Listen to the ‘Gobbledygeek’ Season 7 Premiere, “The Somewhat Disgruntled Four (feat. Ensley F. Guffey & Joseph Lewis)”

hatefuleight

Gobbledygeek episode 262, “The Somewhat Disgruntled Four (feat. Ensley F. Guffey & Joseph Lewis),” is available for listening or download right here and on iTunes here.

Don your dead general’s coat and strap on those snowshoes; for the Gobbledygeek season 7 premiere, we’re taking the last stage to Red Rock for a discussion of Quentin Tarantino’s The Hateful Eight. Bringing Paul and AJ up to a Somewhat Disgruntled Four are Wanna Cook? author Ensley F. Guffey and A/V writer-director Joseph Lewis. Ensley, a bonafide historian, teaches us how Tarantino plays with historical symbolism; while Joe, a die-hard Tarantino fan, tells us of the religiosity of his Hateful Eight 70mm experience. The gang also discusses the film’s handling of race and misogyny, how Tarantino borrows from The Thing, whether or not the film is a convincing mystery, and more. Plus, the boys pay tribute to the icons 2016 has already stolen from us.

Next: break out your scones, guv’nor. It’s time once more for the delightfully British Wesley “Wezzo” Mead to make his journey across the pond.

(Show notes for “The Somewhat Disgruntled Four.”)

Listen to Episode 86, “Was That As Good for You As It Was for Me?”

Gobbledygeek episode 86, “Was That As Good for You As It Was for Me?,” is available for listening or download right here.

Are you gonna bark all day, little doggy, or are you gonna bite…and/or listen to us babble about Reservoir Dogs for the first entry of Tarantino Month here at Gobbledygeek? In covering Quentin Tarantino’s first feature, we discuss the film’s ingenious construction; Michael Madsen’s disturbing performance as Mr. Blonde; why AJ thought he might go to hell after watching it for the first time; how it inspired a multitude of copycats; and why none of its imitators have ever been able to rival the real thing. Plus, the boys geek out over the Avengers trailer, Paul brags about a little somethin’, and a revelation is revelated!

Next: Tarantino Month continues with a look at the big bang of ’90s film, Pulp Fiction.

(Show notes for “Was That As Good for You As It Was for Me?”)

Note: there’s a new feature in the show notes wherein we break down the episode, allowing you to see when we discuss certain topics. So if you don’t want to listen to the whole 94-minute episode–shocking, I know–there’s a new handy dandy tool for you.

 

Happy Birthday, Quentin Tarantino: Six Shocking Moments

Quentin Tarantino was born March 27, 1963, meaning he turns 48 today. In the almost two decades he’s been making films, he’s revolutionized independent film, inspired never-ending waves of talentless knock-offs, and made seven utterly fantastic films. Though the violence in Tarantino’s movies has generated a lot of press over the years, that is far from the only worthwhile thing about them; each one is a well-structured, stylish, and suspenseful work of art. No other filmmaker cuts straight to my pleasure center as immediately as Tarantino. Though they are different in many respects, Tarantino and Hitchcock share the knack for creating captivating, instantly iconic cinematic images.

Having said all that, certainly I wouldn’t want to bring it back to the violence…but yeah, I’m going to. Violence is a big part of Tarantino’s work, and just like characters in a musical break out into song when they get passionate, Tarantino’s characters often use violence to express themselves. So it being Tarantino’s birthday and whatnot, right after you watch the most recent episode of Community (granted, it’s more of a My Dinner with Andre spoof than a Pulp Fiction spoof, but still), check out my choices for the most shockingly violent moment in each of his films. And moreover, my thoughts on why they’re as shocking as they are.

Reservoir Dogs – “It’s amusing, to me, to torture a cop.”

If someone asked me to name those movie characters who most embody evil, the first three that would come to mind are Hannibal Lecter, Regan from The Exorcist, and…Mr. Blonde, the gangster psychopath from Reservoir Dogs, played with demented flair by Michael Madsen, a B-grade actor giving one hell of an A-performance. The scene where Mr. Blonde, alone except for a dying Mr. Orange, tortures a cop is one of the most iconic and infamous in Tarantino’s oeuvre. Around the 30-second mark in the video embedded above, “Stuck in the Middle with You” by Stealer’s Wheel starts playing on the radio, and it’s like some sort of clarion call for Mr. Blonde to murder. Kneeling over Mr. Orange’s frail figure, he turns to the cop, smiles, then rises and starts dancing to the song. It’s one of the most casually terrifying bits of acting I’ve ever seen. But in focusing on the scene’s sheer horror, what a lot of people fail to realize is that it’s also fucking hilarious. It’s possible that I’m just a highly disturbed individual, but Mr. Blonde dancing, singing, and smiling his way through ear-slicing and gasoline-pouring is the kind of funny that also just so happens to be pretty damned scary. I remember the first time I saw it, when I was 12 or 13, I couldn’t help but start laughing. Then I immediately began wondering if I was going to go to hell. That’s what Quentin Tarantino movies will do to you.

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Top 100 Characters in Modern Pop Culture: #50-41

On last night’s show, Paul and I continued our countdown of the Top 100 Characters in Modern Pop Culture with #s 50-41. Be sure to listen to the show for our full run-downs, but here are some choice excerpts:

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PAUL: Toothless (How to Train Your Dragon)

In my opinion, the character’s progression throughout the film is pretty spot-on with what feels like natural behavior, from the frightened, wounded animal in the cove to the trusting “pet” that accepts help from his human to ultimately the loyal friend and protector.

AJ: Rick Blaine (Casablanca)

Humphrey Bogart is one of the greatest actors of all time, and no role better defines his appeal than that of expatriate café owner Rick Blaine.

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