jennifer lawrence

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Listen to Gobbledygeek Episode 464 – “West Side Story (2021)”

Ariana DeBose and David Alvarez in West Side Story (2021), directed by Steven Spielberg

Gobbledygeek episode 464, “West Side Story (2021),” is available for listening or download right here, on Spotify, and on Apple Podcasts.

Somethin’s comin’, somethin’ good: this week, Paul and Arlo pirouette through a discussion of Steven Spielberg’s new take on West Side Story, nominated for Best Picture at this year’s Oscars. Is it a spoiler to say they love it? The boys discuss how Spielberg and screenwriter Tony Kushner’s changes enrich the text, why choreographer Justin Peck’s bold choice to discard Jerome Robbins’ iconic choreography was the right move, what it means for the Sharks to be played by Latinx actors, and the joy of watching Spielberg treat every musical number like his and Janusz Kaminski’s playground. Plus, Taco Bell sends Arlo spiraling into an existential crisis, and the boys chat about this year’s other Best Picture nominees.

NEXT: Si Spurrier and Jeff Stokely’s Six-Gun Gorilla is locked and loaded for this month’s Four-Color Flashback.

BREAKDOWN

  • 00:00:53  –  Intro
  • 00:06:39  –  Interminable Oscars Discussion
  • 00:37:43  –  A Look Back to Episode 402
  • 00:47:04  –  West Side Story (2021)
  • 02:14:52  –  Outro / Next

LINKS

MUSIC

  • “Something’s Coming” by Ansel Elgort, West Side Story (2021 Motion Picture Soundtrack) (2021)
  • “Somewhere” by Rita Moreno, West Side Story (2021 Motion Picture Soundtrack) (2021)

GOBBLEDYCARES

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Listen to ‘Gobbledygeek’ Episode 328, “Y: The Last Man – Vol. 9: Motherland”

Art from ‘Y: The Last Man – Vol. 9: Motherland’ by Pia Guerra, José Marzán, Jr., and Zylonol.

Gobbledygeek episode 328, “Y: The Last Man – Vol. 9: Motherland,” is available for listening or download right here and on iTunes here.

Yorick’s gang (there’s gotta be a snappier name, right?) inch closer to destiny in Y: The Last Man – Vol. 9: Motherland, as Paul and Arlo near the end of their Four-Color Flashback discussion of Brian K. Vaughan and Pia Guerra’s beloved comics series. The boys once again rehash their frustrations with putting this series under the occasional monthly microscope, leading Arlo to posit that maybe different books are different kinds of great. Then Paul hashes out the most plausible explanations Vaughan has presented for the manpocalypse, and whether any of them catch the boys’ fancy. Plus, Jumanji: Welcome to the Jungle is more fun than it has any right to be, and it looks like Red Sparrow may be the Black Widow movie Marvel has denied us.

Next: the boys go through the looking glass with season 4 of Charlie Brooker’s Black Mirror, joined by first-time guest Sarah Kosheff.

(Show notes for “Y: The Last Man – Vol. 9: Motherland.”)

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Paul & AJ’s Top 10 Films of 2013

Let the top 10-a-palooza commence! Over the next couple weeks, Paul and I will be looking back at our favorite things of 2013. First up, films; next week, TV series; and finally, comics. As always, these lists are imperfect and incomplete, reflecting only on what we’ve seen and love at the moment. Or as Paul writes:

I intentionally refer to the films on this list as favorites, not best. I rank films based on how much I enjoyed them, for whatever ephemeral or esoteric reasons unique to me, not on some system of objective filmmaking truths. These are the ten films I liked the most. YMMV.

Regarding omissions, neither of us have been able to see Inside Llewyn Davis, which makes me want to die, but oh well. I also haven’t seen The Great Beauty, Cutie and the Boxer, or The Hobbit: The Desolation of Smaug, among others. Meanwhile, Paul hasn’t gotten around to Her, The Act of Killing, Stories We Tell, Short Term 12, or Blue Jasmine, to name a few.

Here we go!

– AJ

PAUL: 10. WARM BODIES (dir. Jonathan Levine)

warmbodies

The zombie genre is by this point a bloated undead thing feasting on its own rotting flesh. But director Jonathan Levine (50/50) makes this adaptation of Isaac Marion’s novel fresh, fun, and full of life. Yes it’s a (very) thinly veiled Romeo and Juliet pastiche, but the two leads, neo-nerdhunk Nicholas Hoult and Australian beauty Teresa Palmer, are both engaging and committed. Hoult in particular gets praise for being monstrous and vulnerable, and for selling the cheesy-but-hilarious voiceover with nothing more than his eyes. Also, Rob Corddry as a zombie lamenting, “Bitches, man,” is the best comedic line delivery of the year.

AJ: 10. GIMME THE LOOT (dir. Adam Leon)

gimmetheloot

You walk out of Gimme the Loot immediately wanting to know what first-time writer-director Adam Leon is going to do next. His voice is sharp and fresh, chronicling a day in the life of two teenaged petty criminals in a way that feels authentic but never gritty. His Bronx streets are unvarnished, rife with economic and class divisions, but there’s so much damn heart. Newcomers Tashiana Washington and Ty Hickson give performances devoid of pomp or flash; they simply find the souls of these two aimless kids. They’re one of the most affecting screen duos in recent memory, in one of the biggest surprises of the year.

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Listen to “Hungry Hungry Katniss,” Our ‘Hunger Games’ GobbledySpecial

Our Hunger Games GobbledySpecial, “Hungry Hungry Katniss,” is available for listening or download right here.

After seeing The Hunger Games at midnight, Paul and AJ recorded their thoughts…not all of which are positive. Jennifer Lawrence makes for a good Katniss, but how does the movie stack up to the book? Was there a way around some of the film’s narrative pitfalls? And just what in the fuck is up with that camerawork? (Yes, friends and Gobblers, that means Paul goes on another shakycam rant. And it is glorious.)