And you run, you run to catch up with the sun, but it’s sinking…well, before it sets, Paul and Arlo have a few MCU movies they need to discuss. Due to that pesky pandemic, we’ve gotten behind on the Marvel Cinematic Universe here at Gobbledygeek, but fear not! In this special, super-sized episode, Paul and Arlo discuss three mighty Marvel movies: Shang-Chi and the Legend of the Ten Rings, which brings Chinese mythology to the MCU; Eternals, which brings a race of immortal god-beings to the MCU; and Spider-Man: No Way Home, which brings a whole bunch of Spider-Men to the MCU. The boys rave about Tony Leung, have a friendly (?) debate about the merits of Eternals, can’t get enough of Andrew Garfield, and so very much more.
NEXT: he is vengeance, he is the night, he is Kenn Edwards! Everybody’s favorite podcaster/guitarist joins us for a look at Matt Reeves’ The Batman.
00:01:47 – Intro / Banter
00:03:53 – Shang-Chi and the Legend of the Ten Rings
00:46:42 – Eternals
01:45:50 – Spider-Man: No Way Home
02:37:50 – Outro / Next
“Time” by Pink Floyd, Dark Side of the Moon (1973)
“Three is a Magic Number” by Bob Dorough, Schoolhouse Rock! (1973)
Gobbledygeek episode 317, “Baby Driver: Who Doesn’t Like Hats?”, is available for listening or download right here and on iTunes here.
This week, Paul and Arlo put the pedal to the metal and drop the needle on Baby Driver, the latest nerd fantasia from writer-director Edgar Wright. Filled with rock and soul classics, Wright’s first American film is a high-concept car chase musical that nevertheless plays things a little straighter than his British/Canadian ventures. The boys discuss their favorite music cues, whether or not the internet is right to hate Ansel Elgort, what the film says about music as the soundtrack to our lives, and of course the goddamn Hamm. Plus, Paul and Arlo puzzle over the latest season of Orange Is the New Black and take a bite out of Bong Joon-ho’s Okja.
Next: first-time guest Heather Wiley swings by to talk Spider-Man: Homecoming.
Our Django Unchained bonus episode, “The D Is Silent, Hillbilly,” is available for listening or download right here.
Bat-Turkey is still in hibernation/terribly hungover, but Paul and AJ managed to tiptoe around him to bring this very special Django Unchained bonus episode to you. The boys geek out over Tarantino’s latest opus, a Spaghetti Southern that tackles the lunacy and brutality of racism head-on. There is much pontification in regards to the more straightforward narrative, the great performances, how Tarantino is able to explore race in ways that more “high-minded” filmmakers are incapable of, and the use of a certain word.
With Django Unchained, director Quentin Tarantino takes us once more back to a terrible moment in our history, and once again asks us to indulge him his little anachronisms and revisionist revenge fantasies. This time, instead of Nazis and baseball-bat-wielding Jews, we get slavers and bounty-hunting dentists. Set in the pre-Civil War Deep South, Unchained is Tarantino’s homage to the Spaghetti Westerns of Leone and Corbucci, which he prefers to call his Spaghetti Southern. I’ll say that the absence of editor Sally Menke is sharply felt here, though. If I, of all people, notice the nearly three-hour runtime, then there could’ve been some tightening. The cast is great across the board, including a list of hidden cameos longer than my arm (among others, original Django Franco Nero makes an appearance). Jamie Foxx is great in the title role, though I imagine what Will Smith could’ve done with the part, as was the original intent. Leo DiCaprio, Samuel L. Jackson, and Walton Goggins all shine in their respective roles. Kerry Washington was reduced to little more than the damsel in distress, however, which is unusual for a Tarantino picture. But the standout here is Christoph Waltz. He is every bit as charmingly heroic and admirable this time as he was charmingly repulsive and hateful in Basterds.
AJ: 10. MOONRISE KINGDOM (dir. Wes Anderson)
Wes Anderson’s films often have a childlike quality about them, whether it be his colorful storybook compositions or the petulance of many of his characters. So it’s fitting that he’s finally made a film about children, one in which the kids are on the run from what’s expected of them and their adult guardians are forced to accept the roles they’ve played in their children’s abandonment of them. Newcomers Jared Gilman and Kara Hayward, both in their first screen acting roles, give perfectly awkward performances. Anderson regulars Bill Murray and Jason Schwartzman are in their element here, while Frances McDormand and Tilda Swinton join the auteur’s troupe with ease. Perhaps most encouragingly, Moonrise Kingdom is the first sign of life in years from Bruce Willis–who, with a movie soon to appear on our lists, proved later in the year that he’s most definitely still kicking–and Edward Norton, two actors who really needed a movie like this.
Gobbledygeek episode 109, “How to Survive Killing Seven Unchained Masters,” is available for listening or download right here.
The leaves will soon start falling from the trees and awards bait will soon start arriving in theaters. That’s right, it’s almost time for the fall/winter movie season, so Paul and AJ give you a little preview of 15 films they’re looking forward to. There’s showy Oscar stuff like Steven Spielberg’s Lincoln and Tom Hooper’s Les Misérables alongside the animated video-game-a-palooza Wreck-It Ralph and Quentin Tarantino’s Southern Django Unchained, among many others. Plus, Paul talks about a local movie theater that’s going the way of the Alamo Drafthouse and AJ discusses the news that this season of The Office will be its last.
Next: it’s been a year, folks. Time to look back on what went right and what went very wrong with DC’s New 52.