Paul and Arlo are going slightly mad. Doctor Strange in the Multiverse of Madness is the MCU’s latest trip through the titular multiverse, fracturing and reshaping reality to meet the franchise’s corporate needs. If that sounds a little unenthused, well, what can we say? The boys didn’t love this one. Paul, ever the optimist, discusses why the MCU’s depiction of sorcery continues to be one of its greatest assets. Arlo, ever the cynic, expresses appreciation of Sam Raimi’s trademark flourishes before lamenting that they’re all recycled riffs. Along the way, they discuss the film’s odd function as a WandaVision sequel, whether punching star-shaped holes in the universe is good goofy or bad goofy, those weird fucking kids, and more.
NEXT: more madness.
00:00:34 – Awkward Intro
00:03:33 – Doctor Strange in the Multiverse of Madness (Spoiler-free)
00:21:15 – SPOILERS!!!
01:50:40 – Outro / Next
“I’m Going Slightly Mad” by Queen, Innuendo (1991)
“X-Men Theme” by Florian Haack, X-Men Theme (Single) (2018)
Gobbledygeek episode 331, “The Shape of Water: Green Around the Gills (feat. Sarah Kosheff),” is available for listening or download right here and on iTunes here.
Come on in; the water’s fine. Sarah Kosheff joins Paul and Arlo to discuss Guillermo del Toro’s The Shape of Water, freshly nominated for 13 Academy Awards. Del Toro’s girl-meets-fish romance is one of last year’s most ravishing, visually sumptuous films, and the gang discusses why exactly that is. (Spoiler: they don’t all quite agree.) Topics of discussion include Sally Hawkins’ and Doug Jones’ tremendous wordless performances; Alexandre Desplat’s beautiful score, and how music is an important mode of communication in the film; the importance of color, specifically green; and how the film is, in del Toro’s own words, about the “beauty of the other.” Plus, Paul has joined MoviePass just in time for it to come under intense scrutiny.
Next: Paul just wouldn’t shut up about The Greatest Showman, so first-time guest Nathan Curtiss will be joining the boys to discuss the Hugh Jackman-starring musical.
Gobbledygeek episode 329, “Black Mirror: Shattered Reflections (feat. Sarah Kosheff),” is available for listening or download right here and on iTunes here.
Ladies and gentlemen, we are through the tweeting glass. First-time guest Sarah Kosheff joins Paul and Arlo to discuss Charlie Brooker’s sci-fi anthology series Black Mirror in general, and the new fourth season in particular. The gang discusses how the series explores the intersection of technology and society, if the “what if phones but too much” line of criticism is reductive, if the idea of a Black Mirror “shared universe” is in any way appealing, and more. Plus, Paul meets The Greatest Showman, Arlo and Sarah marvel at The Shape of Water, and Arlo finally puts Paul in his mouth.
Next: famed Briton Wesley “Wezzo” Mead stops by once again to discuss Chris Carter’s seminal sci-fi series The X-Files. This time, the gang will discuss season 7.
I love the first Men in Black. Really, truly, sincerely love it; to me, it’s the Ghostbusters of the ’90s. If you know me, that’s high praise. I was seven years old in 1997, so there’s always going to be some nostalgia attached to my memories of the movie, but I was surprised by how well (read: completely) it held up when I watched it again a couple years ago. I so adored the first film that when the sequel came out in 2002, there I was on opening day dressed all in black, wearing sunglasses and an MiB: Alien Attack hat I’d gotten at Universal Studios earlier that year. It’s fair to say I was excited. Even at 12, though, I felt something missing from the sequel. Like Ghostbusters II, it lacked the freshness of the original, content to rest on its laurels and half-heartedly copy what made the first so enjoyable.
That said, it’s a pleasure to see Agents J (Will Smith) and K (Tommy Lee Jones) still knocking E.T.s around in Men in Black III, and perhaps more so to see that their partnership has been developing off-screen over the last ten years. J is still the wisecracking hothead of the pair, and K the no-nonsense straight man. But they’ve grown complacent in their roles. When J wants his partner to actually open up for once, K can’t. Still, they’re partners, so when K disappears and no one but J can remember him, J resolves to get to the bottom of things. It turns out that there’s been a fracture in the time stream; K was killed in 1969 by a nasty piece of work called Boris the Animal (Jemaine Clement). Time travel was made illegal long ago, but J doesn’t seem to have much trouble tracking down an undercover time travel service. He jumps (literally) back to the day before K was murdered; hijinks ensue.