Art from ‘Daytripper’ (2010) by Gabriel Bá, Fábio Moon & Dave Stewart.
Gobbledygeek episode 392, “Four-Color Flashback: Daytripper,” is available for listening or download right here and on iTunes here.
It took Brás de Oliva Domingos so long to find out, and he found out. What, if anything, he found out is the central question of Fábio Moon and Gabriel Bá’s 2010 Vertigo series Daytripper, subject of our final Four-Color Flashback for 2019. You see, Brás writes obituaries for a São Paulo newspaper–and at the end of most chapters in this book, he dies. Twin writers/artists Moon and Bá pave the way for an existential journey along the many turning points of a life, from the imperceptible to the unmistakable. Paul and Arlo discuss Daytripper’s hint of magical realism; the coherent, airtight structure that grounds the book’s absurdity; how the series’ hopeful attitude brushes up against horrific tragedy; Moon and Bá’s distinctive (though not so distinctive we know who is penciling and/or inking what!) art style, accentuated by master colorist Dave Stewart; and more.
Next: on the Gobbledygeek season 10 finale, Christmas gets twisted with John McPhail’s 2018 horror-comedy-musical Anna and the Apocalypse.
Total Run Time: 01:32:47
- 00:00:42 – Intro
- 00:06:30 – Daytripper
- 01:26:40 – Outro / Next
- “Day Tripper” by Sergio Mendes & Brasil ‘66, Herb Alpert Presents Sergio Mendes & Brasil ‘66 (1966)
- “Circle of Life” by Carmen Twillie & Lebo M, The Lion King (Original Motion Picture Soundtrack) (1994)
On the new episode of Gobbledygeek, Paul and AJ told you about all the things you should buy this Christmas season, and now here’s a comprehensive guide! (Including a few items that weren’t even mentioned on the show.)
Note: Most links and prices are from Amazon.
READY PLAYER ONE by Ernest Cline
Hands down one of the best science fiction books I’ve read in recent memory. It’s like my admittedly overdeveloped nostalgia gland were milked and distilled onto the page. This book is my geeky, pop-culture DNA printed in ink. ~ Paul
Welcome to Last Month’s Comics, in which I discuss, uh, last month’s comics. I get my comics in bi-monthly shipments from Discount Comic Book Service, and as such, I can be a little behind. So here we are.
This column is later than usual, as I was a little preoccupied earlier this month, but for all those still madly wondering about what October 2011’s comics had to offer, here we go…
Writer: Brian Azzarello
Art: Eduardo Risso
I’ve read only a fraction of Azzarello and Risso’s acclaimed 100 Bullets, which ran for ten years from 1999 to 2009, but one needs no familiarity with their past work to be immediately sucked in by the opening chapter of Spaceman, their new nine-issue mini-series from Vertigo. It takes place in a weird, sad future, just a few monsters and flying cars away from the one in Joss Whedon’s Fray. Our protagonist is Orson, a monkey-ish man genetically engineered to travel to Mars, a trip the human race never got to make. Orson and his low-class friends speak in bizarre, disjointed slang; “okee” is how they say okay, and they actually say “LOL LOL LOL” instead of laughing. In this first issue, Orson has ominous spaceman dreams and becomes involved in the kidnapping of the adopted child of reality TV stars. Eduardo Risso’s art is terrific, Brian Azzarello’s storytelling immediately compelling. Choice line, as Orson’s alarm chirps “New day, new day, new day” while he opens the door on a bleak, cloudless future: “Why, you lyin machine…it’s the same fuck old day it always is.” (Plus: $1!)
Welcome to Last Month’s Comics, in which I discuss, uh, last month’s comics. I get my comics in bi-monthly shipments from Discount Comic Book Service, and as such, I can be a little behind. So here we are. This feature started last month.
So, September 2011, what kind of havoc did you wreak? Let’s find out…
BEST RETURN TO FORM
Buffy the Vampire Slayer: Season 9 #1
Writer: Joss Whedon
Art: Georges Jeanty (pencils), Dexter Vines (inks), Michelle Madsen (colors)
Publisher: Dark Horse
To say that I was pleased upon finishing the first issue of the new “season” of Buffy is an understatement. Season 8 started off very well, with Buffy leading an army of 500 Slayers and trying to unmask the mysterious foe Twilight. And to tell the truth, it was great for much of its run, with an occasional stumble (vampires being outed to the public wasn’t handled with much finesse). But the last story arc, with the reveal of Angel as Twilight, cosmic sex, and general batshit insanity, was so damaging that even someone who considers Buffy the Vampire Slayer to be the greatest piece of entertainment ever given us by man had come to the conclusion that it might be for the best if Ms. Summers was finally laid to rest. The final issue of Season 8, though, was a dramatic 180 from the pace and structure of the last few issues leading up to it, and the Season 9 premiere continues in that vein. With Giles gone and magic vanquished, Buffy is depressed and adrift, working as a waitress and getting blackout drunk. It’s all done with Whedon’s razor-sharp wit and keen sense of twenty-something angst. The final “shock twist” is so humdrum and everyday it’s hilarious. In many ways, the metaphorical “party” is over for our Scoobies; now what? I can’t wait to find out.