That Sipple you like is going to come back in style. It’s been a long while–we’re talking pre-pandemic here–but Eric Sipple is finally making their return to this humble little podcast. Author of Broken Magic and one-third of the Deli Counter of Justice braintrust, Eric tells Paul and Arlo all about their new YA fantasy novel Mimesis–including the loaded, sometimes confusing connotations inferred by the term “YA.” The gang discusses the gorgeous cover art by Kring Demetrio, what inspired Mimesis, and Eric’s upcoming gig at the MileHiCon in Denver, CO. Plus, assorted and often tangential thoughts on the Spider-Man: No Way Home trailer.
Daisy Ridley and Adam Driver in J.J. Abrams’ ‘Star Wars: Episode IX – The Rise of Skywalker.’
Gobbledygeek episode 394, “Star Wars: The Rise of Skywalker (feat. Eric Sipple),” is available for listening or download right here and on iTunes here.
The geeks speak! Gobbledygeek has been resurrected via cloning or Force magic or some shit, and to kick off season 11, Broken Magic author and The Deli Counter of Justice co-creator Eric Sipple has lightspeed-skipped on over to discuss Star Wars: Episode IX – The Rise of Skywalker. After adoring The Last Jedi, the gang approached this supposed final film in the Skywalker Saga with heavy amounts of skepticism–well-earned, depending on who you ask. They discuss the mystical, magical malarkey behind Palpatine’s return; how director J.J. Abrams and writer Chris Terrio are uniquely suited to not deliver a satisfying conclusion; the oodles of fan service; what the film’s final scene means for the legacy of Star Wars; and more. Plus, they talk about The Baby Yoda Show AKA The Mandalorian.
Next: it is January 29, 2020. Paul and Arlo are discussing Alan Moore and Dave Gibbons’ Watchmen for a Four-Color Flashback. I am tired of this world; these people.
Total Run Time: 02:35:50
00:00:00 – Intro
00:02:35 – The Mandalorian
00:28:52 – Star Wars: The Rise of Skywalker
02:31:20 – Outro / Next
“Fanfare and Prologue” by John Williams, Star Wars: The Rise of Skywalker (Original Motion Picture Soundtrack) (2019)
“Finale” by John Williams, Star Wars: The Rise of Skywalker (Original Motion Picture Soundtrack) (2019)
Art from ‘My Favorite Thing Is Monsters’ (2017) by Emil Ferris.
Gobbledygeek episode 389, “Gobbledyween / FCF: My Favorite Thing Is Monsters (feat. Eric Sipple),” is available for listening or download here and on iTunes here.
Our favorite thing is Gobbledyween, so to close out this year’s frightening festivities, Paul and Arlo are breaking from the norm to discuss Emil Ferris’ 2017 graphic novel My Favorite Thing Is Monsters. Joining them for this first Gobbledyween/Four-Color Flashback crossover is their The Deli Counter of Justice collaborator Eric Sipple. The gang marvels at Ferris’ stunning art (all done in ballpoint pen!), attempts to process the numerous threads in this first of two planned volumes (sexuality, duality, and reality, oh my!), draws unexpected parallels to Art Spiegelman’s Maus (a FCF entry just this past August!), and so much more (no parenthetical necessary!). We promise there are monsters.
Next: and I’m freeeeeeeeeeeeeeeeeee, free Gooooobbliiiiiiin’.
Total Run Time: 01:42:55
00:00:44 – Intro
00:03:20 – My Favorite Thing is Monsters
01:36:51 – Outro / Next
“Wild Thing” by The Troggs, From Nowhere (1966)
“Good Monsters” by Jars of Clay, Good Monsters (2006)
Art from ‘Maus: A Survivor’s Tale’ by Art Spiegelman.
Gobbledygeek episode 384, “Four-Color Flashback: Maus: A Survivor’s Tale (feat. Eric Sipple),” is available for listening or download right here and on iTunes here.
For the latest installment of this year’s spandex-free Four-Color Flashback, Paul and Arlo tackle a big one: Art Spiegelman’s Maus: A Survivor’s Tale, still the only comic book ever to be awarded a Pulitzer Prize. Joining them to discuss Spiegelman’s harrowing account of his father Vladek’s time in the concentration camps of Nazi-occupied Poland–and Art’s own tense relationship with Vladek–is Broken Magic author and The Deli Counter of Justice co-creator Eric Sipple. The gang discusses Spiegelman’s provocative choice to depict Jews as mice, Nazis as cats, Poles as pigs, etc.; how Spiegelman follows in a tradition going all the way back to Mickey Mouse; and why it’s specifically disturbing to read Maus in 2019.
Jeremy Renner, Don Cheadle, Robert Downey Jr., Chris Evans, Karen Gillan, Rocket Raccoon, Paul Rudd, and Scarlett Johansson in ‘Avengers: Endgame.’
Gobbledygeek episode 372, “Avengers: Endgame – It’s Been a Long, Long Time (feat. Eric Sipple),” is available for listening or download right here and on iTunes here.
All good things must come to an end. And while the Marvel Cinematic Universe is not one of those things–there’s another one of these bad boys coming out in a few months–Avengers: Endgame does represent the culmination of this first wave/cycle/saga of the MCU. Paul and Arlo are joined by their The Deli Counter of Justice co-creator Eric Sipple to discuss just how in the hell directors Anthony and Joe Russo, screenwriters Christopher Markus and Stephen McFeely, and many many other talented filmmakers pulled off this marvelous feat. Because somehow, some way, Endgame is just about the most satisfying conclusion you could hope for.
Still from ‘How to Train Your Dragon: The Hidden World,’ featuring Toothless and Hiccup (Jay Baruchel). Directed by Dean DeBlois.
Gobbledygeek episode 366, “How to Train Your Dragon: The Hidden World (feat. Eric Sipple),” is available for listening or download right here and on iTunes here.
Paul and Arlo return to the land of Berk one last time for a discussion of How to Train Your Dragon: The Hidden World. Joining them is their fellow dragon rider (and The Deli Counter of Justice co-editor) Eric Sipple. The gang discusses their journey through the years with Hiccup and Toothless, whether or not the supporting cast weighs the series down, writer-director Dean DeBlois’ original intentions for the villain, and their differing interpretations of the conclusion.
Gobbledygeek episode 350, “DC: The New Frontier (feat. Eric Sipple),” is available for listening or download right hereand on iTunes here.
For this month’s superheroic Four-Color Flashback installment, Paul and Arlo set out for lands unknown with the late, great Darwyn Cooke’s DC: The New Frontier. Cooke’s ambitious 2004 limited series bridges the gap between comics’ Golden Age and Silver Age, paying nostalgic tribute to the fictional heroes of that time while using the era’s form and style to comment on the day’s social and political ills. They’re joined on their voyage by The Avatar Returns co-host and The Deli Counter of Justice co-creator Eric Sipple. The gang discusses Cooke’s artwork, striking and cinematic in ways few others comics have achieved; how Cooke wisely keeps Superman, Wonder Woman, and Batman in the background to focus on new heroes like Green Lantern and the Flash; how the story of J’onn J’onzz, the Martian Manhunter, compares to that of African-American freedom fighter John Henry; the pretty good animated adaptation; and more. Plus, Eric has some personal news; SDCC happened, including a slew of trailers for the likes of Shazam, Aquaman, and more; and Nathan Fillion gets his Nathan Drake on in the Uncharted fan film.
Next: the end is out there. Wesley “Wezzo” Mead joins Paul and Arlo to talk The X-Files one last time, as the gang discusses the big screen continuation I Want to Believe and both revival seasons.
The Gobbledygeek season 8 premiere, “Why Is the Door Shut? (feat. Kenn Edwards & Eric Sipple),” is available for listening or download right here and on iTunes here.
A band of dirty rebels go to extreme lengths to send a transmission that will change the fate of the galaxy…yes, that’s right, Paul and Arlo are risking everything to get the Gobbledygeek season 8 premiere out there. After a months-long hiatus, the boys make their triumphant return to discuss Rogue One: A Star Wars Story, joined by So Let’s Get to the Point and Welcome to Paradise‘s Kenn Edwards and The Deli Counter of Justice co-editor Eric Sipple. Gareth Edwards’ prequel (ooh, there’s the p-word) could be taken as a proof of concept for Disney’s slate of standalone Star Wars films. The gang debates its merits as a Star Wars movie and a movie on its own terms; wonders why the characters don’t stick out more; and asks the question that will unlock Rogue One‘s many secrets…why is the door stuck?
Next: to the delight of almost no one, Paul and Arlo clean house following last year’s abbreviated season by finishing their Four-Color Flashback analysis of Matt Wagner’s Grendel with “Devil’s Reign,” collected in Grendel Omnibus: Vol. 3.
Gobbledygeek episode 268, “The Sandman: Overture (feat. Eric Sipple),” is available for listening or download right here and on iTunes here.
Later this month, Paul and AJ will begin a new Four-Color Flashback series exploring Matt Wagner’s Grendel. Before they do, though, they’re making a return trip to the Dreaming for another look at Neil Gaiman’s The Sandman, which they pored over in 2014. Their The Deli Counter of Justice collaborator Eric Sipple joins the boys to discuss The Sandman: Overture, which takes place both before and after Gaiman’s original 75-issue opus. The gang raves about J.H. Williams III’s mind-expanding artwork, discusses how Overture fares as a prequel, questions its additions to the mythos, and compares the Dream we met in the first chapter of The Sandman to the one we know by the final chapter of Overture.
Next: after a week off, the boys visit their neighbors down at 10 Cloverfield Lane.
Gobbledygeek episode 267, “Falling…in Love (feat. Eric Sipple),” is available for listening or download right here and on iTunes here.
Paul and AJ take one final plunge into Hitchcock Month for a look at 1945’s Spellbound, in which Ingrid Bergman falls in love with Gregory Peck on the way to psychoanalyzing him; and 1958’s Vertigo, wherein James Stewart becomes obsessed with Kim Novak, or at least his (and Hitchcock’s) icy blonde ideal of her. Joining them on this downhill drive is Broken Magic author and The Deli Counter of Justice co-editor Eric Sipple. The boys discuss how the films deal with love and dreams, how much Hitchcock intentionally revealed of himself in his work, Salvador Dalí’s surreal contribution to Spellbound, and what Vertigo‘s reputation as the new greatest movie ever made means for its legacy.
Next: Eric is back for another dreamy outing, as we return to the series we covered in 2014’s Four-Color Flashback for The Sandman: Overture by Neil Gaiman and J.H. Williams III.