Art from ‘Spider-Man: Origin of the Hobgoblin’ by John Romita Jr., John Romita Sr., and Andy Yanchus.
Gobbledygeek episode 350, “Spider-Man: Origin of the Hobgoblin (feat. Jed Waters Keith),” is available for listening or download right here and on iTunes here.
Paul and Arlo continue to swing through this year’s superheroic Four-Color Flashback to discuss Spider-Man: Origin of the Hobgoblin, joined by FreakSugar managing editor Jed Waters Keith. This early ‘80s story, primarily written by Roger Stern and drawn by John Romita Jr., finds Peter Parker faced with the emergence of a horrific new villain in the grotesque figure of the Hobgoblin. Who is this masked man? Who knows! In true Parker fashion, Spidey tries to unmask Hobby while snapping pix for the Bugle and juggling his crazy love life. The gang discusses the convoluted behind-the-scenes drama surrounding the Hobgoblin’s identity, the evolution of JRJr, how Peter Parker is kind of a huge ladies’ man for being such a dork, and more. Plus, Paul attended this year’s Slayage conference, while Arlo and Jed are reading a whole mess o’ comics.
Next: Jurassic World 2: Even Assic-er.
(Show notes for “Spider-Man: Origin of the Hobgoblin.”)
Welcome to Last Month’s Comics, in which I discuss, uh, last month’s comics. I get my comics in bi-monthly shipments from Discount Comic Book Service, and as such, I can be a little behind. So here we are. This feature started last month.
So, September 2011, what kind of havoc did you wreak? Let’s find out…
BEST RETURN TO FORM
Buffy the Vampire Slayer: Season 9 #1
Writer: Joss Whedon
Art: Georges Jeanty (pencils), Dexter Vines (inks), Michelle Madsen (colors)
Publisher: Dark Horse
To say that I was pleased upon finishing the first issue of the new “season” of Buffy is an understatement. Season 8 started off very well, with Buffy leading an army of 500 Slayers and trying to unmask the mysterious foe Twilight. And to tell the truth, it was great for much of its run, with an occasional stumble (vampires being outed to the public wasn’t handled with much finesse). But the last story arc, with the reveal of Angel as Twilight, cosmic sex, and general batshit insanity, was so damaging that even someone who considers Buffy the Vampire Slayer to be the greatest piece of entertainment ever given us by man had come to the conclusion that it might be for the best if Ms. Summers was finally laid to rest. The final issue of Season 8, though, was a dramatic 180 from the pace and structure of the last few issues leading up to it, and the Season 9 premiere continues in that vein. With Giles gone and magic vanquished, Buffy is depressed and adrift, working as a waitress and getting blackout drunk. It’s all done with Whedon’s razor-sharp wit and keen sense of twenty-something angst. The final “shock twist” is so humdrum and everyday it’s hilarious. In many ways, the metaphorical “party” is over for our Scoobies; now what? I can’t wait to find out.
Originally published on April 19, 2010
Director: Matthew Vaughn
Writers: Jane Goldman and Matthew Vaughn, based on the comic book by Mark Millar and John Romita Jr.
Kick-Ass is not particularly well-made. It is not particularly well-written. With some exceptions, it is not even particularly well-acted. It is absolute trash, and yet that is part of its appeal. The Mark Millar/John Romita Jr. comic book upon which it is based was slick and stylish, and felt very much in the tradition of ultra-violent superhero satire. Matthew Vaughn’s film, on the other hand, is scrappy and unpolished, getting by solely on its foul-mouthed, blood-spattered charm, much of it due to a pint-sized, purple-clad powerhouse.