Listen to Episode 201, “The Sandman: Vol. VII – Brief Lives (feat. Eric Sipple)”

sandman7

Art from ‘The Sandman’ #49 by Jill Thompson, Vince Locke, and Danny Vozzo.

Gobbledygeek episode 201, “The Sandman: Vol. VII – Brief Lives (feat. Eric Sipple),” is available for listening or download right here, and on iTunes here.

Change is important. It’s also a bitch. The Endless turn and face the strain as Paul and AJ continue their Four-Color Flashback exploration of Neil Gaiman’s The Sandman with Vol. VII: Brief Lives. Joining them by request (his request) is Broken Magic author and The Deli Counter of Justice cohort Eric Sipple. The gang discusses Dream and Delirium’s quest to find their brother, Morpheus growing as a person (or whatever he is), the brief stories and briefer lives embedded within the volume’s arc, and how nothing ever stays the same. Brief Lives is the pivotal installment of the series…everything after is fallout. Plus, Paul and Eric gush over Gwen Stacy’s resurgence in Edge of Spider-Verse.

Next: before Gobbledyween takes over the month of October, the boys are joined by Wanna Cook? authors K. Dale Koontz and Ensley F. Guffey to discuss the next Sandman book, Vol. VIII: Worlds’ End.

(Show notes for “The Sandman: Vol. VII – Brief Lives.”)

Listen to Episode 196, “The Sandman: Vol. VI – Fables & Reflections”

Art from 'The Sandman: Fear of Falling' by Kent Williams and Sherilyn Van Valkeburgh.

Art from ‘The Sandman: Fear of Falling’ by Kent Williams and Sherilyn Van Valkenburgh.

Gobbledygeek episode 196, “The Sandman: Vol. VI – Fables & Reflections,” is available for listening or download right here, and on iTunes here.

Rulers–whether they be corrupt, wise, or both–make rules. They establish boundaries, set parameters within which a person lives their life. Should those rules be broken, there will be consequences. Neil Gaiman explores some of those consequences, joined by an incredibly talented string of artists including Bryan Talbot and Jill Thompson, in The Sandman: Vol. VI – Fables & Reflections. Paul and AJ continue their year-long Four-Color Flashback exploration of The Sandman, discussing everything from barophobia to Greek myth, from the once-great city of Baghdad to the “Thriller” video. Plus, Donald Glover finally gets to be Spider-Man and AJ offers his thought’s on Netflix’s first animated series for adults, BoJack Horseman.

Next: on September 1, Paul and AJ kick off an epic podcrawl (see information on participating podcasts in the show notes) discussing the Alien and Predator films with a look back at Ridley Scott’s 1979 classic Alien.

(Show notes for “The Sandman: Vol. VI – Fables & Reflections.”)

Last Month’s Comics: ‘Uncanny X-Men’ Ends (Until the Next Issue), ‘Spaceman’ Lifts Off

Welcome to Last Month’s Comics, in which I discuss, uh, last month’s comics. I get my comics in bi-monthly shipments from Discount Comic Book Service, and as such, I can be a little behind. So here we are.

This column is later than usual, as I was a little preoccupied earlier this month, but for all those still madly wondering about what October 2011’s comics had to offer, here we go…

BEST #1

Spaceman #1
Writer: Brian Azzarello
Art: Eduardo Risso
Publisher: Vertigo

I’ve read only a fraction of Azzarello and Risso’s acclaimed 100 Bullets, which ran for ten years from 1999 to 2009, but one needs no familiarity with their past work to be immediately sucked in by the opening chapter of Spaceman, their new nine-issue mini-series from Vertigo. It takes place in a weird, sad future, just a few monsters and flying cars away from the one in Joss Whedon’s Fray. Our protagonist is Orson, a monkey-ish man genetically engineered to travel to Mars, a trip the human race never got to make. Orson and his low-class friends speak in bizarre, disjointed slang; “okee” is how they say okay, and they actually say “LOL LOL LOL” instead of laughing. In this first issue, Orson has ominous spaceman dreams and becomes involved in the kidnapping of the adopted child of reality TV stars. Eduardo Risso’s art is terrific, Brian Azzarello’s storytelling immediately compelling. Choice line, as Orson’s alarm chirps “New day, new day, new day” while he opens the door on a bleak, cloudless future: “Why, you lyin machine…it’s the same fuck old day it always is.” (Plus: $1!)

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