Listen to Gobbledygeek Episode 471 – “The Batman (feat. Kenn Edwards)”

Robert Pattinson in The Batman (2022), directed by Matt Reeves

Gobbledygeek episode 471, “The Batman (feat. Kenn Edwards),” is available for listening or download right here, on Spotify, and on Apple Podcasts.

Riddle me this, riddle me that…who’s afraid of Matt Reeves’ The Bat(man)? Not Paul and Arlo, that’s for sure, at least not with Project Batman vet Kenn Edwards at their side. There’s a lot of ground to cover, beginning with: Did we need the 897th Batman movie? Of course not, but since we’re here, the gang discusses Robert Pattinson’s turn as the Caped Crusader, the film’s emphasis on detective work, whether or not the story is served by a three-hour runtime, and much, much more.

NEXT: Smile! For this month’s Four-Color Flashback, Paul and Arlo have a little dental work done with Raina Telgemeier’s autobiographical novel.

BREAKDOWN

  • 00:01:10  –  Intro / Guest
  • 00:10:00  –  The Batman
  • 02:24:47  –  Outro / Next

LINKS

MUSIC

  • “Something in the Way” by Nirvana, Nevermind (1991)
  • “The Riddler” by Method Man, Batman Forever (1995)

GOBBLEDYCARES

Paul & AJ’s Top 10 Films of 2012

Last week, we discussed our favorite TV series of the last year. This week, we turn to the big screen.

PAUL: 10. DJANGO UNCHAINED (dir. Quentin Tarantino)

Jamie Foxx in 'Django Unchained'

With Django Unchained, director Quentin Tarantino takes us once more back to a terrible moment in our history, and once again asks us to indulge him his little anachronisms and revisionist revenge fantasies. This time, instead of Nazis and baseball-bat-wielding Jews, we get slavers and bounty-hunting dentists. Set in the pre-Civil War Deep South, Unchained is Tarantino’s homage to the Spaghetti Westerns of Leone and Corbucci, which he prefers to call his Spaghetti Southern. I’ll say that the absence of editor Sally Menke is sharply felt here, though. If I, of all people, notice the nearly three-hour runtime, then there could’ve been some tightening. The cast is great across the board, including a list of hidden cameos longer than my arm (among others, original Django Franco Nero makes an appearance). Jamie Foxx is great in the title role, though I imagine what Will Smith could’ve done with the part, as was the original intent. Leo DiCaprio, Samuel L. Jackson, and Walton Goggins all shine in their respective roles. Kerry Washington was reduced to little more than the damsel in distress, however, which is unusual for a Tarantino picture. But the standout here is Christoph Waltz. He is every bit as charmingly heroic and admirable this time as he was charmingly repulsive and hateful in Basterds.

AJ: 10. MOONRISE KINGDOM (dir. Wes Anderson)

Kara Hayward and Jared Gilman in 'Moonrise Kingdom'

Wes Anderson’s films often have a childlike quality about them, whether it be his colorful storybook compositions or the petulance of many of his characters. So it’s fitting that he’s finally made a film about children, one in which the kids are on the run from what’s expected of them and their adult guardians are forced to accept the roles they’ve played in their children’s abandonment of them. Newcomers Jared Gilman and Kara Hayward, both in their first screen acting roles, give perfectly awkward performances. Anderson regulars Bill Murray and Jason Schwartzman are in their element here, while Frances McDormand and Tilda Swinton join the auteur’s troupe with ease. Perhaps most encouragingly, Moonrise Kingdom is the first sign of life in years from Bruce Willis–who, with a movie soon to appear on our lists, proved later in the year that he’s most definitely still kicking–and Edward Norton, two actors who really needed a movie like this.

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