Daisy Ridley and Adam Driver in J.J. Abrams’ ‘Star Wars: Episode IX – The Rise of Skywalker.’
Gobbledygeek episode 394, “Star Wars: The Rise of Skywalker (feat. Eric Sipple),” is available for listening or download right here and on iTunes here.
The geeks speak! Gobbledygeek has been resurrected via cloning or Force magic or some shit, and to kick off season 11, Broken Magic author and The Deli Counter of Justice co-creator Eric Sipple has lightspeed-skipped on over to discuss Star Wars: Episode IX – The Rise of Skywalker. After adoring The Last Jedi, the gang approached this supposed final film in the Skywalker Saga with heavy amounts of skepticism–well-earned, depending on who you ask. They discuss the mystical, magical malarkey behind Palpatine’s return; how director J.J. Abrams and writer Chris Terrio are uniquely suited to not deliver a satisfying conclusion; the oodles of fan service; what the film’s final scene means for the legacy of Star Wars; and more. Plus, they talk about The Baby Yoda Show AKA The Mandalorian.
Next: it is January 29, 2020. Paul and Arlo are discussing Alan Moore and Dave Gibbons’ Watchmen for a Four-Color Flashback. I am tired of this world; these people.
Total Run Time: 02:35:50
- 00:00:00 – Intro
- 00:02:35 – The Mandalorian
- 00:28:52 – Star Wars: The Rise of Skywalker
- 02:31:20 – Outro / Next
- “Fanfare and Prologue” by John Williams, Star Wars: The Rise of Skywalker (Original Motion Picture Soundtrack) (2019)
- “Finale” by John Williams, Star Wars: The Rise of Skywalker (Original Motion Picture Soundtrack) (2019)
- “Why ‘Star Wars: The Last Jedi’ Pissed Off Fans” by Matt Singer, Screencrush
- “The Last Jedi dared to put the philosophy of Star Wars in the foreground” by Siddhant Adlahka, Polygon
- “The Rise Of Skywalker, And How Star Wars Is Junk” by Chuck Wendig, Terribleminds
- “Rey’s revelation in ‘Rise of Skywalker’ changes Star Wars for the worse” by Chris Taylor, Mashable
- “How ‘Star Wars: The Rise of Skywalker’ Failed Kylo Ren and What It Could Have Learned from ‘Avatar: The Last Airbender’” by Hoai-Tran Bui, SlashFilm
- “Rote and Cowardly, The Rise of Skywalker Sets a Dangerous Precedent” by Jeffrey Zhang, Strange Harbors
- “STAR WARS: THE RISE OF SKYWALKER Has A Ben Solo Problem” by Lindsey Romain, Nerdist
- “There’s No Such Thing as a Great Star Wars Movie” by Edoardo Ranaboldo, CBR
- “The Rise of Skywalker Makes It Clear Star Wars NEEDS Rian Johnson” by Anthony Gramuglia, CBR
- “‘Star Wars’: Still With Us, but No Longer Above Us” by Owen Gleiberman, Variety
- “Proof That Luke Skywalker’s Story Got the Proper Ending: King Arthur” by Eric Diaz, Nerdist
- “Dark Star Rising: How Adam Driver’s angst and brooding intensity made the world fall in love with a ‘Star Wars’ supervillain” by Brian Hiatt, Rolling Stone
- “The Rise of Skywalker Allowed Toxic Fandom to Win” by Sergio Pereira, CBR
- “Star Wars: Did The Skywalker Saga Bring Balance to the Force in the End?” by Hannah Collins, CBR
- “The Greatest Trick Star Wars Ever Played Was Making Us Think It Was About Redemption” by Susana Polo, Polygon
Gobbledygeek episode 379, “Spider-Man: Far from Home (feat. Cade Onder),” is available for listening or download right here and on iTunes here.
Pack your unnamed dead uncle’s bags, grab your favorite designer sunglasses (that can also level whole cities), and fly on over for a discussion of Spider-Man: Far from Home. GameZone editor-in-chief Cade Onder swings by to join Paul and Arlo, becoming simultaneously the biggest Spider-Fan and the youngest guest to ever grace the podcast. The gang debates the moral implications of EDITH, the gentrification of Peter Parker, whether or not Zendaya is the best MJ, and if we ever need to see that dang Iron Spider suit again.
Next: free the gobble.
(Show notes for “Spider-Man: Far from Home.”)
Jeremy Renner, Don Cheadle, Robert Downey Jr., Chris Evans, Karen Gillan, Rocket Raccoon, Paul Rudd, and Scarlett Johansson in ‘Avengers: Endgame.’
Gobbledygeek episode 372, “Avengers: Endgame – It’s Been a Long, Long Time (feat. Eric Sipple),” is available for listening or download right here and on iTunes here.
All good things must come to an end. And while the Marvel Cinematic Universe is not one of those things–there’s another one of these bad boys coming out in a few months–Avengers: Endgame does represent the culmination of this first wave/cycle/saga of the MCU. Paul and Arlo are joined by their The Deli Counter of Justice co-creator Eric Sipple to discuss just how in the hell directors Anthony and Joe Russo, screenwriters Christopher Markus and Stephen McFeely, and many many other talented filmmakers pulled off this marvelous feat. Because somehow, some way, Endgame is just about the most satisfying conclusion you could hope for.
Next: enter the void.
(Show notes for “Avengers: Endgame – It’s Been a Long, Long Time.”)
Gobbledygeek episode 355, “Gobbledyween: The Witch (feat. Matthew Jackson),” is available for listening or download right here and on iTunes here.
Leaves are on the ground, blood is on the silver screen. It’s time for Gobbledyween. Paul and Arlo’s beloved horror movie festival returns for the first time since 2015, and their opening selection debuted that same year: Robert Eggers’ new cult classic The Witch. Emerging from the wood to terrorize the boys is SyfyWire.com contributing editor Matthew Jackson. The gang discusses the rural dread Eggers exploits, if the film can be read as an empowerment tale, if anything on the screen actually happens, and more. Plus, Paul grooves to synthwave, Jon Favreau gears up for The Mandalorian, Arlo worships Nicolas Cage in Panos Cosmatos’ Mandy, and Spider-Ham makes his screen debut in the new Spider-Man: Into the Spider-Verse trailer.
Next: Gobbledyween continues as filmmaker Jess Byard joins us to take a bite out of Kathryn Bigelow’s Near Dark.
(Show notes for “Gobbledyween: The Witch.”)
Gobbledygeek episode 273, “The X-Files: Season 1 (feat. Wesley Mead),” is available for listening or download right here and on iTunes here.
Paul and Arlo want to believe. They also don’t want to start yet another spin-off podcast, so this week marks the first of ten sporadic installments discussing Chris Carter’s seminal sci-fi series The X-Files. Joining them to discuss the first season is Wesley “Wezzo” Mead, who beams on over from the UK in his (presumably very British) spaceship. Paul talks about what it was like to watch The X-Files every week with the lights out, Wezzo recalls discovering the show as a young TV obsessive, and Arlo offers the perspective of someone watching the show for the very first time. The gang loves the mutual respect between Mulder and Scully, struggles with some very “freshman season” hours, and are in unanimous agreement on the season’s best episode. Plus, Arlo commits hate crimes against the English and there’s a spoiler-free discussion of Jon Favreau’s The Jungle Book.
Next: the second installment of our Four-Color Flashback series analyzing Matt Wagner’s Grendel takes a look at Devil’s Legacy, Pt. 1, collected in Grendel Omnibus: Vol. 2 – Legacy, pp. 66-246.
(Show notes for “The X-Files: Season 1.”)
Our commentary track for Iron Man is available for listening or download right here.
Last month, Paul and AJ recorded a commentary track for Jurassic Park. Now, with The Avengers on its way, they decided to blab all over Jon Favreau’s instant classic superhero film Iron Man. Things that occur: Paul and AJ confess relative ignorance of Iron Man’s comic book adventures; AJ professes his desire to marry Pepper Potts; Paul admires Jeff Bridges’ beardliness; and much–too much?–Tony/Rhodey slash is read. Really. That happens. Several times.
Like last time, we give you some time to set up your DVD/Blu-ray, so you can go ahead and start the commentary before you start the movie.
Originally published on May 8, 2010
Director: Jon Favreau
Writer: Justin Theroux, based on the Marvel comic book by Stan Lee, Don Heck, Larry Lieber, and Jack Kirby
I attended a packed midnight screening of Iron Man 2, and directly beforehand, in the same auditorium, a considerably less packed screening of the original Iron Man. The first is every bit as great as it was two years ago; it is charming, rich with character, brilliantly acted and directed, and with not a wasted minute. It’s the perfect blend of comedy, drama, and action, a genuine crowdpleaser in every sense.