Welcome to the final week in our discussion of Garth Ennis and Steve Dillon’s Preacher. For more, read weeks 1, 2, 3, 4, 5, 6, 7, and 8.
Paul: It ends here.
Nine volumes. 66 issues. Five one-shot specials. A four-issue tie-in miniseries. And a tanker truck full of blood and guts. Our pissed-off preacher, gun-toting girl Friday, and blood-drinking BFF all converge, where else? Texas. The Alamo, to be precise. And things get both big and small, epic and very, very personal.
Oh, and one poorly written report gets taken out behind the woodshed and shot the fuck up.
So AJ, mi compadre, what did you think of the grand finale?
AJ: Where to begin? Perhaps it’s best to start with my one sizable complaint before moving on to everything that worked so, so well here. Last week, we talked about the watering-down of Herr Starr, of how even though he’s the series’ ostensible antagonist, his misadventures have often been treated as comic relief. Maybe I just wasn’t paying enough attention, but I completely failed to realize that taking revenge on Jesse had supplanted bringing about Armageddon as his goal in life. So when he announced his plans to the Elite Council, I was just as confused as they were (luckily, I didn’t get murdered right after). I feel like a discussion of Starr as the series’ Big Bad could take up its own post, so I’ll just say that though I loved the vast majority of what we ended up getting, I can’t imagine what an epic ending Armageddon could have provided.
Welcome to week 8 of 9 in our discussion of Garth Ennis and Steve Dillon’s Preacher. For more, read weeks 1, 2, 3, 4, 5, 6, and 7.
AJ: Here we are. The penultimate volume of Preacher. Given the title and the fact that we’re very near the end, I thought there would be a lot more violence and bloodshed. Instead, All Hell’s A-Coming turns its focus inward, with a lot to say about our heroes and their pasts. The past is a big theme here, not only because of the extended flashbacks but also because people and things from long ago keep coming back to add wrinkles to the story.
Speaking of those extended flashbacks, where should we start: Tulip or Cassidy?
Paul: I say we take it in order, so Tulip.
AJ: The beginning of this volume is all kinds of heartbreaking. A listless Tulip dragging herself out of bed, trying and failing to find the drugs she’s felt she’s needed for these past months. Last we saw Cassidy, we were beginning to realize that he might not have been the fundamentally decent person we thought he was. That continues in the opening scene, as he tells Tulip that everything’s all right, she only needs her medicine, and “Don’t make me take that fuckin’ guy away from you.” Followed immediately by Tulip blasting him into the sunlight. Tulip flees the hell that Cassidy has made for her, then we learn all about how she became who she is.