Listen to Gobbledygeek Episode 364 – “Bedknobs and Broomsticks / Chicago: We Both Reached for the Broom”

Gobbledygeek episode 364, “Bedknobs and Broomsticks / Chicago: We Both Reached for the Broom,” is available for listening or download right here and on iTunes here.

This week finds Paul and Arlo being a coupla ding-dong daddies as another musical Geek Challenge is summoned from a mail-order spellbook. First, Paul challenges Arlo to Bedknobs and Broomsticks, Robert Stevenson’s 1971 follow-up to Mary Poppins. Then, Arlo forces Paul to endure Rob Marshall’s 2002 Best Picture winner Chicago. Witchcraft and murder…this one’s got it all. The boys discuss Bedknobs and Broomsticks’ unlikely connection to The Island of Dr. Moreau, whether or not Chicago deserves its reputation as one of the weakest Best Picture champs, and why Paul refuses to pay Rent.

Next: after a week off, we’re back for our second Four-Color Flashback of 2019, discussing March by John Lewis, Andrew Aydin, and Nate Powell.

(Show notes for “Bedknobs and Broomsticks / Chicago: We Both Reached for the Broom.”)

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Listen to ‘Gobbledygeek’ Episode 346, “Mary Poppins / The Lure: Cartoon Penguins Eat Polish Mermaids, Don’t They?”

Gobbledygeek episode 346, “Mary Poppins / The Lure: Cartoon Penguins Eat Polish Mermaids, Don’t They?”, is available for listening or download right here and on iTunes here.

Even with a spoonful of sugar, Paul finds this week’s Geek Challenge hard to stomach. You see, he has invited Arlo to watch Robert Stevenson’s delightful 1964 classic Mary Poppins, in which a magical Julie Andrews and an accented Dick Van Dyke dance their hearts out while unlocking the joy hidden within a stuffy banker. In return, Arlo has forced Paul to endure Agnieszka Smoczynska’s 2015 goth music video The Lure, in which there is little magic but plenty of pain, blood, and desperation as two virginal maneating mermaids come of age. They’re both musicals, they’re both about women, and…that’s about where the similarities end. Some men just like to watch the world burn, and Arlo appears to be one of them. Plus, lots of great trailers; Sense8, Legion, and Westworld broaden sci-fi TV’s horizons; Brian Michael Bendis’ time with Spider-Man comes to an end; and Arlo finally watched Guillermo del Toro’s debut feature Cronos.

Next: after 14 years, The Incredibles 2.

(Show notes for “Cartoon Penguins Eat Polish Mermaids, Don’t They?”)

Paul & AJ’s Top 10 Films of 2013

Let the top 10-a-palooza commence! Over the next couple weeks, Paul and I will be looking back at our favorite things of 2013. First up, films; next week, TV series; and finally, comics. As always, these lists are imperfect and incomplete, reflecting only on what we’ve seen and love at the moment. Or as Paul writes:

I intentionally refer to the films on this list as favorites, not best. I rank films based on how much I enjoyed them, for whatever ephemeral or esoteric reasons unique to me, not on some system of objective filmmaking truths. These are the ten films I liked the most. YMMV.

Regarding omissions, neither of us have been able to see Inside Llewyn Davis, which makes me want to die, but oh well. I also haven’t seen The Great Beauty, Cutie and the Boxer, or The Hobbit: The Desolation of Smaug, among others. Meanwhile, Paul hasn’t gotten around to Her, The Act of Killing, Stories We Tell, Short Term 12, or Blue Jasmine, to name a few.

Here we go!

– AJ

PAUL: 10. WARM BODIES (dir. Jonathan Levine)

warmbodies

The zombie genre is by this point a bloated undead thing feasting on its own rotting flesh. But director Jonathan Levine (50/50) makes this adaptation of Isaac Marion’s novel fresh, fun, and full of life. Yes it’s a (very) thinly veiled Romeo and Juliet pastiche, but the two leads, neo-nerdhunk Nicholas Hoult and Australian beauty Teresa Palmer, are both engaging and committed. Hoult in particular gets praise for being monstrous and vulnerable, and for selling the cheesy-but-hilarious voiceover with nothing more than his eyes. Also, Rob Corddry as a zombie lamenting, “Bitches, man,” is the best comedic line delivery of the year.

AJ: 10. GIMME THE LOOT (dir. Adam Leon)

gimmetheloot

You walk out of Gimme the Loot immediately wanting to know what first-time writer-director Adam Leon is going to do next. His voice is sharp and fresh, chronicling a day in the life of two teenaged petty criminals in a way that feels authentic but never gritty. His Bronx streets are unvarnished, rife with economic and class divisions, but there’s so much damn heart. Newcomers Tashiana Washington and Ty Hickson give performances devoid of pomp or flash; they simply find the souls of these two aimless kids. They’re one of the most affecting screen duos in recent memory, in one of the biggest surprises of the year.

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