Art from ‘My Favorite Thing Is Monsters’ (2017) by Emil Ferris.
Gobbledygeek episode 389, “Gobbledyween / FCF: My Favorite Thing Is Monsters (feat. Eric Sipple),” is available for listening or download here and on iTunes here.
Our favorite thing is Gobbledyween, so to close out this year’s frightening festivities, Paul and Arlo are breaking from the norm to discuss Emil Ferris’ 2017 graphic novel My Favorite Thing Is Monsters. Joining them for this first Gobbledyween/Four-Color Flashback crossover is their The Deli Counter of Justice collaborator Eric Sipple. The gang marvels at Ferris’ stunning art (all done in ballpoint pen!), attempts to process the numerous threads in this first of two planned volumes (sexuality, duality, and reality, oh my!), draws unexpected parallels to Art Spiegelman’s Maus (a FCF entry just this past August!), and so much more (no parenthetical necessary!). We promise there are monsters.
Next: and I’m freeeeeeeeeeeeeeeeeee, free Gooooobbliiiiiiin’.
Total Run Time: 01:42:55
- 00:00:44 – Intro
- 00:03:20 – My Favorite Thing is Monsters
- 01:36:51 – Outro / Next
- “Wild Thing” by The Troggs, From Nowhere (1966)
- “Good Monsters” by Jars of Clay, Good Monsters (2006)
- “The Holocaust, Art, Chicago & Sickness: A 3,500-Word Interview with My Favorite Thing Is Monsters Mastermind Emil Ferris” by Hillary Brown, Paste
- “’My Favorite Thing Is Monsters’ Is A Dazzling, Graphic Novel Tour-De-Force” by John Powers, NPR
- “My Favorite Thing Is Monsters – Review” by Andrea Crow, Lambda Literary
- “Emil Ferris: ‘I didn’t want to be a woman – being a monster was the best solution’” by Sam Thielman, The Guardian
- “My Favorite Thing Is Monsters – Review” by Paul Tumey, The Comics Journal
- “When Everyone’s a Monster, No One Is: The Ugly Everyday in My Favorite Thing is Monsters” by Em Nordling, Tor.com
- “My Favorite Thing Is Monsters is a brilliant, eye-opening graphic novel debut” by Oliver Sava, AV Club
- “The Bite That Changed My Life” by Elly Fishman, Chicagomag.com
Art from ‘Green River Killer: A True Detective Story’ by Jonathan Case. Dialogue by Jeff Jensen.
Gobbledygeek episode 385, “Four-Color Flashback: Green River Killer,” is available for listening or download right here and on iTunes here.
For another installment of this year’s non-superhero Four-Color Flashback, Paul and Arlo look at the story of a real-life hero in Green River Killer: A True Detective Story, Jeff Jensen and Jonathan Case’s loving tribute to Jeff’s dad, Detective Tom Jensen. Detective Jensen was instrumental in catching Gary Leon Ridgway AKA the Green River Killer, America’s most prolific serial killer. The boys discuss Paul’s connection to (and possible culpability in?!) the case, the comparisons or lack thereof to the father-son dynamic in Maus, Case’s beautiful character acting, and more.
Next: leaves are on the ground, blood is on the screen. It’s time for Gobbledyween. We kick off this year’s festivities with a(nother) discussion of Drew Goddard’s 2011 mega-meta horror film The Cabin in the Woods.
Total Run Time: 01:15:25
- 00:00:35 – Intro
- 00:02:00 – Green River Killer
- 01:09:47 – Outro / Next
- “Green River” by Creedence Clearwater Revival, Green River (1969)
- “Deep Red Bells” by Neko Case, Blacklisted (2002)
- “Writer Jeff Jensen Talks Dark Horse’s Green River Killer: A True Detective Story”, diamondcomics.com
Art from ‘Maus: A Survivor’s Tale’ by Art Spiegelman.
Gobbledygeek episode 384, “Four-Color Flashback: Maus: A Survivor’s Tale (feat. Eric Sipple),” is available for listening or download right here and on iTunes here.
For the latest installment of this year’s spandex-free Four-Color Flashback, Paul and Arlo tackle a big one: Art Spiegelman’s Maus: A Survivor’s Tale, still the only comic book ever to be awarded a Pulitzer Prize. Joining them to discuss Spiegelman’s harrowing account of his father Vladek’s time in the concentration camps of Nazi-occupied Poland–and Art’s own tense relationship with Vladek–is Broken Magic author and The Deli Counter of Justice co-creator Eric Sipple. The gang discusses Spiegelman’s provocative choice to depict Jews as mice, Nazis as cats, Poles as pigs, etc.; how Spiegelman follows in a tradition going all the way back to Mickey Mouse; and why it’s specifically disturbing to read Maus in 2019.
Next: Paul and Arlo will return.
(Show notes for “Four-Color Flashback: Maus: A Survivor’s Tale.”)