Four-Color Flashback: ‘Preacher: Vol. 3 – Proud Americans’

Welcome to week 3 of 9 in our analysis of Garth Ennis and Steve Dillon’s Preacher. Weeks 1 and 2 can be found here and here.

Paul & AJ: MOTHERFUCKERRR!!!

AJ: Last week, you said that Preacher is Garth Ennis’ love letter to an idealized America. Fittingly enough, this third volume is entitled Proud Americans. It opens with a tribute to unfairly treated Vietnam vets, closes with Cassidy’s immigrant’s ode to America, and in between continues Jesse’s struggle between modern ways of thinking and his own manly American moral code. The book also encompasses much more than that, with Jesse’s rescue of Cassidy from the Grail, but those moments seemed the most heartfelt. I didn’t entirely see the love letter aspect last week, but now I completely see what you meant.

Paul: I’m glad my comment makes sense now. I think the love letter aspects were definitely present in the previous volumes, but this volume most definitely brings that theme front and center. It’s sometimes a challenge for me to comment on this series as if I haven’t read the entire thing before.

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Four-Color Flashback: ‘Preacher: Vol. 2 – Until the End of the World’

Four-Color Flashback returned last week with the first of nine installments discussing the controversial Vertigo series Preacher. I’m new to the series, Paul’s been a fan since it first started in 1995, and we roundtable it. (Or is it a cross-table? There are only two of us.)

This week, we discuss Preacher: Vol. 2 – Until the End of the World

Paul: Okay, Mr. AJ, you survived the first explosive, expletive-laden volume of Garth Ennis and Steve Dillon’s Preacher. Here we are, back for more, so tell me…how do you think the second volume, Until the End of the World, holds up?

AJ: I loved the first volume. I had some problems with it–Arseface, Detective Bridges’ sexuality–but on the whole, I thought it was a really entertaining comic with some brilliant ideas. I’m happy to report that Until the End of the World not only continues the witty, profane, blood-splattered fun of Gone to Texas; it also does it one better by introducing some seriously compelling bits of mythology.

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