First comes a podcast, then comes 423 more podcasts, then comes a baby who is doomed to think having a podcast host for a dad is normal. On the Gobbledygeek season 12 premiere, Arlo is revealed to be a babydaddy–and the kid isn’t Paul’s! Scandal! Arlo discusses life as the father of a newborn, which involves a good deal of poop. Paul has also had to deal with a good deal of poop, even though his isn’t issuing forth from a screaming, squealing bundle of joy. In between all the poop talk, the boys squeeze out some pop culture talk: Arlo catches up with the new seasons of Ramy and PEN15; Paul gets TikTok’d; Arlo watches (and reads) You; and the boys commiserate about the bizarre, disappointing Wonder Woman 1984.
NEXT: ‘tis the damn season. A/V writer-director Joseph Lewis returns to the show for another round of Swiftie analysis with a deep-dive into Evermore.
00:01:07 – Intro
01:24:30 – Spoilers for Netflix’s You (and the novels it’s based on)
01:29:20 – End spoilers
01:55:05 – Outro / Next
“Isn’t She Lovely” by Stevie Wonder, Songs in the Key of Life (1976)
Gobbledygeek episode 422, “Sandman Mystery Theatre – Book One (feat. Vickie Willis Navarra)”, is available for listening or download right here and on Apple Podcasts here.
For the penultimate Gobbledygeek of the year, Paul and Arlo return to an institution they dropped like a bad habit at the start of the pandemic: the Four-Color Flashback! Vickie Willis Navarra, board member of the Comics and Popular Arts Conference at DragonCon, joins the boys to discuss Sandman Mystery Theatre: Book One. Matt Wagner’s resurrection of DC’s Golden Age hero Wesley Dodds, with art by Guy Davis, John Watkiss, R.G. Taylor, and David Hornung, explores the dark dreams of 1938 New York. The gang discusses the art’s sketchy, shadowy noir qualities; Vickie interrupts her praise of Dian Belmont long enough to wonder if Dian falls into the “exceptional female” trope; Paul and Arlo ponder the series’ connection to Neil Gaiman’s Sandman; and more.
NEXT: season 11 comes to a close with a Geek Challenge featuring Thunderheart and Dead Man.
Gobbledygeek episode 395, “Four-Color Flashback: Watchmen (feat. Greg Sahadachny).” is available for listening or download right here and on iTunes here.
After a year of pointedly discussing no superhero stories, Paul and Arlo revive Four-Color Flashback for a new decade with the big kahuna of all superhero stories: Alan Moore and Dave Gibbons’ 1986-87 maxi-series Watchmen. Aided by emotional sherpa Greg Sahadachny, once and future host of The Debatable Podcast, the boys openly admit there is no new light to shed on perhaps the most analyzed comic book of all time–then get to shedding. What’s it like reading Watchmen in 2020? In the wake of Damon Lindelof’s TV sequel? The gang finds that, like all great art, Watchmen has not changed in the 33 years since its run wrapped, but we have. In a world where fascism seems much more tangible, where superhero fiction reigns supreme, Moore and Gibbons’ work has taken on a renewed sense of meaning. The gang discusses the book’s formalist genius; our heroes’ utter contempt for those they claim to save; why, for a certain type of reader, Rorschach is a morally just idol; and plenty more.
Next: we continue watching the Watchmen with a discussion of Lindelof’s HBO show.
Total Run Time: 01:50:43
00:00:21 – Intro
00:04:00 – Watchmen
01:47:43 – Outro / Next
“Desolation Row” by Bob Dylan, Highway 61 Revisited (1965)
“Cosmic Charlie” by The Grateful Dead, Aoxomoxoa (1969)
Gobbledygeek episode 375, “300ccs of Thorazine,” is available for listening or download right here and on iTunes here.
How does one go from lamenting the untimely demise of Tom King’s Batman to discussing the power structures that dictate what one finds culturally acceptable in any given generation? There’s only one way to find out: by listening to this week’s Gobbledygeek! Paul and Arlo blather about superheroic drama, including Superman: The Animated Series; opinions that have evolved with time, whether they’re on The Downward Spiral or She-Ra: Princess of Power; and why the hell Pete Venkman was carrying 300ccs of Thorazine.
Next: Johny Ho joins Paul and Arlo to discuss Gene Luen Yang’s American Born Chinese in the latest Four-Color Flashback.
Art from ‘Green Arrow: The Longbow Hunters’ by Mike Grell.
Gobbledygeek episode 359, “Green Arrow: The Longbow Hunters,” is available for listening or download right here and on iTunes here.
Ollie, draw back your bow and let your arrow go straight to that killer’s heart. For the penultimate Four-Color Flashback of the year, and the final DC installment of our Age of Heroes project, Paul and Arlo head to the asphalt jungle of Seattle as Oliver Queen stalks his street punk prey in Mike Grell’s 1987 miniseries Green Arrow: The Longbow Hunters. As was common practice in the ‘80s, Grell reimagined the character of Green Arrow as grimmer, grittier, and existing in a real world full of boobs and blood. The boys discuss why Grell, by and large, does not really pull this off; the two really interesting moments of subversion he does manage; his stellar, sketchy, detailed artwork; and Dinah Lance’s near-fridging. Plus, the boys honor Stan Lee; Arlo cooks up some groovy spaghetti with the new White Album set; Paul needs a Bodyguard; and things get horrifying with The Immortal Hulk and Outer Darkness.
Next: happy Thanksgiving! Paul and Arlo return next month to close out the Age of Heroes with Tom King and Gabriel Hernandez Walta’s The Vision, joined by their pal Jed Waters Keith.
What if Superman was one of us? Just a slob like one of us? Just a stranger baling hay, trying to till his own farm? That’s part of the appeal of Alex Ross and Mark Waid’s Kingdom Come, the subject of our latest superheroic Four-Color Flashback–Ross’ painted artwork brings DC’s pantheon to vivid life. Of course, Superman isn’t one of us. He makes this clear when, after a decade in exile, he descends upon Metropolis to mete out cold hard justice to a new, irresponsible generation of heroes and villains. Kingdom Come was intended as a statement on the Xtreme anti-heroes of the ‘90s, and as its human protagonist Norman McKay witnesses the fantastic devastation around him, the book explores issues of faith and fascism. Paul and Arlo discuss how Ross and Waid’s tale holds up more than 20 years later, how it reconciles the heroes’ godlike power with fragile human will, why it may be Ross’ best work, and its nigh definitive portrait of DC’s Trinity. Plus, Arlo finishes his Disney marathon while catching Pokémon, and we tease a future discussion of Spider-Man PS4.
Next: we switch religions from DC to Marvel as our pal Chance Mazzia joins us to talk Frank Miller and David Mazzucchelli’s Daredevil: Born Again.
Gobbledygeek episode 351, “The X-Files: Seasons 10 & 11 (feat. Wesley Mead),” is available for listening or download right here and on iTunes here.
Unleash your bees, fire up your oil rigs, and prepare to get injected with the alien plague one last time–Wesley “Wezzo” Mead joins Paul and Arlo for their final episode discussing Chris Carter’s seminal sci-fi series The X-Files. The gang discusses the 2008 film I Want to Believe, which finds the FBI dragging Mulder and Scully out of retirement to deal with a psychic pedophile priest played by Billy Connolly; season 10, which fails to justify reviving the series; and season 11, which at least shows there’s a bit of a spark left. Godawful mythology mumbo-jumbo, horrendous mistreatment of Dana Katherine Scully, and Darin Morgan brilliance…sounds about right. Plus, Paul admires works of both stage and screen; Wezzo falls for Gravity Falls; and Arlo is vengeance, he is the night, he is watching Batman: The Animated Series.
Next: Matthew Jackson joins us for another installment of this year’s superheroic Four-Color Flashback series. This time we’re talking Thor Visionaries: Walter Simonson – Vol. 1.
Gobbledygeek episode 350, “DC: The New Frontier (feat. Eric Sipple),” is available for listening or download right hereand on iTunes here.
For this month’s superheroic Four-Color Flashback installment, Paul and Arlo set out for lands unknown with the late, great Darwyn Cooke’s DC: The New Frontier. Cooke’s ambitious 2004 limited series bridges the gap between comics’ Golden Age and Silver Age, paying nostalgic tribute to the fictional heroes of that time while using the era’s form and style to comment on the day’s social and political ills. They’re joined on their voyage by The Avatar Returns co-host and The Deli Counter of Justice co-creator Eric Sipple. The gang discusses Cooke’s artwork, striking and cinematic in ways few others comics have achieved; how Cooke wisely keeps Superman, Wonder Woman, and Batman in the background to focus on new heroes like Green Lantern and the Flash; how the story of J’onn J’onzz, the Martian Manhunter, compares to that of African-American freedom fighter John Henry; the pretty good animated adaptation; and more. Plus, Eric has some personal news; SDCC happened, including a slew of trailers for the likes of Shazam, Aquaman, and more; and Nathan Fillion gets his Nathan Drake on in the Uncharted fan film.
Next: the end is out there. Wesley “Wezzo” Mead joins Paul and Arlo to talk The X-Files one last time, as the gang discusses the big screen continuation I Want to Believe and both revival seasons.
Art from ‘Spider-Man: Origin of the Hobgoblin’ by John Romita Jr., John Romita Sr., and Andy Yanchus.
Gobbledygeek episode 350, “Spider-Man: Origin of the Hobgoblin (feat. Jed Waters Keith),” is available for listening or download right here and on iTunes here.
Paul and Arlo continue to swing through this year’s superheroic Four-Color Flashback to discuss Spider-Man: Origin of the Hobgoblin, joined by FreakSugar managing editor Jed Waters Keith. This early ‘80s story, primarily written by Roger Stern and drawn by John Romita Jr., finds Peter Parker faced with the emergence of a horrific new villain in the grotesque figure of the Hobgoblin. Who is this masked man? Who knows! In true Parker fashion, Spidey tries to unmask Hobby while snapping pix for the Bugle and juggling his crazy love life. The gang discusses the convoluted behind-the-scenes drama surrounding the Hobgoblin’s identity, the evolution of JRJr, how Peter Parker is kind of a huge ladies’ man for being such a dork, and more. Plus, Paul attended this year’s Slayage conference, while Arlo and Jed are reading a whole mess o’ comics.
Art from ‘Wonder Woman by George Pérez: Vol. 1″ by George Pérez, Bruce D. Patterson, and Tatjana Wood.
Gobbledygeek episode 344, “Wonder Woman by George Pérez: Vol. 1 (feat. Heather Wiley),” is available for listening or download right here and on iTunes here.
In the winding, physics-defying halls of Mount Olympus, the idea for the noble Amazon race was hatched among the gods. In the presumably plain, ordinary offices of DC Comics circa 1987, the idea to reboot one of their most iconic heroes was hashed out by George Pérez, Greg Potter, Len Wein, Karen Berger, and more. And on this typically long, rambling podcast, Paul and Arlo continue this year’s superheroic Four-Color Flashback by discussing Wonder Woman by George Pérez: Vol. 1, collecting the first 14 issues of Diana’s post-Crisis series. Heather Wiley joins them to discuss how Pérez revitalized the character by leaning hard into her mythological aspects; why it’s important that the series touches on uncomfortable subject matter; the minute details that make Pérez such a terrific artist; and why this run hasn’t lodged its place in the public consciousness alongside The Dark Knight Returns and Man of Steel. Plus, Heather fails to keep quiet about Hush, and Paul reads comics.
Next: we inch closer to oblivion with Wesley Mead, who joins us once more to discuss Chris Carter’s seminal sci-fi series The X-Files. This time? It’s season 9, the original final season. So. Yeah.