Aho, podcast listeners! To celebrate Native American Heritage Month, Paul and Arlo check in on the latest season of Reservation Dogs, possibly the best show on TV. It would be hard to top Rez Dog’s freshman year, a revelatory season filled with joy, pain, and a whole bunch of shitasses. Yet that’s exactly what Sterlin Harjo and his collaborators have done, deepening the themes of loss and community that made the first season so resonant. The boys rave about the show’s core cast–Devery Jacobs, D’Pharaoh Woon-A-Tai, Lane Factor, and Paulina Alexis—while lauding Harjo’s ability to shine an even brighter light on supporting players like Zahn McClarnon, Jana Schmieding, and Lily Gladstone. Skoden.
NEXT: Alex Jonestown Massacre guitarist Kenn Edwards is back and ready to get Weird: The Al Yankovic Story.
No, this isn’t a dream (or even a nightmare): The Sandman, the iconic Vertigo comic book series created by Neil Gaiman, Sam Keith, and Mike Dringenberg, has finally been adapted for television. Paul, Arlo, and The Deli Counter of Justice co-creator Eric Sipple are all huge fans of the comics, and they use their familiarity with the Dreaming to dive deep into the first season of the Netflix TV show. The gang discusses the show’s mostly spot-on casting, whether it captures Morpheus as well as Roderick Burgess did, how the filmmakers modernize some of the books’ more outdated elements, and so very much more. Plus, a mini-review of Prey, the new Predator film directed by Dan Trachtenberg and starring Amber Midthunder.
NEXT: sing a song of oblivion with Robert Kirkman and Lorenzo De Felici’s Oblivion Song on a new Four-Color Flashback.
The best show on TV is on FX–well, FX on Hulu, that is. It’s called Reservation Dogs, it was created by Sterlin Harjo and Taika Waititi, and it is about four Indigenous kids from Oklahoma dreaming of escape to California. To discuss this funny, heartbreaking show, Paul and Arlo are joined by pop culture writer extraordinaire Nikki Stafford. The gang discusses the show’s subtle storytelling, its incredible cast, the way Harjo and his team thread the needle between tragedy and comedy, and how this series breaks ground for mainstream Native representation in America. Plus, Arlo almost killed Paul.
NEXT: second time’s the charm; hopefully, we’ll actually do a Four-Color Flashback on John Layman and Afu Chan’s Outer Darkness.
For their latest Four-Color Flashback, Paul and Arlo are exploring the world of Si Spurrier and Jeff Stokely’s 2015 mini-series The Spire. Our location is a massive, tiered city surrounded by a desolate wasteland; our cast of characters include privileged aristocrats and the undesired “Sculpted,” hybridized from human and animal DNA; and our story is one of noir sleuthing, extreme violence, racial intolerance, and classism. The boys discuss Spurrier and Stokely’s deceptively simple storytelling; the “soft edges” around their world-building; Stokely’s manga-influenced art; and just how in-spire-ing it all is. Plus, a number of previous FCF selections are hitting the small screen, including Y: The Last Man, The Sandman, and most unbelievably of all, Grendel.
NEXT: what’s that? It’s October? Time for Gobbledyween 2021. Our annual horror-fest kicks off with a discussion of Ti West’s 2009 indie phenom The House of the Devil, featuring our old pal Greg Sahadachny.
To paraphrase Philip and Elizabeth Jennings’ new/old handler Gabriel, “Podcasting and timeliness in many ways are antithetical.” After a series of delays, Paul and Arlo are back with guest of honor Wesley “Wezzo” Mead to continue their discussion of Joe Weisberg and Joel Fields’ modern classic spy drama The Americans. This time, they’re taking a look at season 3, a masterclass in thematic cohesion. Everything, more or less, comes back to the challenge of parenthood: on a micro level, how the Jennings plan on guiding Paige into the world of spycraft; on a macro level, how they can act as individuals under the forceful hand of the Centre. The gang talks self-actualization, bone-crunching, necklacing, and Frank motherfucking Langella. Plus, a detour into the “wholesomeness discourse” raging around Ted Lasso.
NEXT: John Cusack and Paul Dano take on John C. Reilly and Jenna Fischer in a Geek Challenge. It’s the very real music biopic Love & Mercy versus the parody music biopic Walk Hard: The Dewey Cox Story.
Gobbledygeek episode 427, “Derek DelGaudio’s In & Of Itself (feat. Wesley Mead),” is available for listening or download right here, on Spotify, and on Apple Podcasts.
I am a podcast. This week, Paul and Arlo are joined by Wesley Mead to unravel the mystery of Derek DelGaudio’s stage show In & Of Itself, now available on Hulu in a filmed version directed by none other than Frank Oz. Truth be told, if truth is a concept you believe in, the gang doesn’t do much unraveling. No, that would be beyond the point. Instead, they discuss how the show makes them feel and what it reveals about the relationship between one human being and another. Magic, wolves, self-identity, and the communal experience all make an appearance. Plus, Wezzo tells us how the UK is faring with lockdown, and Arlo raves about Merawi Gerima’s stunning feature debut Residue.
NEXT: I’ll meet you in another life, when we are both cats. This month’s Four-Color Flashback is all about Ronald Wimberly’s take on Romeo and Juliet, 2012’s Prince of Cats.
First comes a podcast, then comes 423 more podcasts, then comes a baby who is doomed to think having a podcast host for a dad is normal. On the Gobbledygeek season 12 premiere, Arlo is revealed to be a babydaddy–and the kid isn’t Paul’s! Scandal! Arlo discusses life as the father of a newborn, which involves a good deal of poop. Paul has also had to deal with a good deal of poop, even though his isn’t issuing forth from a screaming, squealing bundle of joy. In between all the poop talk, the boys squeeze out some pop culture talk: Arlo catches up with the new seasons of Ramy and PEN15; Paul gets TikTok’d; Arlo watches (and reads) You; and the boys commiserate about the bizarre, disappointing Wonder Woman 1984.
NEXT: ‘tis the damn season. A/V writer-director Joseph Lewis returns to the show for another round of Swiftie analysis with a deep-dive into Evermore.
00:01:07 – Intro
01:24:30 – Spoilers for Netflix’s You (and the novels it’s based on)
01:29:20 – End spoilers
01:55:05 – Outro / Next
“Isn’t She Lovely” by Stevie Wonder, Songs in the Key of Life (1976)
Gobbledygeek episode 402, “Normal People Like Peanut Butter,” is available for listening or download right here and on iTunes here.
Another week, another reckoning with the apocalypse. As the country gears up to reopen, Paul and Arlo discuss how their home states of Alabama and Ohio are handling things. They are not optimistic! Crowds packed close, restaurants teeming with teens, maskless mugs–these things, and more, contribute to our hosts’ reluctance to get this society back on the road. After they’re done ruminating on our impending doom, Paul raves about Hulu’s Normal People; Arlo recommends two more Hulu series, PEN15 and Ramy; they’re both excited about the forthcoming Sandman audio drama; and the announcement of a much sooner release date for the filmed performance of Hamilton leads Arlo to go negative on negativity. Plus, bones slathered in peanut butter.
Next: senior British correspondent Wesley Mead updates us on life in Boris Johnson’s UK.
Total Run Time: 01:37:20
00:01:00 – Intro? (Time has no meaning anymore…)
01:34:30 – Outro / Next
“Theme From Cheers (Where Everybody Knows Your Name)” by Gary Portnoy (1982)
“Peanut Butter Sandwich” by Raffi, Singable Songs for the Very Young (1976)
Gobbledygeek episode 378, “The Dog Ate My Sleep,” is available for listening or download right here and on iTunes here.
We’re tired. So tired. That’s what you want to hear when you’re about to fire up a podcast, right? You are reading this, aren’t you? Buried among such illuminating subjects as the coffee Arlo’s drinking, Paul’s underhanded behind-the-scenes manipulations, and the boys’ general unprofessionalism, there is indeed some pop culture palaver and parley. The boys are digging HBO’s troubled teens drama Euphoria despite being approximately 400 years too old to say things like “that’s a mood”; Arlo is losing faith in The Handmaid’s Tale; Paul remembers Yesterday; and they both are in awe of Toy Story 4 being so much more than a cynical cash-grab.
Next: Toby Maguire now vanquished, Jake Gyllenhaal finally makes his way into a Spider-Man movie, donning a fishbowl for Spider-Man: Far From Home.
Gobbledygeek episode 352, “Thor Visionaries: Walter Simonson – Vol. 1,” is available for listening or download right here and on iTunes here.
Far beyond the fields we know, SyfyWire.com contributing editor Matthew Jackson joins Paul and Arlo for another installment of this year’s superheroic Four-Color Flashback. This time, they venture to the land of Asgard on their loyal steeds to discuss Thor Visionaries: Walter Simonson – Vol. 1. Simonson’s legendary run defined many cornerstones of Marvel’s Thor Odinson, from the deep ties to Norse mythology to the doing away of mortal identity Donald Blake. The gang discusses why his run is so definitive, Simonson’s vibrant art, his long-game storytelling, what makes Beta Ray Bill so cool, and the deadliness of McBurgers. Plus, The Big Bang Theory is finally ending, Veronica Mars is finally coming back, and Paul is Forged in Fire.
Next: we’ll be back! At some point! We’re working on a book, kids!