gary ross

Gobbledygeek episode 326, “The Rocketeer / Pleasantville: Flying Colors,” is available for listening or download right here and on iTunes here.

That venerated institution, the Geek Challenge, takes to the bright blue sky with a pair of retro ‘90s flicks. First up, Paul challenges Arlo to Joe Johnston’s 1991 Billy Campbell-starring adventure The Rocketeer, a proto-First Avenger that mixes pulp fiction with ‘30s Hollywood. Then, Arlo challenges Paul to Gary Ross’ 1998 directorial debut Pleasantville, which finds Tobey Maguire and Reese Witherspoon zapped inside the black-and-white world of a hunky dory ‘50s sitcom. These films look backward to say something about the present, and while one admittedly has a lot more on its mind than the other, the boys find both to be unsettlingly timely. From populist demagoguery to villains that no longer feel like an historical artifact, Paul and Arlo mine a lot from these goofy, decades-old movies. Plus, Arlo remembers that comics exist.

Next: after a week off, the boys return to discuss experimental arthouse feature Star Wars: Episode VIII – The Last Jedi, which will be of interest to only the most devout cineaste.

(Show notes for “Flying Colors.”)

Let the top 10-a-palooza commence! Over the next couple weeks, Paul and I will be looking back at our favorite things of 2013. First up, films; next week, TV series; and finally, comics. As always, these lists are imperfect and incomplete, reflecting only on what we’ve seen and love at the moment. Or as Paul writes:

I intentionally refer to the films on this list as favorites, not best. I rank films based on how much I enjoyed them, for whatever ephemeral or esoteric reasons unique to me, not on some system of objective filmmaking truths. These are the ten films I liked the most. YMMV.

Regarding omissions, neither of us have been able to see Inside Llewyn Davis, which makes me want to die, but oh well. I also haven’t seen The Great Beauty, Cutie and the Boxer, or The Hobbit: The Desolation of Smaug, among others. Meanwhile, Paul hasn’t gotten around to Her, The Act of Killing, Stories We Tell, Short Term 12, or Blue Jasmine, to name a few.

Here we go!

– AJ

PAUL: 10. WARM BODIES (dir. Jonathan Levine)

The zombie genre is by this point a bloated undead thing feasting on its own rotting flesh. But director Jonathan Levine (50/50) makes this adaptation of Isaac Marion’s novel fresh, fun, and full of life. Yes it’s a (very) thinly veiled Romeo and Juliet pastiche, but the two leads, neo-nerdhunk Nicholas Hoult and Australian beauty Teresa Palmer, are both engaging and committed. Hoult in particular gets praise for being monstrous and vulnerable, and for selling the cheesy-but-hilarious voiceover with nothing more than his eyes. Also, Rob Corddry as a zombie lamenting, “Bitches, man,” is the best comedic line delivery of the year.

AJ: 10. GIMME THE LOOT (dir. Adam Leon)

You walk out of Gimme the Loot immediately wanting to know what first-time writer-director Adam Leon is going to do next. His voice is sharp and fresh, chronicling a day in the life of two teenaged petty criminals in a way that feels authentic but never gritty. His Bronx streets are unvarnished, rife with economic and class divisions, but there’s so much damn heart. Newcomers Tashiana Washington and Ty Hickson give performances devoid of pomp or flash; they simply find the souls of these two aimless kids. They’re one of the most affecting screen duos in recent memory, in one of the biggest surprises of the year.

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