Gobbledygeek episode 342, “Captain America and the Falcon: Secret Empire (feat. Ensley F. Guffey),” is available for listening or download right here and on iTunes here.
An American feels betrayed by his government, which has revealed itself to be nothing but a bureaucratic system designed to conceal criminal activity. Sounds familiar, right? It’s also the basis for the superhero classic Captain America and the Falcon: Secret Empire. Steve Englehart, Mike Friedrich, and Sal Buscema’s Nixon-era tale finds Cap on the run from a populace that no longer trusts him. Joining Paul and Arlo for this Four-Color Flashback installment is Wanna Cook? author and Cap superfan Ensley F. Guffey. The gang discusses why a story like this couldn’t be told today, how it’s difficult to understand Watergate’s importance given today’s political climate, the uncomfortable jive-talkin’ racial stereotypes, and why the outrageous cornball of old superhero comics doesn’t dilute its power. Plus, Arlo makes an apology and the gang shares what comics they’ve been reading.
Next: it’s all been leading to this. Avengers: Infinity War.
(Show notes for “Captain America and the Falcon: Secret Empire.”)
Welcome to week 4 of 5 in our analysis of Chris Claremont and John Byrne’s run on Uncanny X-Men. Weeks 1, 2, and 3 can be found here, here, and here.
This is not quite the reaction I was expecting. They’d fought Magneto, endured the Savage Land, tussled with Arcade and Proteus, and now the X-Men were preparing to go up against possibly their biggest threats yet, the Hellfire Club and Dark Phoenix. And yet I’m sitting here, after these seven issues, with a slight pang of disappointment. There are a number of things I could blame this disappointment on. First and foremost, as you may have noticed by the delayed episode this week, these last few days at Gobbledygeek HQ have been a mite rough. You’re also probably reading this column at least a day late. I don’t regard anything about this column as a chore–it was my idea, and there’s no money involved–but all the same, when you know you have something to do and not much time in which to do it, it can seem like a chore. Which I fully admit is not the best frame of mind to approach a work of art, be it a comic book, a movie, an album, what have you.
But the only reason I bring that up is because I don’t really want to consider the alternative: that for the first time during their run, and ramping up to the most iconic storyline of their joint tenure, Claremont and Byrne have stumbled. Nothing huge or damaging, but instead of continuing their ascent, a little fumbling of the ball. There are parts of these issues that are as epic as they should be, but something feels a little off.