Art from ‘The Private Eye’ (2013) by Marcos Martin & Muntsa Vicente. Dialogue by Brian K. Vaughan.
Gobbledygeek episode 391, “Four-Color Flashback: The Private Eye,” is available for listening or download right here and on iTunes here.
The Cloud burst, and for forty days and forty nights, all of our secrets rained down. In the not terribly distant future world of Brian K. Vaughan, Marcos Martin, and Muntsa Vicente’s 2013-15 series The Private Eye, the Internet is a distant memory and anonymity is now the foundation of American society. Of course, our hero is an amoral paparazzo-slash-private investigator whose job is to dig up those old secrets; of course, this leads him into a world of trouble. For the penultimate Four-Color Flashback of 2019, Paul and Arlo discuss Vaughan’s clever utilization of noir tropes in the post-Internet age, Martin’s dynamic pencils/inks, Vicente’s eye-popping colors (this is one noir that doesn’t hide in the shadows), their radical pay-what-you-want self-publishing platform Panel Syndicate, and the big philosophical question at the heart of the book: is the Internet worth it?
Next: for the final Four-Color Flashback of the season, we get existential with Fabio Moon and Gabriel Ba’s Daytripper.
Total Run Time: 01:31:30
- 00:00:22 – Intro
- 00:04:10 – Main Topic
- 01:27:00 – Outro / Next
- “Private Eyes” by Daryl Hall & John Oates, Private Eyes (1981)
- “This Masquerade” by The Carpenters, Now & Then (1973)
‘Saga’ art by Fiona Staples.
Last week, we brought you our top 10 films of the year. It was different from past years in that while I still wrote words and words and words, Paul presented his list without comment. He continues that trend with his top 10 comics of 2014. Meanwhile, I’m getting into some unusual territory by admitting that I don’t have a list. Sure, I could have scraped something together, but it wouldn’t have felt right.
I adore comic books–look no further than the year-long Four-Color Flashback series on Neil Gaiman’s The Sandman we just wrapped in December–but this was the year they unfortunately fell by the wayside of my pop culture habits. There are a few reasons: comics are expensive, often going for $2.99, $3.99, or even more for a bundle of 20-25 sheets of paper; reading is a solitary, time-consuming activity which requires laser focus, unlike a lot of movies and TV (I’ll probably get in trouble for that), and this year I chose to devote much more of my reading time to prose; and lately, I’ve grown to prefer sitting down with one-and-done graphic novels or trade paperback collections to only getting a single hit of a story each month.
Then there’s the fact that 2014 was the year I (and Paul, and frenemy of the show Eric Sipple) published a book. I’ve always considered myself a creative person, but actually putting blood, sweat, and tears into finishing a real product available for purchase left me with a lot less free time. Video games were the first casualty–I played the very comics-oriented LEGO Marvel Superheroes for a few days, but that was about it–and then, completely by chance, I noticed comics becoming the second. Which is ironic, considering how heavily indebted The Deli Counter of Justice is to superhero comics.
Gobbledygeek episode 134, “Britain’s Got Wezzo (feat. Wesley Mead),” is available for listening or download right here, and on iTunes here.
Proving definitively that America and Britain are allies, the very British Wesley Mead joins the very American duo of Paul and AJ. Wesley–or Wezzo, as the cool kids call him–is one of AJ’s fellow Ann Arbor Review of Books contributors. They’ve also been good friends for years…yet this is the first time they’ve ever communicated vocally. It is literally history in the making. As they speak voice-to-voice for the first time, they discuss the best of British TV, the new Tomb Raider game, Britain’s lack of peanut butter-and-chocolate combos, and the new online comic book The Private Eye from Brian K. Vaughan and Marcos Martin. Plus, AJ has a very special questionnaire for Wezzo.
Next: nothing next week, as it’s a certain bunny-oriented holiday (that’s a pagan bunny thing, right?). When we return, the boys will be chatting with The Debatable Podcast host Gregory Sahadachny.
(Show notes for “Britain’s Got Wezzo.”)
Welcome to Last Month’s Comics, in which I discuss, uh, last month’s comics. I get my comics in bi-monthly shipments from Discount Comic Book Service, and as such, I can be a little behind. So here we are. This feature started last month.
So, September 2011, what kind of havoc did you wreak? Let’s find out…
BEST RETURN TO FORM
Buffy the Vampire Slayer: Season 9 #1
Writer: Joss Whedon
Art: Georges Jeanty (pencils), Dexter Vines (inks), Michelle Madsen (colors)
Publisher: Dark Horse
To say that I was pleased upon finishing the first issue of the new “season” of Buffy is an understatement. Season 8 started off very well, with Buffy leading an army of 500 Slayers and trying to unmask the mysterious foe Twilight. And to tell the truth, it was great for much of its run, with an occasional stumble (vampires being outed to the public wasn’t handled with much finesse). But the last story arc, with the reveal of Angel as Twilight, cosmic sex, and general batshit insanity, was so damaging that even someone who considers Buffy the Vampire Slayer to be the greatest piece of entertainment ever given us by man had come to the conclusion that it might be for the best if Ms. Summers was finally laid to rest. The final issue of Season 8, though, was a dramatic 180 from the pace and structure of the last few issues leading up to it, and the Season 9 premiere continues in that vein. With Giles gone and magic vanquished, Buffy is depressed and adrift, working as a waitress and getting blackout drunk. It’s all done with Whedon’s razor-sharp wit and keen sense of twenty-something angst. The final “shock twist” is so humdrum and everyday it’s hilarious. In many ways, the metaphorical “party” is over for our Scoobies; now what? I can’t wait to find out.