Gobbledygeek episode 310, “Children of Men: This Stork Is Quite Tasty, Isn’t It?,” is available for listening or download right here and on iTunes here.
Anti-immigrant sentiment. Militarized police. Fascist leadership. A Britain with closed borders. No, this isn’t our world circa 2017; it’s the 2027 of Alfonso Cuarón’s 2006 sci-fi masterpiece Children of Men. A world rocked by mass infertility and faced with humanity’s impending extinction has led down a path of violent extremism, one you and I may be traveling as we speak. Paul and Arlo discuss the film’s terrifying relevance, its rightful ascendance to modern classic status, those insane tracking shots, and, you know, white male privilege. Plus, Paul promised Arlo he would watch Park Chan-wook’s The Handmaiden, and by god that’s a promise he kept.
Next: three years after their self-titled debut, the Guardians of the Galaxy are about to drop Vol. 2, and you’re invited to the listening party.
(Show notes for “Children of Men: This Stork Is Quite Tasty, Isn’t It?”)
Art from ‘Y: The Last Man – Vol. 4: Safeword’ by Pia Guerra, José Marzan, Jr., and Zylonol.
Gobbledygeek episode 309, “Y: The Last Man – Vol. 4: Safeword (feat. Chance Mazzia),” is available for listening or download right here and on iTunes here.
Slip on your shiniest boots of leather and grab those whips, it’s Four-Color Flashback time! Professional Grendel podcaster Chance Mazzia joins Paul and Arlo for their year-long exploration of Brian K. Vaughan and Pia Guerra’s Y: The Last Man for Vol. 4: Safeword, wherein things get a little kinky. When the gang stops at a remote cabin in the woods (never a good sign), Yorick is in for a femdom fiesta complete with chains, ropes, and soul-searching. The boys discuss how the series subverts conventional ideas of masculinity; what Yorick’s sexual history tells us about him; and how the story functions in a post-9/11, circa Trump world. Plus, Chance wants you to know The Name of the Wind, and Arlo furthers the kink with Park Chan-Wook’s The Handmaiden.
Next: it’s been more than a decade since Alfonso Cuarón’s Children of Men hit theaters. Paul and Arlo examine how the film’s dark and despairing future reflects our dark and despairing present.
(Show notes for “Y: The Last Man – Vol. 4: Safeword.”)
Gobbledygeek episode 306, “Unmaking Soup,” is available for listening or download right here and on iTunes here.
This week, Paul and Arlo turn on and tune into the wonders and terrors of the superhuman mind by taking a gander at the first season of Legion. The FX series, developed by Fargo‘s Noah Hawley and theoretically set in the X-Men universe, is unlike most other superheroic media. David Haller is either schizophrenic, an extremely powerful telepathic/telekinetic mutant, or both. Witnessed through his eyes, the world is fractured, bizarre, disturbing, and a tad surreal. As such, the typical X-Men plot–David is rescued from a mutant-hunting government organization known as D3 by a group of rebels with a Magneto-esque leader–is given a swift kick in the pants. The boys discuss this inventive telling of a simple story, the show’s many visual flourishes, why it’s a powerful exploration of mental health, and Aubrey Plaza’s revelatory turn as a 50-year-old man. Plus, a surprise Rick and Morty pre-empts Samurai Jack, overjoying one of our hosts and causing considerable frustration in the other; and the boys rave about the fifth season of another brilliant FX drama, The Americans.
Next: film critic and horror expert Jess Byard joins Paul and Arlo to ask, “Where has all the good sci-fi horror gone?”
(Show notes for “Unmaking Soup.”)
Gobbledygeek episode 304, “Oh Hi, Superman,” is available for listening or download right here and on iTunes here.
If only these walls could talk, the secrets they could tell. Among them: murder, betrayal, lies, infidelity, and how in the hell Tommy Wiseau made a movie. It’s time for another Geek Challenge, and Arlo has seized the opportunity to finally force Paul into watching Wiseau’s 2003 cult classic The Room. In turn, Paul has challenged Arlo to Sidney Lumet’s much more dignified 1982 crime comedy Deathtrap. The boys discuss the advantages of stage over screen, and vice versa; questionable acting, be it Dyan Cannon or Greg Sestero; homoerotic subtext (or maybe it’s just text); and, yet again, Arlo’s fascination with epically bad filmmaking. Plus, Paul got his ears blown out by the Alabama Symphony’s Led Zeppelin performance.
Next: Kenn Edwards joins Paul and Arlo for the next installment of their year-long Four-Color Flashback discussion of Brian K. Vaughan and Pia Guerra’s Y: The Last Man. This time, the gang will talk Vol. 3: One Small Step.
(Show notes for “Oh Hi, Superman.”)
The Gobbledygeek hiatus special, “2016: The Buffy Season 6 of Years,” is available for listening or download right here and on iTunes here.
We’re back! Sort of. Before Gobbledygeek‘s official return next month, Paul and Arlo explain the terrible real-life circumstances that led to the hiatus. The boys discuss grief, loss, tragedy, depression, and a whole bunch of other super fun and upbeat things! To end things on a positive note, they also discuss some happy news and the pop culture they’ve enjoyed during the hiatus (Westworld! Arrival! Moonlight!).
Next: the show returns toward the end of next month to make another journey to a galaxy far, far away with a discussion of Rogue One: A Star Wars Story.
(Show notes for “2016: The Buffy Season 6 of Years.”)
Gobbledygeek episode 289, “Video Killed the Radio Star (feat. Joseph Lewis),” is available for listening or download right here and on iTunes here.
Ever gotten so low you’ve thought about building a machine that’ll transport your consciousness inside a tricaster? Yes? Well then, buddy, have we got the movie for you. (And if you’re asking yourself what a tricaster is, you also should watch this movie!) Joseph Lewis, original Gobbler and one-third of the Three Heathens, tells Paul and Arlo all about his feature film directorial debut A/V. The gang discusses production highs and lows, the challenges of fight choreography on a shoestring budget, what it’s like to hand a copy of your movie to Kevin Smith, and how Arlo plays the most crucial role in the film. This heathen’s made good.
Next: Paul and Arlo tune up for Kubo and the Two Strings.
(Show notes for “Video Killed the Radio Star.”)
Gobbledygeek episode 287, “Time of the Preacher,” is available for listening or download right here and on iTunes here.
Willie Nelson, John Wayne, preachers, bloodsuckers, angels, and arsefaces. Welcome to the world of Garth Ennis and Steve Dillon’s classic Vertigo comic book Preacher, which has now been adapted into a television series on AMC courtesy of Seth Rogen, Evan Goldberg, and Breaking Bad‘s Sam Catlin. Paul and Arlo previously analyzed the comic book on the blog back in 2012 and now set their sights on the show’s recently wrapped first season. The show takes an interesting route in exploring this tale of a small-town preacher cursed with the Word of God; namely, the ten hours that aired this year feel like a prologue to the series proper. The boys discuss the effectiveness of that approach; the spot-on casting of Dominic Cooper, Joseph Gilgun, and Ruth Negga as the unholy triumvirate of Jesse, Cassidy, and Tulip; how the series stays true to the spirit of Ennis and Dillon’s work, even without being able to drop an F-bomb; and what they hope they’ll see in the second season. Plus, Paul travels No Man’s Sky and Arlo becomes a beach bum.
Next: film buff Scott Stamper makes a pact with Paul and Arlo to discuss Suicide Squad.
(Show notes for “Time of the Preacher.”)