Paul and Arlo are going slightly mad. Doctor Strange in the Multiverse of Madness is the MCU’s latest trip through the titular multiverse, fracturing and reshaping reality to meet the franchise’s corporate needs. If that sounds a little unenthused, well, what can we say? The boys didn’t love this one. Paul, ever the optimist, discusses why the MCU’s depiction of sorcery continues to be one of its greatest assets. Arlo, ever the cynic, expresses appreciation of Sam Raimi’s trademark flourishes before lamenting that they’re all recycled riffs. Along the way, they discuss the film’s odd function as a WandaVision sequel, whether punching star-shaped holes in the universe is good goofy or bad goofy, those weird fucking kids, and more.
NEXT: more madness.
00:00:34 – Awkward Intro
00:03:33 – Doctor Strange in the Multiverse of Madness (Spoiler-free)
00:21:15 – SPOILERS!!!
01:50:40 – Outro / Next
“I’m Going Slightly Mad” by Queen, Innuendo (1991)
“X-Men Theme” by Florian Haack, X-Men Theme (Single) (2018)
And now back to our regularly scheduled programming. After two long years in the Marvel Cinematic Universe desert, since Avengers: Endgame and its postscript Spider-Man: Far from Home, Marvel’s mightiest are back on the air. For the first MCU series on Disney Plus, we have WandaVision, a TV show that is very much about TV shows and what the medium means to us. The comfy-cozy sitcom rhythm of the show, as Elizabeth Olsen’s Scarlet Witch and Paul Bettany’s Vision make-believe they’re on the sets of The Dick Van Dyke Show or Family Ties, is interrupted by unsettling reminders of where we left these characters. Wanda was grieving–because Vision was dead. What’s going on here? Don’t change that channel, because Paul, Arlo, and special guest Michael Holland–currently post-production supervisor on The Afterparty–discuss how showrunner Jac Schaeffer and director Matt Shakman channel grief, capture the nostalgic spirit of old TV, weaponize fan expectations, and more.
NEXT: we’ll be back, same Bat-time, same Bat-channel.
Jeremy Renner, Don Cheadle, Robert Downey Jr., Chris Evans, Karen Gillan, Rocket Raccoon, Paul Rudd, and Scarlett Johansson in ‘Avengers: Endgame.’
Gobbledygeek episode 372, “Avengers: Endgame – It’s Been a Long, Long Time (feat. Eric Sipple),” is available for listening or download right here and on iTunes here.
All good things must come to an end. And while the Marvel Cinematic Universe is not one of those things–there’s another one of these bad boys coming out in a few months–Avengers: Endgame does represent the culmination of this first wave/cycle/saga of the MCU. Paul and Arlo are joined by their The Deli Counter of Justice co-creator Eric Sipple to discuss just how in the hell directors Anthony and Joe Russo, screenwriters Christopher Markus and Stephen McFeely, and many many other talented filmmakers pulled off this marvelous feat. Because somehow, some way, Endgame is just about the most satisfying conclusion you could hope for.
Gobbledygeek episode 343, “Avengers: Infinity War – Oh Snap!,” is available for listening or download right here and on iTunes here.
A feat even more miraculous than Paul and Arlo agreeing on the same movie? Successfully juggling a cast of dozens in an interplanetary epic that shakes up the world’s most popular film series. That’s exactly what Joe & Anthony Russo have done with Avengers: Infinity War, a daring space opera that acts as a culmination of a decade’s worth of superheroic blockbusters while taking the Marvel Cinematic Universe in new directions. The boys discuss how (nearly) each character gets their due, why Josh Brolin’s Thanos more than lives up to the hype, and where the MCU goes from here. Plus, Arlo binges the Disney Renaissance and MoviePass takes an unsurprising heel turn.
Next: this year’s Four-Color Flashback continues as Heather Wiley joins Paul and Arlo to discuss Wonder Woman by George Perez: Vol. 1.
I am not the half of Gobbledygeek who loathes the Oscars; in fact, they’re an annual tradition in my house. This year, we even ponied up for chocolate Oscar statuettes powdered with gold. We don’t mess around. Amazingly, I even liked seven of this year’s nine Best Picture nominees (the odd ones out being War Horse and, ugh, Extremely Loud & Incredibly Close). At the same time, I realize that the Academy often fails to recognize some truly brilliant films, and in the interest of counter-programming, I thought I’d point out some of the ones it missed this year.
These films didn’t garner a single Oscar nod this year (if it wasn’t for Sound Editing, Drive would be all up in here), and were actually eligible by Academy rules (otherwise, I would have spotlighted The Sunset Limited yet again, alongside the hilarious concert film Louis C.K.: Live at the Beacon Theater).
We’ve got 11 great movies here, divided up into three categories. To get us started…