Listen to Gobbledygeek Episode 480 – “Elvis”

Tom Hanks and Austin Butler in Elvis (2022), directed by Baz Luhrmann

Gobbledygeek episode 480, “Elvis,” is available for listening or download right here, on Spotify, and on Apple Podcasts.

From Tupelo to Memphis, from Hollywood to Vegas, Elvis Presley conquered America–and now, telling his story, an Australian filmmaker has conquered the biopic. The operatic, maximalist, subtlety-eschewing Baz Luhrmann returns to the screen with Elvis, delivering the glitzy, excessive tribute this mythical/kitsch-ical icon deserves. Paul and Arlo share their personal connections to Elvis, rave about Austin Butler’s transformation into the King, discuss how the film’s portrayal of Elvis’ racial and sexual impact stack up to the real deal, and behold Tom Hanks’ embodiment of Satan. Here comes Sandy Claws! 

NEXT: when the last streaming podcast deletes, our job will be finished. Eric Sipple joins us to discuss Netflix’s adaptation of The Sandman.

BREAKDOWN

  • 00:00:21  –  Intro
  • 00:03:08  –  Our histories with The King
  • 00:29:48  –  Elvis
  • 01:54:05  –  Outro / Next

LINKS

MUSIC

  • “Hound Dog” by Big Mama Thornton, Hound Dog: The Peacock Recordings (1992)
  • “Steamroller Blues” by Elvis Presley, Walk a Mile in My Shoes (1995)

GOBBLEDYCARES

Listen to ‘Gobbledygeek’ Episode 298, “Grendel: Part 8 – Devil’s Reign”

grendel8

Gobbledygeek episode 298, “Grendel: Part 8 – Devil’s Reign,” is available for listening or download right here and on iTunes here.

Wait, what’s that? Not only did someone listen to our Grendel episodes…but they decided to join us on air?! Wonders never cease. Joining Paul and Arlo to finish last year’s Four-Color Flashback series on Matt Wagner’s Grendel is Chance Mazzia, who actually discovered the show thanks to Wagner’s whacked-out opus. The gang discusses “Devil’s Reign,” collected in Grendel Omnibus: Vol. 3, which is not technically the end of the sprawling series but marks a fine endpoint for their analysis. Orion Assante seeks to unite the world, but at what cost? Among this week’s subjects are vampirism and Elvis, Trump and Obama, and the subtle art of dick jokes.

Next: a new Four-Color Flashback is upon us. This time the boys will be discussing the presumably much more popular series Y: The Last Man by Brian K. Vaughan and Pia Guerra. Up first is Vol. 1: Unmanned.

(Show notes for “Grendel: Part 8 – Devil’s Reign.”)

Four-Color Flashback: ‘Preacher: Vol. 8 – All Hell’s A-Coming’

Welcome to week 8 of 9 in our discussion of Garth Ennis and Steve Dillon’s Preacher. For more, read weeks 1, 2, 3, 4, 5, 6, and 7.

AJ: Here we are. The penultimate volume of Preacher. Given the title and the fact that we’re very near the end, I thought there would be a lot more violence and bloodshed. Instead, All Hell’s A-Coming turns its focus inward, with a lot to say about our heroes and their pasts. The past is a big theme here, not only because of the extended flashbacks but also because people and things from long ago keep coming back to add wrinkles to the story.

Speaking of those extended flashbacks, where should we start: Tulip or Cassidy?

Paul: I say we take it in order, so Tulip.

AJ: The beginning of this volume is all kinds of heartbreaking. A listless Tulip dragging herself out of bed, trying and failing to find the drugs she’s felt she’s needed for these past months. Last we saw Cassidy, we were beginning to realize that he might not have been the fundamentally decent person we thought he was. That continues in the opening scene, as he tells Tulip that everything’s all right, she only needs her medicine, and “Don’t make me take that fuckin’ guy away from you.” Followed immediately by Tulip blasting him into the sunlight. Tulip flees the hell that Cassidy has made for her, then we learn all about how she became who she is.

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Justin Bieber to Get 3D Biopic; Satan Inches Closer to Winning Bet with God (UPDATE)

Gangsta.

I felt a great disturbance in the Force, as if millions of tween girls’ hormones suddenly cried out in terror and were suddenly inflamed with lust. I fear something terrible has happened.
– Ancient Jedi proverb

A few minutes ago, despite contemplating Dan Aykroyd’s career trajectory, I was having a mostly peaceful evening. Then Deadline (luckily without a GOTCHA! or a TOLDJA!, because fuck Nikki Finke if she saw this coming and didn’t do anything about it) reported this delightful bit of news. My instant, unfiltered reaction via Skype:

AJ: 3D BIOPIC OF JUSTIN BIEBER. THIS IS A THING THAT IS HAPPENING.
Paul: *spit* *choke* WHAT?!? Oh my God. The decline of Western civilization.

Yes, Paramount Pictures will be making a 3D Justin Bieber biopic. Starring Justin Bieber. Featuring his music. In 3D. For what I assume will be at least 90 minutes, a tragic 90 minutes played again and again in large, overstaffed movie theaters the nation wide for several months. The very talented documentarian Davis Guggenheim, maker of good films like An Inconvenient Truth or It Might Get Loud, will direct, apparently looking to make him some o’ that Bieber bank. This enterprise assumes that Justin Bieber, at 16 years of age (though let’s be honest, he’s really only 12), has lived a life worth making into a major motion picture. I’m going to go out on a limb and say that, international fame or no, he has not. That’s right, folks. No one’s ever made a major biopic of Elvis Presley or the Beatles or Marilyn Monroe, but some kid who’s been popular for a year is getting the big screen Lifetime treatment.

Parents, clench your wallets in terror. Male tweens, put your arms around your girls and hope for at least a little tongue for being willing to tag along. Cash-hungry executives, get ready to reap your twisted, nightmarish reward. For here comes…JUSTIN 3D-EBER IN THE 3D STORY OF HIS LIFE!!! IN 3D!!! In 3D theaters on 3D Valentine’s Day in 3D 2011. 3D.

UPDATE: Having regained his faculties, Davis Guggenheim has backed out of the project. I can’t put it better than The A.V. Club did, so I won’t even try. However, may I suggest Uwe Boll as Guggenheim’s successor?

The Songs We Were Singing: Double Fantasy by John Lennon and Yoko Ono

Originally published on April 28, 2010

(“The Songs We Were Singing” is a new column in which I plan on discussing some of my favorite albums. )

“After all is really said and done, the two of us are really one.”

It is impossible to separate Double Fantasy from the events that came after. As the world knows, on December 8, 1980, less than a month after Double Fantasy‘s release, John Lennon was murdered outside of his New York home, the Dakota. This record only had three weeks to work on its own merits before being imbued with another, permanent layer of poignancy. And though from the bottom of my heart I wish this hadn’t been John’s final finished work, it is nevertheless the perfect closing chapter in a life filled with so much love, anger, triumph, and disillusionment.

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