Listen to ‘Gobbledygeek’ Episode 287, “Time of the Preacher”

Dominic Cooper as Jesse Custer, Joseph Gilgun as Cassidy - Preacher _ Season 1, Episode 1 - Photo Credit: Lewis Jacobs/Sony PIctures Televsion/AMC

Gobbledygeek episode 287, “Time of the Preacher,” is available for listening or download right here and on iTunes here.

Willie Nelson, John Wayne, preachers, bloodsuckers, angels, and arsefaces. Welcome to the world of Garth Ennis and Steve Dillon’s classic Vertigo comic book Preacher, which has now been adapted into a television series on AMC courtesy of Seth Rogen, Evan Goldberg, and Breaking Bad‘s Sam Catlin. Paul and Arlo previously analyzed the comic book on the blog back in 2012 and now set their sights on the show’s recently wrapped first season. The show takes an interesting route in exploring this tale of a small-town preacher cursed with the Word of God; namely, the ten hours that aired this year feel like a prologue to the series proper. The boys discuss the effectiveness of that approach; the spot-on casting of Dominic Cooper, Joseph Gilgun, and Ruth Negga as the unholy triumvirate of Jesse, Cassidy, and Tulip; how the series stays true to the spirit of Ennis and Dillon’s work, even without being able to drop an F-bomb; and what they hope they’ll see in the second season. Plus, Paul travels No Man’s Sky and Arlo becomes a beach bum.

Next: film buff Scott Stamper makes a pact with Paul and Arlo to discuss Suicide Squad.

(Show notes for “Time of the Preacher.”)

Four-Color Flashback: ‘Preacher: Vol. 9 – Alamo’

Welcome to the final week in our discussion of Garth Ennis and Steve Dillon’s Preacher. For more, read weeks 1, 2, 3, 4, 5, 6, 7, and 8.

Paul: It ends here.

Nine volumes. 66 issues. Five one-shot specials. A four-issue tie-in miniseries. And a tanker truck full of blood and guts. Our pissed-off preacher, gun-toting girl Friday, and blood-drinking BFF all converge, where else? Texas. The Alamo, to be precise. And things get both big and small, epic and very, very personal.

Oh, and one poorly written report gets taken out behind the woodshed and shot the fuck up.

So AJ, mi compadre, what did you think of the grand finale?

AJ: Where to begin? Perhaps it’s best to start with my one sizable complaint before moving on to everything that worked so, so well here. Last week, we talked about the watering-down of Herr Starr, of how even though he’s the series’ ostensible antagonist, his misadventures have often been treated as comic relief. Maybe I just wasn’t paying enough attention, but I completely failed to realize that taking revenge on Jesse had supplanted bringing about Armageddon as his goal in life. So when he announced his plans to the Elite Council, I was just as confused as they were (luckily, I didn’t get murdered right after). I feel like a discussion of Starr as the series’ Big Bad could take up its own post, so I’ll just say that though I loved the vast majority of what we ended up getting, I can’t imagine what an epic ending Armageddon could have provided.

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Four-Color Flashback: ‘Preacher: Vol. 8 – All Hell’s A-Coming’

Welcome to week 8 of 9 in our discussion of Garth Ennis and Steve Dillon’s Preacher. For more, read weeks 1, 2, 3, 4, 5, 6, and 7.

AJ: Here we are. The penultimate volume of Preacher. Given the title and the fact that we’re very near the end, I thought there would be a lot more violence and bloodshed. Instead, All Hell’s A-Coming turns its focus inward, with a lot to say about our heroes and their pasts. The past is a big theme here, not only because of the extended flashbacks but also because people and things from long ago keep coming back to add wrinkles to the story.

Speaking of those extended flashbacks, where should we start: Tulip or Cassidy?

Paul: I say we take it in order, so Tulip.

AJ: The beginning of this volume is all kinds of heartbreaking. A listless Tulip dragging herself out of bed, trying and failing to find the drugs she’s felt she’s needed for these past months. Last we saw Cassidy, we were beginning to realize that he might not have been the fundamentally decent person we thought he was. That continues in the opening scene, as he tells Tulip that everything’s all right, she only needs her medicine, and “Don’t make me take that fuckin’ guy away from you.” Followed immediately by Tulip blasting him into the sunlight. Tulip flees the hell that Cassidy has made for her, then we learn all about how she became who she is.

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Four-Color Flashback: ‘Preacher: Vol. 7 – Salvation’

Welcome to week 7 of 9 in our discussion of Garth Ennis and Steve Dillon’s Preacher. For more, read weeks 1, 2, 3, 4, 5, and 6.

Paul: So this volume, Salvation, is kind of an intermission in the main story. We get to see what kind of man Jesse is removed from the quest and his group of friends. And as it turns out he’s just as much the Big Damn Hero in this smaller setting as when he’s hunting down God and facing off with saints and lunatics.

How did you feel about this step back from the bigger picture?

AJ: I loved it. It’s impressive how much I enjoyed Jesse’s exploits away from Cassidy, Tulip, Herr Starr, etc. It took me a second to realize that we weren’t going to see most of our old friends (excepting Jesse’s vision quest near the end), but once I adjusted to that, I found Salvation to be one of the most satisfying volumes yet.

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Four-Color Flashback: ‘Preacher: Vol. 6 – War in the Sun’

Welcome to week 6 of 9 in our analysis of Garth Ennis and Steve Dillon’s Preacher. For more, read weeks 1, 2, 3, 4, and 5.

AJ: A lot happens in this volume, and there’s a lot to talk about, but I’m going to start off with perhaps the least important storyline because I don’t want to forget to bring it up…what the fuck happened to Arseface at the end?! His “furruh uhzmuhyuh,” the arsefaced paradise, his Dad appearing to him and apologizing–was that like the most surreal depiction of suicide ever, or…?

Paul: Unfortunately(?), you’re not gonna get any more on that. The Arseface story is…a little hard to put my finger on. To be honest, though it does have a conclusion, I’m not 100% sure I could tell you what it all ultimately means. Which is why I keep saying, for all intents and purposes you could really just ignore it and hope it goes away.

But to answer your question, I’m pretty sure Ennis wrote that bit while on peyote.

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Four-Color Flashback: ‘Preacher: Vol. 5 – Dixie Fried”

Welcome to week 5 of 9 in our analysis of Garth Ennis and Steve Dillon’s Preacher. For more, read weeks 1, 2, 3, and 4.

Paul: Juhz. (Justice.)
Vuhh. (Vengeance.)
UHFUH. (ARSEFACE.)

AJ: As much as I’ve had my problems with Arseface thus far, any time he said something like that in this volume, I cracked up. UHFUH.

Paul: He’s just so sweet and earnest.

AJ: He really is. And the gang cracking up while he has them at gunpoint? How can you not laugh at that?

Paul: Poor Uhfuh.

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Four-Color Flashback: ‘Preacher: Vol. 4 – Ancient History’

Welcome to week 4 of 9 in our analysis of Garth Ennis and Steve Dillon’s Preacher. Read the past installments here, here, and here.

AJ: After three volumes of mayhem, destruction, bloodshed, blasphemy, and a heapin’ helpin’ of profanity, the Preacher TPBs take a breather with…well, “breather” might be the wrong word. “Diversion” is more like it. Jesse, Tulip, and Cassidy are out of the picture this time as Garth Ennis and a couple guest artists flesh out the backstories of the Saint of Killers, Arseface, and Jody ‘n T.C. Last week, you called this collection “inessential.” Having re-read it, do you still feel the same?

Paul: I’m afraid I actually feel it even more strongly than I remembered. This won’t happen very often at all over the course of these discussions, but I’m going to say that the stories this time around are just not very good. I mean, getting the backstory of the Saint of Killers (or more accurately, a version of his backstory) is cool and interesting. But it also takes the exaggeration and clichés of the main story and really turns them up to 11. And while both Steve Pugh and Carlos Ezquerra have done pretty great stuff elsewhere over the years, here I think they really suffer from being “fill-in” artists for Steve Dillon.

The Arseface and Jody & T.C. stories are straight up pointless.

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