’s harrowing account of his father Vladek’s time in the concentration camps of Nazi-occupied Poland–and Art’s own tense relationship with Vladek–is Broken Magic author and The Deli Counter of Justice co-creator Eric Sipple. The gang discusses Spiegelman’s provocative choice to depict Jews as mice, Nazis as cats, Poles as pigs, etc.; how Spiegelman follows in a tradition going all the way back to Mickey Mouse; and why it’s specifically disturbing to read Maus in 2019.
Next: Paul and Arlo will return.
(Show notes for “Four-Color Flashback: Maus: A Survivor’s Tale.”)
Art from ‘Hip Hop Family Tree’ by Ed Piskor.
Gobbledygeek episode 381, “Four-Color Flashback: Hip Hop Family Tree,” is a available for listening or download right here and on iTunes here.
Paul and Arlo are in the place to be, rapping about Ed Piskor’s Hip Hop Family Tree. For the latest Four-Color Flashback installment, our nerdy white heroes take on nerdy white cartoonist Piskor’s quartet (so far) of graphic novels discussing the history of hip hop culture. The boys discuss Piskor’s art, equally indebted to underground comix and superhero books of the ‘70s and ‘80s; how the physical editions beautifully replicate the aesthetics of the time period; how Piskor captures the rhythm and fluidity of DJs and breakdancers; and what in the hell he’s got against Russell “Rush” Simmons.
Next: Quentin Tarantino’s Once Upon a Time… in Hollywood is Family-friendly entertainment.
(Show notes for “Four-Color Flashback: Hip Hop Family Tree.”)
He only looks innocent.
Gobbledygeek episode 378, “The Dog Ate My Sleep,” is available for listening or download right here and on iTunes here.
We’re tired. So tired. That’s what you want to hear when you’re about to fire up a podcast, right? You are reading this, aren’t you? Buried among such illuminating subjects as the coffee Arlo’s drinking, Paul’s underhanded behind-the-scenes manipulations, and the boys’ general unprofessionalism, there is indeed some pop culture palaver and parley. The boys are digging HBO’s troubled teens drama Euphoria despite being approximately 400 years too old to say things like “that’s a mood”; Arlo is losing faith in The Handmaid’s Tale; Paul remembers Yesterday; and they both are in awe of Toy Story 4 being so much more than a cynical cash-grab.
Next: Toby Maguire now vanquished, Jake Gyllenhaal finally makes his way into a Spider-Man movie, donning a fishbowl for Spider-Man: Far From Home.
(Show notes for “The Dog Ate My Sleep.”)
Art from ‘The Nameless City’ by Faith Erin Hicks & Jordie Bellaire
Gobbledygeek episode 377, “Four-Color Flashback: The Nameless City Trilogy,” is available for listening or download right here and on iTunes here.
For the next installment of this year’s superhero-free Four-Color Flashback, Paul and Arlo leave the realm of autobiography, semi- or otherwise, for some thrilling adventures in fictional China. Faith Erin Hicks’ The Nameless City trilogy has everything: young men and women coming of age in trying times, political intrigue, backstabbing, betrayal, and some pretty cool martial arts fights. The boys discuss Hicks’ deceptively simple artwork, how she incorporates sound effects into her storytelling, Jordie Bellaire’s stunning color, and why The Nameless City is a love story but not a romance.
(Show notes for “Four-Color Flashback: The Nameless City Trilogy.”)
Art from ‘American Born Chinese’ by Gene Luen Yang & Lark Pien.
Gobbledygeek episode 376, “Four-Color Flashback: American Born Chinese (feat. Johny Ho),” is available for listening or download right here and on iTunes here.
For the next installment of this year’s non-superheroic Four-Color Flashback, Paul and Arlo are joined by their pal Johny Ho to discuss Gene Luen Yang’s American Born Chinese. While they’ve previously discussed Yang’s work on the Avatar: The Last Airbender comics, Paul and Arlo discover a whole new side of Yang in this semi-autobiographical novel; while Johny finds pieces of his experience reflected in the story of Jin Wang, an Asian kid enrolled in a Western school. The gang discusses Yang’s simple yet exciting artwork; Lark Pien’s vibrant colors; the horrifying stereotypes Yang spotlights; the meaning of the Monkey King’s journey; and more.
Next: game over. Sarah Kosheff rides in on her dragon to talk Game of Thrones’ final season.
(Show notes for “Four-Color Flashback: American Born Chinese.”)