To paraphrase Philip and Elizabeth Jennings’ new/old handler Gabriel, “Podcasting and timeliness in many ways are antithetical.” After a series of delays, Paul and Arlo are back with guest of honor Wesley “Wezzo” Mead to continue their discussion of Joe Weisberg and Joel Fields’ modern classic spy drama The Americans. This time, they’re taking a look at season 3, a masterclass in thematic cohesion. Everything, more or less, comes back to the challenge of parenthood: on a micro level, how the Jennings plan on guiding Paige into the world of spycraft; on a macro level, how they can act as individuals under the forceful hand of the Centre. The gang talks self-actualization, bone-crunching, necklacing, and Frank motherfucking Langella. Plus, a detour into the “wholesomeness discourse” raging around Ted Lasso.
NEXT: John Cusack and Paul Dano take on John C. Reilly and Jenna Fischer in a Geek Challenge. It’s the very real music biopic Love & Mercy versus the parody music biopic Walk Hard: The Dewey Cox Story.
Gobbledygeek episode 441, “The Americans: Season 2 (feat. Wesley Mead),” is available for listening or download right here, on Spotify, and on Apple Podcasts.
You know what they say: Parenting is hard, especially when you’re undercover KGB operatives masquerading as a suburban American couple. As Paul, Arlo, and special guest Wesley “Wezzo” Mead dive into season 2 of Joe Weisberg and Joel Fields’ modern classic The Americans, they discover all the ways child-rearing is difficult for Philip and Elizabeth Jennings. This includes concealing your secret identity; setting up a decoy aunt; keeping your kids out of the church; and shielding them from the dreaded “spurtsposition.” Plus, Paul and Wezzo rock out to the new Fratellis album and share some nice words about Ted Lasso.
NEXT: it’s My Favorite Year to take a stroll down Sunset Blvd. on a new Geek Challenge.
00:01:16 – Intro / Guest
00:14:17 – Main Topic
01:51:00 – Outro / Next
“Twilight Zone” by Golden Earring, Cut (1982)
“Here Comes the Flood” by Peter Gabriel, Peter Gabriel (1977)
Gobbledygeek episode 436, “The Americans: Season 1 (feat. Wesley Mead),” is available for listening or download right here, on Spotify, and on Apple Podcasts.
Deception is as American as apple pie. Elizabeth and Philip Jennings are well aware of this–they’re Russian spies under deep cover as a suburban couple in the U.S., after all. Their new next door neighbor, FBI Agent Stan Beeman, threatens to throw a wrench into their long con. Over the course of The Americans season 1, there are plenty of twists, turns, betrayals, and confessions. Wesley “Wezzo” Mead has infiltrated the podcast to join Paul and Arlo as they begin a retrospective on Joe Weisberg’s critically acclaimed but criminally underseen FX series. The gang discusses the tremendous work by leads Keri Russell and Matthew Rhys; how the show is a little pulpier and faster moving than they remembered; the characters’ vacillating beliefs in each other and the systems they move within; and, of course, all those wigs.
NEXT: Hollywood post-production supervisor Michael Holland flies in for a look at The Falcon and the Winter Soldier. Take note, Jennings–Soviet agents can be reformed!
00:00:51 – Intro / Guest
00:03:45 – Main Topic
01:50:05 – Outro / Next
“Tusk” by Fleetwood Mac, Tusk (1979)
“Games Without Frontiers” by Peter Gabriel, Peter Gabriel (1980)
On this, the eve of 2013, Paul and I begin to look back at some of our favorite things of 2012. First up, our ten favorite TV series.
Also, let’s give a slow clap to Paul, who struggled through severe illness just to get these words to you, dear reader. A speedy recovery to you, sir!
PAUL: 10. PARKS AND RECREATION (NBC)
Season 5 gets out of the office a little bit, with Ben and April in Washington D.C. (with an evil robot congressman). Ron gets a new love interest (the always lovely Lucy Lawless). Tom starts a new business. And Andy finds a new career.
AJ: 10. GAME OF THRONES (HBO)
What Game of Thrones did in its first season was nothing short of exceptional, a 10-episode narrative that goes down as one of the finest accomplishments the medium has seen thus far. And while the second season struggled at times to recapture that majesty, it certainly wasn’t for lack of trying. The scope and breadth of George R.R. Martin’s world remains impressive; the cast, especially Peter Dinklage as the kind of noble imp Tyrion Lannister, continues to knock out high fantasy material that would crush lesser actors; and thrilling hours like “Blackwater” remind us that this is the closest thing we have to a Lord of the Rings on TV. And it’s a whole lot nastier and sexier, too.