Art by Dean Ormston (pencils/inks) & Dave Stewart (color) from ‘Black Hammer: Age of Doom’ (2018)
Gobbledygeek episode 397, “Four-Color Flashback: Black Hammer,” is available for listening or download right here and on iTunes here.
Don’t you just hate it when you’re a superhero who saves the world and then gets zapped to a shitty little farm town in another dimension that you literally cannot leave? In Jeff Lemire and Dean Ormston’s Dark Horse series Black Hammer, Abraham Slam, Golden Gail, Barbalien, Talky-Walky, Colonel Weird, and Madame Dragonfly sure do. For this month’s Four-Color Flashback, Paul and Arlo discuss the recently concluded “main” storyline of Lemire and Ormston’s ever-expanding creation, consisting of Black Hammer issues #1-13 and Black Hammer: Age of Doom issues #1-12. From a backwater farm to the furthest reaches of time and space, our heroes explore every facet of the superhero genre. Along the way, they confront the metatextual realities of comics storytelling–and the just plain textual fact of aging.
Next: we have no plans.
Total Run Time: 02:33:48
- 00:00:37 – Intro
- 00:02:14 – Black Hammer
- 02:29:10 – Outro / Next
- “(Don’t Go Back To) Rockville” by R.E.M., Reckoning (1984)
- “How You Gonna Keep ‘Em Down On the Farm” by Andrew Bird, Soldier On (2007)
Art from ‘Daytripper’ (2010) by Gabriel Bá, Fábio Moon & Dave Stewart.
Gobbledygeek episode 392, “Four-Color Flashback: Daytripper,” is available for listening or download right here and on iTunes here.
It took Brás de Oliva Domingos so long to find out, and he found out. What, if anything, he found out is the central question of Fábio Moon and Gabriel Bá’s 2010 Vertigo series Daytripper, subject of our final Four-Color Flashback for 2019. You see, Brás writes obituaries for a São Paulo newspaper–and at the end of most chapters in this book, he dies. Twin writers/artists Moon and Bá pave the way for an existential journey along the many turning points of a life, from the imperceptible to the unmistakable. Paul and Arlo discuss Daytripper’s hint of magical realism; the coherent, airtight structure that grounds the book’s absurdity; how the series’ hopeful attitude brushes up against horrific tragedy; Moon and Bá’s distinctive (though not so distinctive we know who is penciling and/or inking what!) art style, accentuated by master colorist Dave Stewart; and more.
Next: on the Gobbledygeek season 10 finale, Christmas gets twisted with John McPhail’s 2018 horror-comedy-musical Anna and the Apocalypse.
Total Run Time: 01:32:47
- 00:00:42 – Intro
- 00:06:30 – Daytripper
- 01:26:40 – Outro / Next
- “Day Tripper” by Sergio Mendes & Brasil ‘66, Herb Alpert Presents Sergio Mendes & Brasil ‘66 (1966)
- “Circle of Life” by Carmen Twillie & Lebo M, The Lion King (Original Motion Picture Soundtrack) (1994)
Welcome to Last Month’s Comics, in which I discuss, uh, last month’s comics. I get my comics in bi-monthly shipments from Discount Comic Book Service, and as such, I can be a little behind. So here we are. This feature started last month.
So, September 2011, what kind of havoc did you wreak? Let’s find out…
BEST RETURN TO FORM
Buffy the Vampire Slayer: Season 9 #1
Writer: Joss Whedon
Art: Georges Jeanty (pencils), Dexter Vines (inks), Michelle Madsen (colors)
Publisher: Dark Horse
To say that I was pleased upon finishing the first issue of the new “season” of Buffy is an understatement. Season 8 started off very well, with Buffy leading an army of 500 Slayers and trying to unmask the mysterious foe Twilight. And to tell the truth, it was great for much of its run, with an occasional stumble (vampires being outed to the public wasn’t handled with much finesse). But the last story arc, with the reveal of Angel as Twilight, cosmic sex, and general batshit insanity, was so damaging that even someone who considers Buffy the Vampire Slayer to be the greatest piece of entertainment ever given us by man had come to the conclusion that it might be for the best if Ms. Summers was finally laid to rest. The final issue of Season 8, though, was a dramatic 180 from the pace and structure of the last few issues leading up to it, and the Season 9 premiere continues in that vein. With Giles gone and magic vanquished, Buffy is depressed and adrift, working as a waitress and getting blackout drunk. It’s all done with Whedon’s razor-sharp wit and keen sense of twenty-something angst. The final “shock twist” is so humdrum and everyday it’s hilarious. In many ways, the metaphorical “party” is over for our Scoobies; now what? I can’t wait to find out.