Unfortunately, no one can be told what Gobbledygeek is. You have to listen to it for yourself. Writer-producer Tilly Bridges joins Paul and Arlo for the first of a two-part discussion of Lilly & Lana Wachowski’s revolutionary Matrix franchise. This week, the gang discusses the original Matrix trilogy, which was released from 1999-2003 and shattered moviegoers’ preconceived notions of the world around them. In turn, Tilly shatters Paul and Arlo’s preconceived notions of these films by touching on the Wachowskis’ many choices–from dialogue to set design to costuming–that serve to reflect the trans experience.
NEXT: we plug back in to explore The Animatrix and The Matrix Resurrections.
Avocado Uterus would be a great name for a noise rock band.
Gobbledygeek episode 415, “A Butter Tree Grows in Utero,” is available for listening or download right here and on Apple Podcasts here.
For all you kids at home with a copy of Webster’s New Universal Unabridged Dictionary Deluxe Second Edition taking pride of place on your bookshelf–boy, do we have a treat for you! Paul and Arlo are back on their bullshit, running at the mouth about anything they damn well please. This week’s subjects include: the extreme metal-ness of childbirth, Spider-Man: Miles Morales swinging onto the brand spankin’ new PS5, covert earbuds, Infinity Train heading to the station on HBO Max, a treatise on The Searchers and Apocalypse Now, and so much more.
NEXT: Zorro, the Gay Blade spends a day in The Double Life of Veronique for a doppelganger-centric Geek Challenge.
How come TV actors so rarely get a break on the big screen? The general consensus seems to be that we’ve moved beyond the age of the Movie Star–just look at how little anyone cared about Tom Hanks and Julia Roberts’ Larry Crowne–so why is it still so hard for TV actors to make great movies? Take a look at Peep World. You’ve got Michael C. Hall, who’s given stunning performances on Six Feet Under and Dexter; this man should be working with A-list directors, but instead he makes stuff like Gamer. You’ve got the trifecta of Rainn Wilson, Judy Greer, and Sarah Silverman, all of whom have done very funny work on television. The closest any of them get to cinematic greatness is Wilson’s bit part in Juno. TV’s time-consuming, I know. But when you look at a mess like Peep World, you wonder how so many talented TV people got thrown into such a bad movie. In a way, it reminds me of The Great New Wonderful, an awful movie that inexplicably starred Edie Falco, Will Arnett, Jim Gaffigan, Tony Shalhoub, and Stephen Colbert. Peep World isn’t nearly as bad, but its story of an oh so dysfunctional family feels like an unpleasant tenth-generation copy of The Royal Tenenbaums. It has no style, little wit, and the narrative is all a-shambles. With this many talented actors involved, there are bound to be some effective moments, and there are. But if a filmmaker with respect for and knowledge of the medium had been given the same budget and the same cast, something special could have happened. Extras include deleted scenes and a theatrical trailer.